Posted
by Lauren Beck
on Mon, Nov 28, 2011 at 3:36 PM
If you recall, a few months ago Pitchfork announced the latest addition to their expanding festival platform, this one a four-day showcase to "celebrate and explore the interconnected and growing worlds of independent music, art and gaming" called Forms. It's set to take place February 1-4, 2012, with the music portion "focused across Bowery Presents venues," whose websites denote dutifully carved out spots in their schedule for the fest. (Perhaps worth noting, Terminal 5's site only marks Saturday, February 4 as being reserved for the festival, rather than all four dates, meaning you might only have to put up with traveling to Midtown once during Forms, but also suggests there will be only one 3,000-cap show, which is sort of a bummer.) Long story short, all things point that the festival lineup will be announced shortly. They have a fancy new website ready to go and everything. So let's speculate...
Posted
by Mark Asch
on Mon, Nov 28, 2011 at 2:40 PM
When we last saw Charles Barron, the fiery City Councilman was eulogizing Muammar Qaddafi at a Black Nationalist tribute in Bed-Stuy. Now, he's announced his candidacy for Congress, in New York's 10th District, currently held by venerable, potentially vulnerable Ed Towns.
Assembleyman Hakeem Jeffries also seems set to run in the 2012 Democratic primary, after redistricting; Barron previously ran for the seat in 2006, taking 35% of the vote in a three-way race (Towns won with 45%, as sleazy Atlantic Yards opportunist Roger Green, whose state Assembly seat is now held by Jeffries, took 15%).
Occupy peeps screenprinting shirts outside Printed Matter during an exhibition there earlier this month.
The Arts and Culture committee of the New York City General Assembly, the Occupy Wall Street movement's very active visual and performing arts branch, is looking for an indoor space in the Financial District to host exhibitions, performances, classes, screenings, studios, rehearsals and more. Though works produced by the movement have been exhibited at venues around the city including Printed Matter (pictured) and NYU, Occupy Wall Street still lacks a dedicated art space.
Posted
by Henry Stewart
on Mon, Nov 28, 2011 at 1:07 PM
Philip Glass' 1979 opera Satyagraha is about Gandhi, but don't go expecting to discover a bunch of biographical details. Like fellow minimalist composer John Adams' 1987 Nixon in China (which had its Met Opera premiere earlier this year), this thoroughly mystical work is an impressionistic portrait of a historical figure rather than a Hollywood-style life story—it investigates the past novelly, for better and worse.
Set in South Africa, jumping around between 1896 and 1913, the opera covers Gandhi's work for the civil rights of Indians. You might feel more grounded going into the opera with some expositional knowledge of his time there as a non-violent activist and organizer, to which the piece elliptically refers. Constance DeJong's vocal text, only small portions of which are translated and projected onto the stage (in Phelim McDermott's 2008 production, now in revival, the Met doesn't employ its usual chairback translation system, but a translation is tucked into the program), is derived from the Bhagavad Gita, offering sagacious scraps in lieu of narrative information: the importance of work, how freedom from desire brings wisdom. Though the book is structured around historic incidents like the 1913 Newcastle march, it frequently transcends them, as well; thinkers influential and indebted to Gandhi appear, like Martin Luther King, Jr.; the first scene is set before the mythical battle at the Kuru Field of Justice.
Posted
by Mike Conklin
on Mon, Nov 28, 2011 at 12:15 PM
The Occupy Wall Street movement got a much publicized cosign this past weekend, from pop music's undisputed worst singer, the interminably, almost impossibly graceless Miley Cyrus. She posted a YouTube clip pairing images and video from the protests with a remix of her 2010 song "Liberty Walk," which is a fairly standard pop anthem, warning as it does not to let anyone keep you down or whatever. The lyrics are not particularly relevant to the message of Occupy Wall Street, or to anything else, really—it could just as easily be taken as a kiss-off to an no-good boyfriend or a controlling set of parents. This is splitting hairs, though. Taken solely at face value—one of the biggest, most recognizable pop stars in the world calling attention to and siding with a grassroots political protest is important. Not to us, of course, as we sit back and roll our eyes as hard as we're capable of rolling them, but maybe to everyone else.
