Posted
by Keith Wagstaff
on Fri, Aug 26, 2011 at 11:06 AM
Lots of excited men circling dead pigs on a beautiful island? Yes, Pig Island (Sept. 10th, 11:30am-5pm) is basically like Lord of Flies, but with more beer. The lineup of chefs cooking at Governors Island this year is pretty damn impressive, with 80 pigs (all sourced from the Finger Lakes area) being prepared by the likes of:
Our Idiot Brother: I’m glad this movie is apparently going out on 2,000 screens, because you can never quite tell with the Weinstein Company: they might release a movie, they might recut it, they might shelve it, they might dump it into three theaters due to a contractual obligation, or if they’re feeling feisty and/or the one guy who works for the Weinsteins doesn’t CC the one other guy who works for the Weinsteins on the weekly status update email, maybe all at once, if possible.
Posted
by Keith Wagstaff
on Fri, Aug 26, 2011 at 9:45 AM
Lauren Shockey isn’t your average food critic. After graduating from the French Culinary Institute in 2008, she decided to go on a culinary journey, working as an apprentice at Wylie Dufresne’s wd~50 as well as kitchens in Vietnam, Israel and Paris, as documented in her new book Four Kitchens. Today, she puts her culinary experience to work as a food critic at the Village Voice. We sat down over a nice craft beer with her to discuss Israeli cuisine, getting sexually harassed in Paris and where to find great Vietnamese food in New York.
So, which was the most eye-opening experience: New York, Vietnam, Israel or Paris?
wd~50 in New York, because it was really the first restaurant I worked at. I remember walking in the door the first day petrified; I was so intimidated by Wylie that couldn’t look him in the eye. At first I was really slow. Tasks that took the rest of the staff four minutes took me 40. Eventually, though, I learned all of the basics of how to work in a restaurant kitchen: prep, organization, even how to hold my knife correctly.
Bailee Madison, sneaking out of a screening of Don't Be Afraid of the Dark.
Hey, it’s BlockBluster, our seasonal feature in which Benjamin Sutton and Henry Stewart find out during what sorts of movies regular people all over the country are fearing the dark. This week they wish Troy Nixey's Don't Be Afraid of the Dark were lighter.
SUTTON: So, Henry, we could probably piece together the entire plot of Don't Be Afraid of the Dark by citing the various generic precedents from which it draws so joylessly—much as we might've done last week with Conan the Barbarian and every sandy fantasy action movie ever made. Like how its evil little critters are part New York City rat, part Gremlin, or that its creepy Rhode Island mansion alternately evokes The Shining's Overlook Hotel and that British estate from The Others. But for expediency's sake let's just say that Sally's (Bailee Madison) neglectful mother sends her to live with her equally inattentive father Alex (Guy Pearce), who with his new girlfriend Kim (Katie Holmes) is restoring a haunted historic house. Rather than bemoan how hackneyed and humorless this remake is, though, it seems to me there's a pretty strong class war subtext here. Sure, the housekeeper and contractor are sympathetic characters, but aren't the hungry furballs basically lower-class-coded monsters? They scurry about in the basement, where servants traditionally worked; they hide in a chimney that, a century earlier, a servant would have kept roaring to heat the richers upstairs; like the proletariat, they're only effective in large, organized groups. What do you think, Henry, should Don't Be Afraid of the Dark really be title "Don't Be Afraid of Your Unstable Class Position"? That's pretty catchy.
Posted
by Lauren Beck
on Thu, Aug 25, 2011 at 4:19 PM
When crowned crooner-producer wunderkind James Blake posted a cryptic message over his Twitter account last week hinting at some sort of collaboration with Justin Vernon, indie's other shrilled-voiced man of the year — giving us little to go on besides the words "Fall Creek Boys Choir" and the date "24th August 2011" — the sun was expected to explode yesterday. The mountains were to move, the sea was to part, our purpose on earth was to be made clear through the power of two emotionally purging musicians.
Instead what we got was the premiere of a song called "Fall Creek Boys Choir" on BBC Radio 1, featuring Vernon harmonizing with his heavily Auto-Tuned self and Blake doing whatever it is that people are constantly praising him for behind the boards. The track itself is old news by now (you can listen to it below), but the overly enthusiastic reactions to it are still mind-boggling to me. There are already 914 "likes" on the Pitchfork post alone. Really?
Posted
by Audrey Ference
on Thu, Aug 25, 2011 at 3:37 PM
You put this on your you-know-what.
Hey ladies (and gentlemen?)! Your prayers for a vibrator that has at least 16 gigs of storage have been answered. You charge it with your computer, store some spreadsheets or whatever, then get all busy on yourself. And probably clean it somehow? I'm not sure. That is for you to decide for yourself.
