Lend Me a Tenor Proves America’s Opera Illiteracy

04/06/2010 4:03 PM |

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I disagree with quite a bit of Charles Isherwood’s pan of Lend Me a Tenor, a revival of which opened on Broadway this weekend. But he does make one incontestable assertion: of Justin Bartha, the Hangover alum who stars in the show, he writes: “his attempts at singing are dubious at best. (The ending really should have been tweaked to avoid exposing his deficiencies in this regard.)”

That’s true! Not that the audience has any clue.

Bartha’s character secretly aspires to be a great opera singer and, one night, when a star tenor cannot be woken up, he gets his big chance, wowing audiences with his Otello, a part he just happens to know by heart.

In one scene, Bartha and Anthony LaPaglia, as the titular tenor, collaborate on an aria, and it’s never more obvious than here that Bartha can’t sing, as his voice wobbles on uncertain notes. And yet at the end of the scene, the two received a wild ovation at a recent performance.

The audience seemed impressed that anyone could almost sing at all, especially in another language! But what the casting choice tells us is that Americans, even wealthy foreign tourists, have become so opera illiterate they can’t even recognize when someone can’t sing, to the point that characters in plays who are supposed to be opera singers needn’t even be cast by anybody who can sing passably!

America: opera is pretty. You should listen to it every once in a while.

One Comment

  • I can’t believe that a weak singer can still manage to land a starring role in a broadway show, especially one where operatic singing is needed. I mean, unless it’s some Citizen Kane-type arrangement, (I guess he is dating an Olsen twin) but….does being “one of the dudes from the hangover” really hold enough sway in the entertainment industry to achieve this? I just don’t get it.