Rashid Johnson, "A Simple Act of Murder" (2011). Courtesy the artist, David Kordansky Gallery.
Every two years the Solomon R. Guggenheim Museum bestows upon a living artist the Hugo Boss Prize, which comes with $100,000 and a solo show at the Gugg. Last year's winner, you'll recall, was 70-year-old German conceptualist Hans-Peter Feldman, who wallpapered an entire gallery with the prize money. The institution just announced the six nominees for the 2012 Hugo Boss Prize, whose winner will be announced next fall. And the nominees are...
Posted
by Mark Asch
on Mon, Nov 28, 2011 at 10:35 AM
Yesterday in evergreen, wryly Times reporting on hidden NYC and cosmic quirk: David Dunlap, of the City Room blog, visited the Cypress Hills Cemetery, specifically a plot of 24 lots purchased, in the 1870s, by the New York Press Club, for "friendless journalists" lacking the resources to make arrangements for their own interments. (Dunlap, parenthetically: "'Friendless journalist' may strike you as a tautology, but there was a time when such distinctions were made." Droll, so achingly droll.)
As is inevitably the way of such pathetic, all too human gestures of reassurance in the face of mortality's gaping and infinite void, the lots were infrequently utilized and fell quickly into disrepair:
The new Grimaldi's (right) and the green awning of the future Juliana's (at left).
Last week we learned that Grimaldi's pizzeria, one of DUMBO's foremost tourist attractions, would be moving to the next building over after a dispute with its landlord, though the fate of its prized coal-fired brick pizza oven remained uncertain. Turns out the new pizza restaurant moving into 19 Old Fulton Street will be run by the original Grimaldi, Patsy, who sold his eponymous business to current pizza master Frank Ciolli back in 1998. While Patsy, 80, comes out of retirement to helm his old coal-fired oven, Ciolli is taking some heat for installing a similar model in the new Grimaldi's space at 1 Front Street without a permit.
Posted
by Lauren Beck
on Mon, Nov 28, 2011 at 8:58 AM
One of the more notable news bits to hit the music world over Thanksgiving came from Fugazi, who, sadly, aren't reuniting but have decided to release more than 800 recorded live shows spanning their first performances in 1987 to their last in 2002 in an online archival project. (Phish fans and Fugazi fans: sooo much in common.) Keeping with the band's staunchly independent business methods, shows will be available on the Fugazi Live Series — currently in Beta, set to officially launch on Thursday with an initial batch of 130 shows — for $1 per download with a sliding scale up to $100 for those feeling generous and a suggested price of $5 a show.
Posted
by Lauren Beck
on Fri, Nov 25, 2011 at 12:11 PM
It's the day that listening to these songs becomes officially acceptable, and to be honest, we couldn't be happier about it. Happy holidays everyone, officially.
Weegee, "Macy's Thanksgiving Day Parade" (1942). (Courtesy MoMA)
Here's hoping you aren't on your way to go, in the process of, or returning from shopping. Because if you are you're moving even more slowly than the cabbie driving alongside a creepily dismembered-looking Thanksgiving Day Parade float's hand in this classic Weegee photo from 1942. Happy Black Friday! (Photo)
(Jackson Pollock and Lee Krasner papers, Archives of American Art, Smithsonian Institution.)
In light of his drip paintings you might very reasonably expect Jackson Pollock's Thanksgiving spread to look like a sprawling, stuffing-speckled mess of shredded turkey. But in 1950—when this photograph from the Archives of American Art was taken—with his mother Stella visiting, Pollock and his wife, the artist Lee Krasner, cleaned up their act and carved this very conventional turkey—while drinking a shit-ton, obvs. Famous artists: they're just like us!
Posted
by Lauren Beck
on Wed, Nov 23, 2011 at 2:39 PM
As Conklin pointed out in a recent installment of his very important column, The 10 Best Things Right Now, there's a Florida-based band that too few people seem aware of called Gospel Music. They do not play gospel music. It's actually the bassist for the Black Kids' solo project — you remember the Black Kids? — but his debut full-length, How to Get to Heaven From Jacksonville, FL, favors cheeky twee-bent pop over cheeky party anthems. There's still plenty of spunk to go around though... which brings us to the perfectly spunky, perfectly endearing standout, "This Town Doesn't Have Enough Bars for Both of Us." There's got to be a few Brooklyn kids heading home to Ohio* for the holiday dreading a run-in with an old flame at the bar tonight, which now makes this song perfectly timely. Watch the video above, have a happy Thanksgiving, and make note of Gospel Music's just-announced show at Glasslands on December 11 for when you get back in town.