This is not the first breakthrough in "discreet" sex toy technology, however. As a fan of Things That Look Like Other Things (for some reason those one-hitters that are disguised as sharpies will forever crack me up), here for your looking (or buying!) pleasure are the very hilarious-est of secret sex toys.
Posted
by Jeff Klingman
on Thu, Aug 25, 2011 at 2:50 PM
James Chance Live at the Manhattan Inn, Greenpoint Wednesday, August 24, 2011
James Chance — punk hero, disco terrorist — stood at the mirror and hairsprayed himself, copiously, to satisfaction. Being at the Manhattan Inn, a cozy, candle-lit Greenpoint piano bar with a sunken floor and a circle of booths around it, and not backstage at a proper rock club, Chance’s aerosol fog dissapated slowly in full view. There was no chance of that pompadour spontaneously contorting itself. (Ugh, sorry.) While this was happening, a non-descript warm-up player killed time behind the back room’s white grand piano, looking super bored. The crowd was far beyond what you’d expect on a typical night, 20-somethings sitting stadium style on the steps between booth and piano level, standing in any natural gaps. But nobody paid the warm-up guy much mind, holding our attention in reserve for what we assumed would be something rather odd.
Posted
by Henry Stewart
on Thu, Aug 25, 2011 at 2:03 PM
Artists, writers, and other generally hip folks in New York were electrified in 2008 by the prospect of an Obama presidency. There were nonstop gatherings and fundraisers; They Might Be Giants could sell out a $1,000/head event in DUMBO. But, going into 2012, this energy seems to have been exhausted. The most startling evidence? "The Obama T-shirts," David Freedlander reports in a long Observer piece, "have been turning up at the Goodwill and at garage sales." While these same t-shirt relinquishers may still pull the lever—er, tick the proper box the piece of paper they'll feed through an optical scanner—it doesn't seem that they'll be hosting any more "Karaoke We Can Believe In" events.
Posted
by Mark Asch
on Thu, Aug 25, 2011 at 1:28 PM
The last-ever issue of the New York Press (RIP) hit newsstands yesterday, with a cover highlighting many of the reporters, critics, essayists, artists and editors who've contributed over the years, including of course current Village Voice political reporter Harry Siegel, the paper's editor for a few months in 2005 and 2006, before quitting in protest at the publishers. And really, the Press couldn't have gone out any other way:
"Harry Sigel." Many times. (Also weird job splitting up names with the big white names.) Additional head-scratchers and -smackers:
When Lauren Beck and I interviewed Alexei Perry and Dan Boeckner of aggressive, electro-pop outfit Handsome Furs before their set at the Bowery Ballroom last week, they were in a state of partial-culture shock, having returned to North America after having played under a bullet-riddled roof in Kosovo a few days prior. But that's just one of the things that's so wonderful about the way the band (and married couple!) approach making music and touring—Perry and Boeckner are boundless, making it a goal to travel anywhere and everywhere, whether it's a recently war-torn, economically sunken part Eastern Europe or politically repressive bits of Asia and the Middle East. We were lucky enough to catch up with Handsome Furs while they were in town to discuss their most recent, controversially-covered (see "Indie Rock Publications Still Mostly Scared to Death of Vagina: Reactions to the Handsome Furs Album Cover") record Sound Kapital, and, well, to gush over their seemingly, amazingly idyllic rock n' roll relationship. Check out the interview after the jump.
Posted
by Ross Barkan
on Thu, Aug 25, 2011 at 12:10 PM
Sodega
Poorer people drink more soda than richer people. Residents of wealthy Chelsea and Greenwich Village are the least likely to indulge in the soft drink, while those who live in Flatbush and East Flatbush are the biggest fans of sweet carbonation, the Postreports.
Only 11.2 percent of those two affluent neighborhoods reported drinking one sweetened beverage a day. On the other hand, nearly half the population—45.7 percent—of Flatbush enjoyed a soda everyday, almost the same as in the South Bronx. The Health Department released the figures yesterday, shocking Flatbush's city councilman, Jumaane Williams. "It's disturbing," he told the tabloid.
Posted
by Mike Conklin
on Thu, Aug 25, 2011 at 11:20 AM
Whether you're among the St. Vincent fans who are in it primarily for Annie Clark's breathy, beautiful vocals and her consistently smart lyrics, or among those who just sit there waiting patiently for that part in each song where sudden bursts of wildly over-driven electric guitar kick in, well, there's enough here to satisfy on pretty much all levels. Even if you're into seeing people buried alive. Strange Mercy is out on 9/13.
Outline of the future weather-proof bubble at Pier 5 in red.
