What's with the animal analogies lately? Not to be outdone by Girls' portrayal of female relationships getting the reverent baboons do it too treatment in the New York Times, banks coordinating with one another on Occupy protest surveillance are now being compared to elk in Bloomberg Businessweek. You know, elk—those majestic, graceful, four-legged ungulates that form a ring to protect themselves from preying wolves in Yellowstone National Park, according to Brian McNary, director of global risk at Pinkerton Consulting & Investigations, who is working with banks to “identify, map and track” protesters. Wait, wait, do you guys hear that? Oh, it's just John Muir rolling over and banging his head against the side of his grave.
Posted
by Josh Kurp
on Thu, Apr 26, 2012 at 3:33 PM
New logo? Or a scheme by Nas?
Three-part step on how to get fired:
1. Do IT work at the Barclays Center, the soon-to-be home of the Brooklyn Nets
2. Take a picture of the Nets logo, which isn’t supposed to be seen publicly until next Monday
3. Upload to Twitter
According to Deadspin, “The photo [you see to the right] was posted on Twitter by some guy who's doing IT work at the Barclays Center, and Tweeting photos as he goes…There’s no reason to think that logo mounted on an office wall isn't the real thing.” Minus the blue tape, of course. Deadspin didn’t link or reveal the Twitter information of the guy who uploaded the pic (who’s going to be SO fired), but I hope the account was a phony opened by Nas, Jay-Z’s one-time enemy. He’s been waiting six years for this moment.
At the closing party for Dreaming Without Sleeping, at The Active Space.
After presiding over a great deal of construction work to renovate, polish and paint 1500 square feet of new exhibitional capacity at The Active Space, the creative force behind the gallery, Ashley Zelinskie, elected to inaugurate the rather rollingly roomy new room with a guest-curated exhibition.
Hence Dreaming Without Sleeping, a show of recent oil paintings by Criminy Johnson, otherwise known as street artist QRST. It was curated by Robin Grearson, otherwise known as a third-time guest curator at The Active Space.
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by Henry Stewart
on Thu, Apr 26, 2012 at 1:40 PM
New York's most beloved media figure, and perhaps its most beloved resident, is moving to Williamsburg, Brownstoner reports. NY1 anchor Pat Kiernan and his wife just purchased the three-floor townhouse on Bedford Avenue, near N. 9th Street, for just over $2 million—a possible record for a single family home in Williamsburg, a source in the brokerage community tells the site. The home's unglamorous exterior—that vinyl siding!—belies the remodeled interior: the "professional chef's kitchen," the spacious back garden, the four bedrooms and 2.5 baths.
"A little uncomfortable with the level of detail in coverage," Kiernan tweeted earlier today, "but that will pass."
Posted
by Audrey Ference
on Thu, Apr 26, 2012 at 12:46 PM
April Flores and Hoodman in Artcore, directed by C. Batts Fly. Courtesy of Carlos Fly.
"If you're not paying for porn, you're going to get what you're not paying for." So said Madison Young, kinky feminist porn performer, director, and producer, at a panel discussion last night at Apexart gallery as part of their exhibition Consent. Curated by Lynsey G., the exhibit is primarily a video installation that explores the personal relationships porn actors, producers, and consumers have with porn. It's up till May 12! Go see it!
The question put to the panel—which was comprised of director/performer Sinnamon Love, performer Tina Horn, ex-producer Dan Reilly, Museum of Sex curator Sarah Forbes, creator of Make Love Not PornCindy Gallop, the aforementioned Madison Young and moderated by Lynsey G.—was whether porn's job was to entertain or educate, or neither or both. The panel fairly unanimously agreed that though most porn is not created with the intent to be an educational tool, it often served that purpose.
In Bernie, Richard Linklater tells the true story (based on a Texas Monthly article by Skip Hollandsworth) of a man in a small East Texas town who is so beloved that he almost gets away with murder—literally. Linklater, who grew up in East Texas himself, talked to us while he was in town this week promoting the film he calls “the most purely Texas thing I’ve ever done.”
