Posted
by Lauren Beck
on Thu, Sep 29, 2011 at 1:29 PM
Did you guys know that Radiohead played a show in NYC last night? Like, whoa, right? I mean, I guess? (Jeff Klingman will be at tonight's; check back here for a review tomorrow.) With all the recent news surrounding the band — the shows at Roseland, television appearances, supposed Coachella confirmation, desperate fans — we think an appropriate gesture of appreciation would be submitting a photo of yourself on the newish Tumblr blog Thom Y0rking. Since March, it's been collecting "half-eye portraits" submitted from people around the globe mimicking Thom Yorke's "eye thinking." In its creators' words: "We felt a good opportunity to create a dialogue, a connection, between people through this simple gesture. The goal is to laugh at ourself, and others as well, we are all imperfect and we like it the way it is."
If you're one of the thee people who got tickets for tonight, why don't you take a picture of yourself Thom Y0rking while at the show? Meta. Radiohead would appreciate that.
Posted
by Audrey Ference
on Thu, Sep 29, 2011 at 12:40 PM
This Saturday is New York's own SlutWalk, the anti-rape and sexual assault protest originally developed a reaction to a Toronto police officer's suggestion that "women should avoid dressing like sluts in order not to be victimized." Since the Toronto march in April, there have been SlutWalks in cities around the world. Saturday it's our turn.
In an open letter to the SlutWalk organizers, a group of Black women, including the board and founders of Black Women’s Blueprint and many, many others, wrote about why SlutWalk does not speak to the rape and sexual assault that women of color experience:
In the magical land where the commute between Brooklyn and the Upper West Side is a mere 10 minutes and college students write cover stories for New York Magazine, Gossip Girl goes all out with their guest appearances. Most make sense, like Tim Gunn and Diane Von Furstenberg. Others, not so much, like New York Observer's Jared Kushner and sporadic appearances by Wallace Shawn as Cyrus Rose, Blair Waldorf's step-dad. Included in the illustrious group are the show's many musically-inclined guest appearances, like that of Jenny Lewis and her boyfriend/bandmate Johnathan Rice in Monday night's premiere, which a friend called depressing.
At left, Leon Busy's 1915 photo (courtesy Musee d'Albert Kahn), at right Bob Dylan's recent painting (courtesy Gagosian).
Earlier this year we predicted that one of the season's must-see exhibitions would be Bob Dylan's show of paintings from his travels throughout Asia at Gagosian's Madison Avenue location, and we were so right! But not because the impressionistic travelogue acrylic paintings are especially interesting—highly debatable; because rather than being accounts of the musician's travels they may actually be copied from well-known photographs.
Posted
by Mark Asch
on Thu, Sep 29, 2011 at 9:52 AM
We Can’t Go Home Againscreens this Sunday afternoon at the 49th New York Film Festival, in the "Masterworks" section; it also screens on the 17th at Film Forum, and Oscilloscope will release the film on DVD next year, along with Susan Ray’s companion piece, Don’t Expect Too Much, which screens as a special NYFF presentation on Monday night, and at Film Forum on the 17th as well.
Late in life, weakened by alcohol and defeated by Hollywood, Nicholas Ray took a job teaching at SUNY-Binghamton, and he collaborated with his students on a film, We Can’t Go Home Again, which screened as a work-in-progress at Cannes in 1973 and has popped up sporadically since, including, at last, this restoration of the Cannes presentation. (Ray continued to work on the film up to his death in 1979; his widow Susan’s new making-of documentary Don’t Expect Too Much may offer some insight into the work.)
Posted
by Henry Stewart
on Thu, Sep 29, 2011 at 8:57 AM
The Opening Night film of the 49th New York Film Festival, Roman Polanski's Carnage, screens four times this Friday night. Sony Classics will release the film on December 16.
Roman Polanski's terrific screwball adaptation of a Yasmina Reza play begins with four adults trying peaceably to settle a problem between their sons; it ends with four creatures drunk, exhausted and reverted to a primal state of hostility. Jodie Foster and John C. Reilly play dippy liberals, the parents of a boy who got two teeth knocked out in a fight at Brooklyn Bridge Park (they're also residents of an apartment, with a working fireplace, too large and lovely for their income level); Kate Winslet and Christoph Waltz are well-dressed professionals, parents of the skirmish's stick-swinging aggressor. They spend most of the movie with their coats on, motioning to go but never making it farther than the hallway, the souring summit a kind of no-exit nightmare as all four slowly shed the put-on signifiers of maturity and indulge instead puerile impulses, effectively adopting their kids' conflict and de-evolving into children.
