Tuesday, August 31, 2010

The Evolution of the Exorcism Movie

Posted by on Tue, Aug 31, 2010 at 5:00 PM

Now were getting somewhere...
  • Now we're getting somewhere...
For 35 years, exorcism movies didn’t change. William Peter Blatty’s 1971 novel, The Exorcist, and William Friedkin’s film adaptation two years later, established the subgenre's signature motifs. As Benjamin Strong notes in his L Magazine review of The Last Exorcism, there are “celibate priests…Catholics, absentee parents, and distracting subplots set in Africa and the Middle East.”

Slasher-movie victims deal with symbolic manifestations of evil; John Carpenter’s white-masked killer is called “The Boogeyman” as often as "Michael Myers". But the victims in exorcism movies battle literal soldiers of Satan, hell-demons who punish PYTs for their spiritual purity. You could read them as metaphors if you tried hard enough—is the demon’s name “Puberticus”?—but neither The Exorcist nor its sequel encourages you to do so. John Boorman’s follow-up, in fact, is explicit in its insistence that Ancient, Unadulterated Evil is real, whether modern peoples believe in it or not.

But then, in 2006, Hans-Christian Schmid, working from a script by Bernd Lange, directed Requiem, an exorcism movie unlike all others.

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"Weigh yourself naked every morning at the same time. Your weight will fluctuate by about five pounds depending on when you last pooped."

Posted by on Tue, Aug 31, 2010 at 4:27 PM

Dont be fat. Everybody hates fat people.
  • Don't be fat. Everybody hates fat people.
Mike is right in that nothing, really nothing, is happening today. So, just in time for Labor Day, let's look at these 10 Helpful Tips for a Skinny Happy Fulfilled Existence, from Village Voice food critic Robert Sietsema.

Mostly, the tips seem to be tricks for waging psychological warfare against your natural desire to eat all the great food that surrounds you at all times because it's your job to eat it. Like: the same amount of food on a smaller plate will make you think you've eaten a bigger meal; keep the really good stuff out of easy reach; etc. There's much wisdom here, if you're the kind of person who's always looking for new ways to dress up your painful, hateful discipline.

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Cornershop Announce First Tour in a Million Years

Posted by on Tue, Aug 31, 2010 at 3:55 PM

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Eight years, to be exact — at least as far as a U.S. tour is concerned. They probably got so excited about Pitchfork naming the Fatboy Slim remix of "Brimful of Asha" the 113th best song of the 90s that they couldn't help but travel overseas to play for us poor souls. On November 19, they'll swing by Irving Plaza in support of their latest album, Judy Sucks a Lemon for Breakfast, which sounds a lot like Beulah but with, you know, sitars. Ah, sweet, sweet pop music. All tour dates after the jump, as are videos for the song "Soul School" from Judy and a hamster singing "Brimful of Asha." Ah, sweet, sweet Internet.

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Video: That Band Chief Was on Craig Ferguson Last Night

Posted by on Tue, Aug 31, 2010 at 3:14 PM

I don't know, people seem to be talking about these guys a little bit lately, right? I guess they're fine. Like The Walkmen but with much worse hair?

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The Internet Has Nothing New to Offer Today, So Let's Watch This Old Ryan Adams Video

Posted by on Tue, Aug 31, 2010 at 2:37 PM

The way I see it, today will be the last really terrible, boring day of summer. Tomorrow there will be new issues of all the weeklies (and, uh, biweeklies), so at the very least, there will be new shit to read. And then by the time Thursday and Friday roll around, there should probably be some fighting abut the Top 200 Tracks of the 90s thing on Pitchfork (uh, riiiight, Yellow Leadbetter is the best Pearl Jam song, but still not as good as "The Humpty Dance"). And then it's the weekend, and then it's Labor Day, and then after that, everything is brand new and awesome. In the meantime, though, for at least a few more hours, things remain terrible and boring. So now I'm going to watch this video from 2004 of Ryan Adams on Letterman doing the "So Alive" from the very underrated Demolition album.