I lived in Texas for 7 or 8 years, including three different times in Austin, because whenever I had no reason to be anywhere else when I was young, I kept going back there—
Well, of course! Where else to be young and lost but Austin?
Exactly. So anyhow, I love Texas, which is a lot of why I loved this movie. Yeah. It’s the most purely Texas thing I’ve ever done.
There’s this language Texans use that’s descriptive and inventive and creative and funny, and you really captured that. This is my mom and her friends. I just sit around and die laughing. I’m like, what a great turn of phrase! No writer could capture this; it’s so perfect! So it was fun, as a filmmaker, to use that in a movie.
Posted
by Bill Pearis
on Thu, Apr 26, 2012 at 11:31 AM
Everybody has their favorite Beatle. I have favorite members of most my favorite bands, especially ones with multiple singers/songwriters. My favorite member of Teenage Fanclub is Gerard Love, the quiet, unassuming bassist who has written some of the Glaswegian band's best songs, such as "Starsign," "Radio," and "Sparky's Dream" to name three. Under the guise of Lightships, Love released his first solo album, Electric Cables, on the Scottish-leaning Domino imprint Geographic.
Assembling a band that includes a flautist, Love has made an album that doesn't stray too far from his day job, but has its own distinct magic hour vibe. There is less emphasis on harmonies than in his other band, but in its place — that flute. It floats through the album like a ribbon on a breeze, never calling attention to itself but coloring in the outlines throughout. Think Free Design, not Jethro Tull.
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by Henry Stewart
on Thu, Apr 26, 2012 at 10:39 AM
The only thing moodier than a teenager is a dying teenager. "Life is a sexually transmitted disease," says Donald (Thomas Sangster), the cancer-stricken, attitudinizing 15-year-old hero of Death of a Superhero who broods, misbehaves, and expresses himself through the Sin City-like characters that fill his sketchbooks (and which he occasionally graffitis); director Ian Fitzgibbon intersperses animations throughout the film featuring the characters Donald creates: a troubled superhero (a version of himself), a twisted villain (his disease), and a voluptuous femme (who embodies his pubescent fantasies).
Yesterday, after the chains connecting activists dressed as Robin Hood on Wall Street were snipped by NYPD boltcutters, bills aimed at reducing the city's income inequality gap were undercut by the mayor. Before vetoing Christine Quinn's much-belabored prevailing wage bill, Mayor Bloomberg argued that both the prevailing wage and living wage measures aimed at increasing minimum wage and non-unionized workers' incomes would somehow hurt taxpayers and job creation in the process, reports the Daily News. It sent a clear message to anyone who might have doubted how a Bloomberg-run town works: Take from the rich and give to the poor, and your pinko ass gets sued.
At least, that's what Bloomberg threatened to do if City Council overrides his vetoes (which it has vowed to do).
"Those bills - the so-called living and prevailing wage bills - are a throwback to the era when government viewed the private sector as a cash cow to be milked, rather than a garden to be cultivated," Bloomberg told the press before he vetoed the measure.
Posted
by Henry Stewart
on Thu, Apr 26, 2012 at 8:58 AM
This stretch of E. 23rd St. won't be called Joseph Paterno Way
A proposal to rename a street in Sheepshead Bay after Joe Paterno, the Penn State football coach who retired after one of his former assistants was indicted for raping children, was struck down by the local community board, Brooklyn Daily reports. Paterno grew up on E. 23rd Street between avenues S and T, but the board's chairperson said streets are only renamed after individuals who have an effect on the neighborhood. "What kind of impact did he have here?" she told the paper. “His career was at Penn State. The street renaming should take place in Pennsylvania.” Plus, you know, he presided over a department implicated in one of the worst cases of sexual abuse in recent memory.
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by Jeff Klingman
on Wed, Apr 25, 2012 at 4:10 PM
Well, this is lovely.