While the future of high-end housing inside its boundaries remains partiallyuncertain, plans for the revamped post-industrial piers jutting into New York harbor from Brooklyn Bridge Park continue more or less apace, and on Tuesday the park released a request for proposals (PDF) for a seasonal recreational structure—aka a sports bubble—on Pier 5.
A collaborative mural by Gaia, Nanook and Creepy at the Timeshare Backyard. (Photo courtesy Jaime Rojo/Brooklyn Street Art)
Though we made gentle fun of the Timeshare Backyard—The Participation Agency's by-the-hour rental lot of picket fence-bordered suburban backyard grass at 145 Ludlow Street on the Lower East Side—we're now eating our words as the formerly blighted expanse unveils a small but stellar show of street art, Grassy Lot Show, opening tonight from 6-8pm.
Posted
by Elina Mishuris
on Thu, Aug 25, 2011 at 8:57 AM
The Spectacle Theater is currently spotlighting Brazil's wild and woolly Cinema Novo movement of the 1960s; key director Glauber Rocha is represented by 1969's Antonio das Mortes, tonight at 7:30.
Antonio das Mortes isn’t interested in your petty politics—at least, not yet. As behooves a figure of such massive, mythic proportions, the eponymous killer of canguaceiros (outlaws and rebel leaders) is in competition and dialogue only with himself. Between his handiwork in 1964’s Black God, White Devil, an earlier film by Glauber Rocha, and this 1967 Cinema Novo touchstone (its original title: O Dragão da Maldade Contra o Santo Guerreiro), he seems to have finished the job, and the canguaceiros, conclusively. So when news of Cairana, a new claimant to the name, reaches Antonio (Maurício do Valle, thick, brooding and dressed for the hunt), he and his gun and machete set out into the Brazilian steppe—the sertão—and toward eventual sea change, free of charge.
A NYPD officer engraving an identification number onto a bicycle.
Unless you're one very lucky Craigslist sting operation coordinator, if/when your bike goes missing in Brooklyn your chances of getting it back are nearly nil. But you never know, and it won't cost you anything except five minutes, so why not get an identification number etched onto your bike frame and a security decal applied to it on Friday at Greenpoint's 94th Precinct?
Posted
by Henry Stewart
on Wed, Aug 24, 2011 at 3:34 PM
Readers of this Sunday's Times who first came upon the Sunday Styles section were treated to a story headlined "The Night is Young," about party promoters in the Hamptons barely old enough to drink. Moving through the sections, readers might then have come across the Sunday Business section, with a lead story called "In Silicon Valley, the Night is Still Young." Do the two sections not talk to each other, like the FBI and CIA pre-9/11? Or was the Business headline a dig at Styles? "Um, we were young first, and we're still young." We didn't bother asking the Times, cuz we figure they have more important stuff to do, like cover what's happening in Libya.
Rendering of Leon Reid IV's "Tourist-in-Chief" (left) and Miquel Barcelo's "Elephanta" (right).
Remember how Brooklyn-based street artist and rogue public sculpture installer Leon Reid IV was planning to transform Union Square's equestrian George Washington statue into "Tourist-in-Chief" for Art in Odd Places' upcoming October 1-10 festival along 14th Street until the Parks Department shot down his proposal? Well in an email this week Reid tells us he's presenting his project to Community Board 5 next week.
Posted
by Lauren Beck
on Wed, Aug 24, 2011 at 1:54 PM
Folks in Portland are starting to make some fuss about recent Oregon transplants Radiation City, who are conveniently making their Brooklyn debut tonight at Spike Hill (they played Pianos yesterday), and with good reason. The Oregonian describes the foursome as "the Velvet Underground playing lounge and bossa nova," which, yes, is a little bit true. But they hit on other influences — Stereolab, The Ronettes, The Cardigans — with such elegance and ease that the generic Velvet Underground reference doesn't really stick. There's a lot of going on here, and the way they wind the threads around Lizzy Ellison's clear-blue voice... that's the real selling point. The best example of this comes on "The Color of Industry" from their full-length debut, The Hands That Take You, out September 27, just as the guitars starting doing a shimmy thing, right after the girl-group harmonies kick in. Hook, line and sinker. Listen below.
Paul D'Agostino, the Human Google Reader, has compiled some of the accounts of consequences from yesterday's earthquake that have begun trickling in from all over.
- Earthquake on eastern seaboard of US attributed to Qaddafi shitting his pants in a bunker deep beneath Tripoli. Of course, news sources are spinning it a bit differently.
- Facebook accused of causing earthquakes along the east coast of the United States today in order to increase the flow of status updates. When confronted regarding such allegations, a representative, asking to remain anonymous (while noting the irony of his request, given his employer), said, "Look, competing with Google+ has been a real bitch."