
It can fun, even for serious Argento enthusiasts, to mock Suspiria's softcore ridiculousness-not to mention the expository dialogue, all of it dubbed badly in postproduction. But atmosphere, not storytelling, is Argento's forte. Suspiria's Art Deco set pieces, shot in neon-light by Antonioni cinematographer Luciano Tovoli, are his creepiest ever, owing as much to the carnal claustrophobia of The Conformist as German Expressionism.
Suspiria is technically the first movie in a witchcraft trilogy that also includes Inferno (1980) and The Mother of Tears (2007) — the latter starring the director's iconic vamp daughter, Asia, who cut her teeth as a teenager acting in Italian horror pictures her father had scripted. But context isn't particularly necessary when the basic premise involves pretty girls getting mangled in a haunted house by supernatural forces. Sadistic, lurid, gruesome, and campy: Suspiria lies in a category of cheese all by itself.
Screening on Saturday as part of BAM's Dario Argento weekend, and next Friday, Saturday and Sunday at Anthology Film Archives.
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I'm pretty sure I'll never be able to get into Dario Argento because Juno thinks he's the "ultimate master of horror".