Last time we received a dispatch from the Prospect Park West bike lane battle front, the lane-hatinglawsuit-filers vowed to sue again after their case against the Department of Transportation demanding the lane's removal was dismissed, and some improvements were underway at its northern end. Now more adjustments to the controversial bike path are in the works, as is an appeal by its opponents following their ill-fated (and -advised) initial suit.
Posted
by Ross Barkan
on Wed, Sep 28, 2011 at 2:35 PM
Mayor Bloomberg, choosing between the wrong and right directions.
Mayor Bloomberg’s pretty okay, but the city isn’t, therefore he’s doing a good job making the city... not okay? A NY1/Marist College poll has the latest in perplexing, somewhat schizophrenic poll results: 46 percent of people surveyed think the mayor’s job performance is good or excellent, 35 percent believe his performance is fair, and 18 percent say it’s very poor. But 52 percent of responders think the city "is going in the wrong direction."
Posted
by Lauren Beck
on Wed, Sep 28, 2011 at 1:49 PM
We've been treated to a wave of awfully good free shows lately: Malkmus at Academy Records, Girls and Twin Sister at Other Music, The Hold Steady at Beekman's Beer Garden, DFA 1979 at that Vice thing, geez. Maybe it's to warm up for what will hopefully be a full-blown surge come CMJ, or maybe it's to make us realize that we got it pretty good around here year round. Either way, we're not complaining. Today brings us two more — a set from Webster Hall-bound Laura Marling at an undisclosed location (that should be happening now, actually) and a just-announced 4pm set by Sub Pop's Head and the Heart at The Living Room. They sold out Music Hall of Williamsburg on Monday, Bowery yesterday, play another sold-out show there tonight, and have quite a way with Dr. Doggish-type folk, so we suggest you get there early to grab a seat. Take advantage, yes? I can attest that this sort of thing does not happen in Columbus, Ohio on Wednesday afternoons.
Look, I found this video on YouTube to inspire you to lie to your boss and say you're suddenly not feeling well:
Posted
by Jeff Klingman
on Wed, Sep 28, 2011 at 12:58 PM
Anika Live @ (le) poisson rouge, Manhattan September 27, 2011
OK, so it seems sort of silly to even write this, because, of course he can, but Geoff Barrow can really play the drums! The Portishead maestro, hanging out in New York City ahead of a probable fried-dough coma at Asbury Park for All Tomorrow’s Parties this weekend and a couple of highly anticipated shows in town with his main band next week, was only the drummer last night (and not just standing behind a indeterminate noise box or digging records out of a crate, as I pictured in teenage Portishead fever dreams). Anika, the European chanteuse whose excellent post-punk record he produced last year, sauntered out only after he and his other other band Beak> had already started playing. Backlit in a black dress, radiantly morose, she was picture perfect for the decaying post-punk aesthetic conjured by Barrow and co. Try as you might, you'll never find a better bummer.
Still from "The Clock" (2010) by Christian Marclay.
In an official announcement today the Museum of Modern Art confirmed what many art world insiders already knew, that the museum had acquired one of the six editions of Christian Marclay's time-keeping supercut "The Clock" (2010), which caused hours-long waits outside Paula Cooper Gallery last winter when it was shown there. The museum has yet to announce how and when the 24-hour video work will be exhibited.
Posted
by Mike Conklin
on Wed, Sep 28, 2011 at 11:20 AM
I'm legitimately very excited to tell you about a new event we've been busily planning these past few weeks, one that is very much dear to my own heart: The MusicNOW Summit presented by AT&T, set to take place next Wednesday, October 5, at The Knitting Factory, is an evening of presentations and conversations between a handful of highly esteemed members of the music community. What's the point, though?
Posted
by Mark Asch
on Wed, Sep 28, 2011 at 10:32 AM
In the event that neither of your parents called to remind you (thanks, Dad!)*, Rosh Hashanah, the Jewish New Year, begins tonight at sundown.
So here's wishing all of you a fitter, happier, more productive 5772.
* Late in its run Aaron Sorkin's Sports Night had a really good joke about the compulsion of Jewish parents to remind their adult children about the upcoming Jewish holidays, incidentally.