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The Rollicking Arch-Conservative Violence of Piranhas 3D

Posted by on Tue, Aug 31, 2010 at 1:47 PM

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With Sutton on vacation, Stewart went to the multiplex by himself to find out during which sort of movies regular people all over the country are vomiting into their popcorn. He found a fun but reactionary, old-fashioned slasher with more butts and boobs than Frank Mancuso, Jr. could ever have dreamed.

Director Alexander Aja seems a lot harder on his characters than he is on himself. Piranha 3D, a bloodbath spectacular set during spring break debauchery—Hip Shakin’ Mamas in 3D might be more like it, as it boasts more T&A than any studio movie since the 1970s—is not for want of leering objectifiers. Chief among them, however, is the camera itself.

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Public Advocate Annouces the 153 Worst Landlords in New York

Posted by on Tue, Aug 31, 2010 at 1:20 PM

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Today in hilariously revealing Google Maps is this new guide to the slumlords of New York City, unveiled by the office of Public Advocate Bill de Blasio. In an effort to raise tenant awareness and shame negligent and greedy landlords, the office, with the help of aggrieved tenants will keep an up-to-date map of all the crack squats and horrifying toilet rats throughout the five boroughs.

Or, you know, the parts of the five boroughs where no white people live.

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Watch the Trailer for a New Song by No Age

Posted by on Tue, Aug 31, 2010 at 12:39 PM

No Age has taken the trailer to a whole new level, having just unveiled a sneak peek to neither an album (though Everything in Between is going to be pretty good, I think) nor a tour (though they've got that happening too), but to a song. "Life Prowler," the opening track on their forthcoming record, points to more chaotic, climbing noise-pop from the L.A. duo... but then the trailer stops just when it starts getting really good. I suppose that's the point of a trailer. That guy in the inflatable suit is mega creepy, just for the record.

Everything in Between is out on September 28 via Sub Pop.

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Watch The Walkmen Cover R.E.M.

Posted by on Tue, Aug 31, 2010 at 12:03 PM

Well, this is a nice way to end things, huh? We've been all over the A.V. Club's Undercover Series this summer, because it has been by and large really, surprisingly awesome. The final installment was posted online this morning, and it's NYC's very own The Walkmen covering R.E.M.'s unimpeachable "Driver 8," which for some reason, likely having to do with the fact that it is pretty much impossible to ever sound too much like R.E.M., was the final song left on the original list of 25. They do a fine job, though. Not earth-shattering, not embarrassing.

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Brooklyn College Has a Dorm, Now

Posted by on Tue, Aug 31, 2010 at 11:07 AM

(Artists rendering.)
  • (Artist's rendering.)
The Daily News heads down Flatbush way to report on the newly opening Farragut Road, the first-ever Brooklyn College dormitory, and soak up some collegiate color. Brooklyn College students: They eat greasy food at 3am (the reporter talks to the manager of a local Crown Friend Chicken)! They put Jim Morrison posters on their dormitory walls! Just like real college students!

There is a slightly bigger issue here, though: namely, Brooklyn College needs no longer be an exclusively commuter school, and indeed would appear to prefer not to be, as evidenced by their new $4.1 million door. For many young people, moving to Brooklyn is the new moving to New York—the NYU and New School kids who used to live off-campus in Alphabet City now live in Williamsburg, also a hub for prepostgraduates from liberal arts collegs all across the East Coast, as many have noted. So why not bring out-of-state students directly to Brooklyn? Brooklyn College may become a new college hub in Flatbush, similar to Pratt in Fort Greene-Clinton Hill-Bed Stuy (which, if you haven't seen Art School Confidential, was at once far more inhospitable to students than Flatbush is now). We all eagerly await the further spread of hipster-to-yuppie gentrification.

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Dirty Projectors to Release Super Duper Expanded Premium Deluxe Fancy Edition of Bitte Orca

Posted by on Tue, Aug 31, 2010 at 10:32 AM

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Your copy of Dirty Projectors' breakthrough 2009 album Bitte Orca, the one that's contained on either one compact disc or one slab of vinyl, is no longer good enough. On September 28th, the band will release an expanded version of the album with "premium packaging" and a second disc featuring an acoustic in-store performance from Other Music, two songs they already released digitally earlier this year, two vinyl-only B-sides and a cover of Bob Dylan's "As I Went Out One Morning."

