
Their opening exhibition is appropriately grand and ambitious, a recreation of Allan Kaprow's 1961 installation Environment Yard (which basically involved turning the gallery into a tire yard), reinterpreted by three artists in three venues. At the gallery it's William Pope.L's "Yard (To Harrow)" (pictured), along with Josiah McElheny's photo projection at the Queens Museum of Art and Sharon Hayes's hand-painted signs at the New York Marble Cemetery. Click here for full details on the multi-location inaugural show at Hauser & Wirth.
(photo: 16 Miles of String/Flickr)
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