Brooklyn pop band Chairlift, who released their slightly underappreciated sophomore record Something earlier this year, recorded this alternate version of its song "Met Before" last December. They posted it to YouTube today, swooning us slightly. It's a clever use of physical space and a great example of novel recording techniques elevating a song beyond its original composition. Posting it on his Tumblr, Fluxblog's Matthew Perpetua makes a Young Marble Giants comparison that's pretty spot on. And a total treat, because bands don't emulate that simple, but mysterious strain of early 80s post-punk often enough.
Spring is high season for picnicking: blossoms on the trees, a cool breeze, and it's not too hot yet for a hearty appetite. Wherever you live in Brooklyn, there's a public spot waiting for a blanket and spread of goodies to bring. We've compiled some of our favorites, along with places nearby to fill up your picnic basket.
Posted
by Lauren Beck
on Wed, Apr 25, 2012 at 2:31 PM
Consider, for a moment, bassist Bill Botting, who spends three-quarters of last night's Allo Darlin' show in the air, pogoing for minutes at a time, punctuating songs with cannonball jumps, smiling uninterrupted. His presence, in tandem with singer Elizabeth Morris' happy dancing and ukelele wailing, could lead you to categorize the band as stridently poppy, unabashedly upbeat... Until Morris returns for the encore and, backed only by her quietly strummed uke, sings "Tallulah," bringing to focus the bread and butter of their excellent new album, and what's really been going on here at Mercury Lounge over the last 45 minutes. Lines like, "I'm wondering if I've already heard all the songs that will already mean something, and I'm wondering if I've already met all the people that will mean something," dragged across simple, aching melodies in one of the purest, warmest voices imaginable. Bittersweet pop is best kind of pop. Done and done.
It was only last Friday that parents of kids at PS 29, a Cobble Hill elementary school, claimed they received a disturbing letter. The following Monday, asbestos removal work was to begin, right after school let out. Swiftly, parents rallied on Monday afternoon and launched a petition to halt the construction. However, now that the removal's been pushed to this Friday (kids would return to class Monday), bad ass Cobble Hill parents are saying they'll occupy the school and stage a sit-in if the work continues as planned, reports the Daily News.
Protesting parents have legitimate cause for concern. When left alone, "undisturbed asbestos-containing materials generally do not pose a health risk," according to the Environmental Protection Agency. If those materials are poked, damaged or uprooted, however, that risk is greatly increased. After all, airborne asbestos fibers are a known carcinogen.
Posted
by Henry Stewart
on Wed, Apr 25, 2012 at 12:49 PM
Werner Herzog is against the death penalty. He begins every episode of his Death Row Portraits, a four-part miniseries made for Investigation Discovery, by admitting as much; as a German, how could you not be? But his approach is morally demanding. Unlike, say, David Grann's "Trial By Fire," in which the New Yorker reporter uncovers evidence that suggests the state of Texas executed an innocent man, Herzog doesn't focus on the guilt of his subjects; he doesn't like many of them, and doesn't ask you to, either—he invites you to despise them, even—nor does he shy away from the gruesomeness of their crimes. They're not saints or heroes or victims. Still, he asks, does that mean the state should judge them so definitively—that we should kill them?
He was a good orator to begin with, but damn, Obama's campaign to keep student loan interest rates where they are sounds so much funkier when accompanied by the Rapper Black Thought and Jimmy Fallon. Yes, this happened: The POTUS slow-jammed the news on Fallon last night, using the segment as a platform to talk about why Congress ought to stop unsubsidized Stafford loans from doubling on July 1. The best part? Obama remains straight-faced, eyes-on-the-prize, all the while Black Thought croons behind him, "The right and left should join on this like Kim and Kanye," and Fallon assumes his best Barry White impression to say, "The Barackness Monster ain't buyin' it." Poor Mitt Romney. Ted Nugent isn't doing the guy any slow-jam favors.