It's already been two years since Performa 09, which means it's time for Performa 11, whose full roster of performers was announced late last week. The performance art biennial, which runs from November 1-21, won't launch with an ostentatious art feast, but it will feature many of the artists you would expect, among them...
Last time I mentioned the Copenhagen-based art collective Superflex it was because they'd flooded a restaurant—a McDonald's—but now they've transformed a Greek restaurant on the Lower East Side far more subtly by building inside it a replica of the executive bathrooms at JPMorgan Chase & Co.'s Financial District headquarters.
Posted
by Lauren Beck
on Tue, Sep 27, 2011 at 4:28 PM
Vampire Weekend producer/multi-instrumentalist Rostam Batmanglij (and let's not forget about Discovery) posted a delight of a song called "Wood" today on his tumblr page. Imagine what sort of little dance Thom Yorke could come up for this one: a six-minute, happy-sad, cross-continental adventure with alluring Bollywood influences to make you interested, tribal drums to keep you that way, and a string-laden choirboy conclusion that confirms it was worth your time.
No matter your thoughts on Vampire Weekend, can we agree that this kid is insanely talented? And that pretty much everything he touches ends up pretty great? And since we're asking questions, does that photo posted on his blog of Vampire Weekend drummer Chris Tomson in the studio mean that they just recorded their new album? We'd like for that to happen very much.
Whoever invented freaky colored-contacts must have been both a sick and brilliant individual. The new Twin Sister video for "Kimmi in a Ricefield" (directed by drummer Bryan Ujueta and Dan Devine) relies heavily on the all black and milky white ones, and the result is about as unsettling as that time I decided to stay up all night watching Korean horror movies by myself.
What appears to be Kimmi's character is played by lead singer Andrea Estella, and she does a good job of looking wide-eyed and victimized by an evil spirit à la Tevye's crazy dream sequence in Fiddler On The Roof. Maybe the spirit's supposed to represent Agent Orange? Or, more generally, total war? The ghostly, fused-head twin thing at the end implies something nuclear-related.
You can watch it below, then hug your knees and rock until you get to your safe place. After, you can listen to Twin Sister's funky and thoughtful new album, In Heaven, which is out today.
Posted
by Marissa Gaines
on Tue, Sep 27, 2011 at 3:15 PM
The day has finally arrived for selected cell phone service on certain Manhattan subway platforms, but not on trains, and not for every cell phone carrier. Props to AT&T and T-Mobile. To see how New Yorkers are reacting to this new development, I took to the streets, er, the subway platform to get the scoop.
Posted
by Henry Stewart
on Tue, Sep 27, 2011 at 2:55 PM
Local politicians have cash in hand to cover more than half of the cost of a long-planned cultural center in Williamsburg, the Brooklyn Paperreports. Borough President Marty Markowitz and Councilmember Steve Levin have $1.25 million to transform a firehouse on Wythe near North 8th that Mayor Bloomberg closed in 2003 into The Northside Town Hall Community and Cultural Center, which would offer office space to nonprofits, showing space to artists, and gathering space to families. Private fundraising has brought in about $250,000, which means organizers need (hang on a second while I crunch these numbers) another $500,000 to meet their $2 million goal.
Posted
by Lauren Beck
on Tue, Sep 27, 2011 at 2:32 PM
Tonight, Berlin-based songstress Anika is making a stop at (Le) Poisson Rouge to, hopefully, play a portion of one of last year's most slept-on debuts, a package of 60s girl-group pop inverted through punk and dub filters. To quote Jeff Klingman, "It ended up sounding like Nico, living happily in the 30th century." (You'll want to listen to this.) The mysterious old-worldness of it all pairs well with local openers Slowdance, who released a welcomed debut EP of their own just last week. If Anika is the sonic equivalent of longingly staring out the window, Slowdance's Light & Color is the cinematic montage that follows, the one that shows the now recharged protagonist flitting around, accomplishing her goals en route to the happily ever after. The four tracks are rife with energy and freshness, helmed by Quay Quinn-Settel's assertive, buttery vocals sashaying between English and French. The surrounding synths and guitars cushion but don't suffocate, leaving enough room for the melodies to lure you in — a careful balance that led us to name the band one you need to hear this spring. Plus, we just really like how she says "New York City" in the song "Cake." Listen to the full EP below, click here for more info on tonight's show.