Now, I've got a lot of love for Dirty Projectors. I find frontman Dave Longstreth to be one of the most interesting figures currently working in our small but rapidly expanding world of indie rock, and I think Bitte Orca was very obviously one of the best records released last year. But that said, I can never really get behind these expanded special edition things. They seem to come along when a band has had more success than they saw coming and they're trying to extend the life of an album ever further. Taylor Swift did it with Fearless, and I know Grizzly Bear did it with Veckatimest, right around the release of the high-profile New Moon soundtrack they were on. It always feels sort of desperate, and the bonus material never seems to be worth all that much. It feels silly complaining about stuff like this, because yes, I know, it's increasingly difficult for bands to get paid, but it also feels strange to live in a world where Taylor Swift and Dirty Projectors subscribe to the same business practices. If it affords them a few more hours in the studio when it comes time to make a new record, though, I suppose it's alright with me.

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Hear the New Matt and Kim Single

Posted by on Tue, Aug 31, 2010 at 9:03 AM

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We're still a couple months out from the release of Matt and Kim's new album, Sidewalks, but the first single is available today. It's called "Cameras," and you can listen to it on the band's Facebook page, assuming you're willing to click the "like" button, thereby stating publicly, for all your friends to see, that you're a fan of Matt and Kim. The song is fine—a bit more elaborate than what we've heard from them in the past, with horns and a more complex arrangement. There's also something all too closely resembling rapping in the verses.

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Monday, August 30, 2010

They Drive By Night: Capitalism As Dream and Nightmare

Posted by on Mon, Aug 30, 2010 at 4:35 PM

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Raoul Walsh's They Drive By Night (1940), which plays tonight at MoMA's Ida Lupino retro, is bifurcated hodgepodge that pits two fundamental Walsh movies, heroes, and American ideals, against each other. In the first half, from 30s Depression, two trucker brothers (Humphrey Bogart, George Raft) devote their sleeping hours to the road. They’re variations on Walsh’s wharfinger-frontier, good-for-anything lovers whose relationship exists not apart from the routine world but as a way to process it in a time and place with jokes and play; the section’s suffuse with Walsh’s great, democratic filmmaking, deep-space staging anticipating subsequent shots, cross-current kidding, lovers’ fondling, and the nightly routines of truck drivers. In the second half, from 40s noir, a vixen trophy wife (Lupino) makes a bid for the truck company and a trucker, and as in Nicholas Ray and Lupino’s On Dangerous Ground, the filmmaking strips from low-life pluralism, a forum of hoods shooting the shit, to closed-focus, with the swell of strings and jolt of melodrama: what’s mostly memorable is a garage sensor.

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CMJ Announces First Batch of Bands: It Includes Surfer Blood

Posted by on Mon, Aug 30, 2010 at 4:02 PM

Hi again!
  • Hi again!
I just spent the last 12 minutes trying to come up with a way to subtly incorporate the Northside Festival into this post. Around the 10 minute mark, I threw in the towel. With that said, CMJ has unleashed the initial lineup for this year's festival, taking place October 19-23 at most venues around the city. Surfer Blood is back for a victory lap, globe-treading orchestra DeVotchKa will be playing in a circus tent, Dean & Britta will soundtrack Warhol's screen tests, Salem will attempt to live down the stir they caused at SXSW, and Frankie & the Heartstrings will probably be confused with Frankie & the Outs.

Though not "officially" announced, BrookynVegan has started rolling out a list of additional showcases and corresponding bands, including his own (featuring The Pains of Being Pure at Heart, Yuck, Young Man); a Todd P/Hardly Art party (Xray Eyeballs, Circle Pit, Fergus & Geronimo, Woven Bones, Golden Triangle and Vivian Girl Katy Goodman's solo project, La Sera); Park the Van (Juston Stens, Generationals and more); and Fat Wreck Chords (Me First & the Gimme Gimmes, None More Black, Teenage Bottlerocket and more). A press release that recently came to the office noted that Cloud Nothings will also be making an appearance, one that we imagine will be among the most buzzy (heard it hear first).