*I'm currently writing this in Ohio, so I can say that without sounding judgmental. Also, if you allow me a moment to vent, my Mom keeps adding an "a" to the end of the word "potato" — you have to peel the "potatoas" — and it's really starting to get to me.
The condos and hotel will be at the right, where you see dirt and now-demolished buildings being torn down.
After much speculation and guesswork, preliminary designs by seven competing developers were revealed at a public presentation last night for the inescapable condos and luxury hotel that will be built behind Pier 1 in Brooklyn Bridge Park. The developers hoping to build on the coveted waterfront parkland are Extell, Starwood Capital Group, Toll Brothers, Two Trees, RAL Companies & Affiliates, SDS Procida and Dermot, and their architectural visions are all over the aesthetic map. Let's have a laugh look...
Posted
by Lauren Beck
on Wed, Nov 23, 2011 at 1:03 PM
So now that French filmmaker and actress Julie Delpy has signed on to direct The Right Profile, a biopic of Clash frontman Joe Strummer (also a track from London Calling), there seems to be a public outcry from blog commenters begging that James Franco not be cast in the lead role, which is confusing because I thought we were all supposed to that guy. Fair enough though. Keeping in mind that the movie is reportedly an account of Strummer's life from when he disappeared out of the public eye in 1982 until his death in 2002, we'd like to offer up a few suggestions based mostly on similar haircuts but some other things too, like acting ability.
Regular actress collaborator Marie Rivière said Eric Rohmer had been prompted to make Summer after noting women alone on holiday looking for men in newspaper ads and “wanted to explore this loneliness of young women who are not ugly, who have nothing wrong with them, but who are still alone.” While he was waiting for appropriately overwhelming sunset shots, Rohmer dashed off Four Adventures of Reinette and Mirabelle, a sketch starring two young women he’d never worked with before and never would again (Rivière cameos).
While New York City's Department of Transportation continues to make the city's streets safer for cyclists and pedestrians with projects of which everyone approves (well, except this one, this one, this one and this one), the city and its Parks Department are now facing lawsuits over the lack of safety measures around bike routes in Prospect and Central parks.
The Muppets: The first movie I saw in the theaters was The Muppets Take Manhattan. I would've been just shy of four. The second movie I saw in the theaters was also The Muppets Take Manhattan. I vaguely remember crying when it was over. Not because I was touched by the maybe-wedding of Kermit and Miss Piggy (although, you know, it's pretty touching), but I think because I wanted to watch it again, or more? Maybe I wanted it to be three hours long? That feeling didn't make me cry at the end of Anchorman or X-Men: First Class, although I'm not sure that is any kind of mark of increased maturity. In any event, the Muppets have been my jam for as long as I can remember. I couldn't be happier that Jason Segel and company are bringing them back for a brand-new movie.
Remember Mark Lugo, the Hoboken resident and former somelier at high-end Manhattan eateries who, on July 5th, wandered into a San Francisco gallery, tucked a Picasso drawing worth roughly $200,000 under his arm, and walked out, only to be nabbed the following day as he prepared to ship the lifted masterwork to an undisclosed location? Yeah, well, he's done his time in Cali, and now New York authorities are bringing him here to face similar charges for the many stolen goods found in his apartment.
Posted
by Marissa Gaines
on Tue, Nov 22, 2011 at 4:15 PM
Some Gaga stuff happening outside Barneys.
It’s holiday shopping season and what better way to get into the giving buying spirit than with Lady Gaga-inspired tchotchkes? As if the pop superstar weren't already sufficiently ubiquitous, she has now taken over an entire floor of Barneys New York, all 5,500 square feet of it. The journey into Gaga’s Workshop begins outside Barneys’ doors (above) and continues throughout the ridiculous and exotic interior.