Monday, December 12, 2011

Live at Glasslands: Gospel Music Plays Perfect Twee-Pop Without Ever Really Smiling

Posted by on Mon, Dec 12, 2011 at 1:42 PM

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Owen Holmes is probably best known as the bassist for the Florida-based band Black Kids, who's probably best known as the victim of a now infamous emoticon review that came hot on the heels of Internet Age hype. What he's not known for is the songs he plays under the name Gospel Music with titles like "I Can't Be a Man If I Don't Have a Woman" and "We Think the World of You," or the duets he's done with the gals from Vivian Girls and Camera Obscura, respectively called "Are You Parents Still Together?" (which follows up in-song with the line, "Let's try to do it better") and "Automobile" (about his beloved, yet tiny, two-door Honda). They were all played last night. So was a sweet-cheeked cover of "Game of Pricks" with vocals delicately handled by his right-hand chanteuse Madeline Long. There were lots of tambourines and shakers and run-on sentences about "missing the shit out of you." On paper, Gospel Music is a composite of every twee band ever, his debut full-length — the excellent How to Get to Heaven From Jacksonville, FL — full of references customized for the under-30 population of Williamsburg, Brooklyn.

Let the record show though, he's definitely one of those who hates being pegged as such. If Holmes and Long were a couple (maybe they are a couple?), she'd be the one to swoop in with a compliment after his kinda cocky, sorta surly deadpan joke, and even she's not playing up the cutesy elements. There's no vintage dress in sight and not a lot of dancing, allowing for her warm, honeyed voice to do the work. On closer examination, How to Get to Heaven is as cheeky as it is self-deprecating: "We think the world of you" is followed up with "...We know you do too." And so Holmes becomes a sort of Stephen Merritt-like character, burdened by a talent for pop melody and lovelorn lyrics, now faced with fighting the adorableness that typically comes along with them. As if to beat you to the punch, he introduces "Apartment" — a solid 9.0 on the twee Richter scale — with begrudged acknowledgement: "It's. Twee. As. Fuck." He smiles maybe two times throughout the set, allows little to no time for banter between songs, and when he does, warns, "We're Gospel Music from Florida. God help us all" before setting in on renderings note for note as they appear on the album. Taken as a whole, it's a refreshing discovery to see someone play it so straight face. Let the record show, you can be twee as fuck and barely ever smile.

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