The official lineup, joined by a smattering of panel discussions, film screenings and CMJ Play, the festival's first-ever gaming and music seminar, is after the jump:

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Baby Baboons at Brooklyn Zoo Need You to Name Them

Posted by on Mon, Aug 30, 2010 at 3:19 PM

baboons
Two baby boy baboons were recently born at the Brooklyn Zoo, to mothers Kaia and Rebecca, respectively, and until September 21st, you have a chance to suggest what their names should be. These guys are both Hamadryas baboons, the first such monkeys to be born at the zoo in six years. Ok, let’s get down to business and name some baboons:

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Brooklyn Woman Fakes Getting Crushed By Lamppost

Posted by on Mon, Aug 30, 2010 at 2:49 PM

lamppost
Hey, c’mon, we’ve all tried this: Friday afternoon, Sherin Brown, 23, was walking along Fulton Street when a truck clipped a light pole near South Portland, knocking it over. Luckily for Brown, she skipped out of the way of the falling pole… and then slipped herself beneath it. Unluckily for Brown, the whole little pas de deux was caught on surveillance video, so after she was treated for her imaginary injuries at Brooklyn Hospital, she was charged with falsely reporting an emergency, a misdemeanor. Which, c’mon, we’ve all done it, right?

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The Drums Cover Arcade Fire, No Kidding

Posted by on Mon, Aug 30, 2010 at 2:11 PM

This makes me very nervous, but I'm staring at a YouTube link to a live recording of The Drums taking on Arcade Fire's "We Used to Wait," and I'm about to click on it.

So it's obviously much more bouncy than the original, with plenty of clanking guitars and a swinging backbeat. I could see Win Butler hearing it, and it getting under his skin a little bit. Why singer Jonathan Pierce insists on pronouncing the word "last" so funny is beyond me, as why he sounds so breathless and British, but, all in all, I'm really digging it. Is that bad?

Via Consequence of Sound

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The Justin Bieber/Raekwon/Kanye Collab Has Now Hit the Internet

Posted by on Mon, Aug 30, 2010 at 1:34 PM

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In Kanye's defense, he did tell us so, and now the much re-Tweeted rumor has turned true. Behold "Runaway Love (Remix)." Sorry? You're welcome? (Has no one yet compared Bieber's vocals to a Jackson 5-era MJ because he certainly sounds like mini Mike here, though it pains me to say it. Did Kanye just say, "Her boyfriend is zero/She needs to cut the weirdo?" Cute!)

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Your Emmy Awards Recap?

Posted by on Mon, Aug 30, 2010 at 1:03 PM

Television's annual Emmy Awards are broadcast on a Sunday night in August, because there's never anything else on television on a Sunday night in August. Except Mad Men, which won the Emmy for Outstanding Drama Series for the third year running at about 10:52pm last night, right as last night's episode was winding up (no spoilers please, I watch via the iTunes store).

The fact that most of the people who would be happy about Mad Men winning an Emmy were not in fact watching the Emmys—the fact that many fans of critically lauded television don't actually watch television per se, but rather follow specific shows, generally on our computer screens—seems to underscore the fragmentation of American culture in general, even as, paradoxically, major events like the Emmys give online communities an opportunity to gather, remotely, around a cultural moment, staving off loneliness through shared experience while also driving up pageviews.

Oh and here are Christina Hendricks and January Jones and Elisabeth Moss in their dresses from last night.

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I Hate Unicyclists

Posted by on Mon, Aug 30, 2010 at 12:27 PM

unicyclists
  • Ain't no friends of mine.
I hate unicyclists. (I have a cousin, a year older, who was really into unicycling when we were younger. I never really liked that cousin.) Unicyclists are attention-seeking exhibitionists who mistakenly believe that quirkiness is a substitute for personality. For this reason, most people don't like unicyclists, and are eager to mock them—unicyclist John Stone seems to understand this, as he makes some defensive preemptive statements in this Times piece about unicyclists:

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