
Anyway that is a very brief historical summary of why Pitchfork's Douglas Wolk is reviewing Do What You Want, Be What You Are: The Music of Daryl Hall and John Oates today. He wisely leaves larger issues of taste, irony and history to idiot big-picture bloggers, and contextualizes the hits (and misses) within the style of the times. He gives it a 4.8, but that seems to have more to do with the selection than anything else, because we all know that it's ok to like Hall and Oates now, and not even ironically. Postmodernism wins!
Also, Nina Simone's cover of "Rich Girl", also.
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Correction to the pitchfork writer: "Maneater" was the biggest hit of their career, not "I Can't Go For That".