Posted
by Audrey Ference
on Wed, Apr 25, 2012 at 11:06 AM
Yay! The Equal Employment Opportunity Commission has ruled that discriminating against an individual based on gender identity violates Title VII of the Civil Rights Act of 1964. Thank you, Mia Macy:
In her complaint, Mia Macy, 39, said she had been promised a job in a bureau crime laboratory in Walnut Creek, Calif., in early 2011. At the time, Ms. Macy, a military veteran and a former police detective, was living as a man.
Later that year, she told officials at the bureau that she was intending to legally live as a woman, and shortly after was told that the position was no longer available, she said.
Ms. Macy filed a complaint in June with the bureau, which responded that a gender-identity claim was covered by Justice Department procedures rather than E.E.O.C. jurisdiction, as sex discrimination is. In a decision reached on Friday and made public Tuesday, however, she found a sympathetic audience in the commission. It said that “intentional discrimination against a transgender individual because that person is transgender” is illegal under Title VII of the Civil Rights of 1964, which prohibits sex discrimination.
Before this, trans people had no official employment discrimination protection under the law. This is a HUGE DEAL, because for many people, transitioning is expensive, often not covered by health insurance (if the person can afford health insurance), and workplace discrimination against trans people is a giant problem.
In not really related but important reading, I wanted to point everybody to this piece by Monica at Transgriot about why voting matters. I feel like I hear so much about how President Obama isn't moving fast enough on LGBTQ issues, or how he's caving to the GOP, or how he's not REALLY a liberal, and how left-leaning people are considering not voting for him in this election. Which, if you think HE'S too far right, I don't get how you think Republicans are any better. But anyway, go read, because Monica makes some extremely important points that I'm not hearing from people who should be understanding them.
On Monday, the New York Times' Michael Powell published an impassioned plea to save Bushwick Community High School, whose existence will be decided by city officials come Thursday.
Bushwick Community High isn't your average grade school institution—it's a transfer school that recruits 17-18 year-olds who don't have enough credits to earn a basic Regents high school diploma, then works with them (some for years) until they do. The pace of the school's graduation rates isn't spectacular ("A majority of the students fail to graduate within six years, which is one of the city’s inviolate metrics," Powell writes), and so the Education Department has recommended that the mayor's Panel for Education Policy vote to lay off the principal and half the staff. But Powell brings up a second point, one perhaps more powerful than the numbers game—that for many, the school has been a life-changing force, and sometimes, the only option left.
Posted
by Henry Stewart
on Wed, Apr 25, 2012 at 8:57 AM
The old days
The Metropolitan Opera will stop by Brooklyn for 90 minutes this summer—well, three singers and a pianist will. On July 27, the company will host a recital in Brooklyn Bridge Park as part of its summer recital series, which will include performances in all five boroughs. (Concerts in the Bronx, Staten Island, Harlem and Queens will last one hour.)
But it wasn't so long ago that the Opera brought concert versions of full operas to parks around the city; in 2007, Gounod's Faust rang out across the ballfields in the Long Meadow in Prospect Park. In 2008, at the height of the economic crisis, the company began to scale back, performing just one superconcert, with two star singers and orchestra, in Prospect Park. In summers since, the Met has gone from borough to borough with the even more modest recitals it will again host this year.
In the weeks leading up to its highly anticipated May Day, Occupy Wall Street has made some invaluable friends. The Nation's Allison Kilkenny reports that renowned AIDS activist group AIDS Coalition to Unleash The Power (ACT UP), along with Occupy, will be laying a "daylong siege in Lower Manhattan" tomorrow, marching from City Hall at 11 a.m. and working their way down to the financial district. For ACT UP's 25th anniversary, it's a coalition with historic resonance.
Since 1987, ACT UP has been making its voice known through innovative, civilly disobedient tactics. Protesting the unaffordable price of AZT drugs, ACT UP activists have staged numerous "die-ins," invaded the New York Stock Exchange, and handed out condoms and pamphlets on safe sex to teens in the middle of a St. Patrick's Cathedral mass. For 25 years, they have been protesting the corporate greed of the pharmaceutical industry, in many ways setting a precedent for the demonstrations that began on Wall Street in September of 2011.