Wednesday, May 23, 2012

Warhol Silkscreen Stolen in Detroit

Posted by on Wed, May 23, 2012 at 2:51 PM

Valuable artifact or trifling memorabilia?
  • Valuable artifact or trifling memorabilia?

An unnamed collector operating an unnamed business in Corktown, a Detroit neighborhood, is the victim of a rather hefty—or maybe not so much—art theft.

According the the Detroit Free Press, a silkscreen Warhol used to make the Flowers series, along with 18 works authored by other artists, were stolen sometime over the last weekend of April. Yesterday the FBI announced a $5,000 reward for "information on the hijacked collection"—information directly beneficial to their investigation, presumably.

Quite debatable, it seems, is the estimated value of the stolen works. Since the take included works by artists such as Joseph Beuys, Larry Rivers, Francesco Clemente and Philip Taaffe, some estimates place its dollar value in the millions.

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GoogaMooga Offers Full Refunds

Posted by on Wed, May 23, 2012 at 1:43 PM

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A lot of people were frustrated with the organization of the Great GoogaMooga, the food and music festival that took over Prospect Park last weekend; I stopped by on Saturday afternoon and, vexed by the interminable lines just for ID bracelets, went back to drinkin' beers in Ditmas Park. Still, the tickets were free, so how mad could I be? (Except about the trampling being done to my beloved Nethermead.) But there were plenty of people with plenty of right to be plenty pissed: those who had shelled out $250 for ExtraMooga tickets, which permitted access to a VIP area that, now infamously, ran out of food and beer by early evening (and never had any vegetarian food!).

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Anonymous Internet Commenters Are Pissing Off New York Politicians

Posted by on Wed, May 23, 2012 at 12:50 PM

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The sacred right to comment anonymously on the internet has come under fire. In what seems like a flagrant breach of First Amendment safeguards, New York lawmakers have drafted twin State Senate and Assembly bills that would force New York-based website administrators to remove "any comments posted on his or her web site by an anonymous poster unless such anonymous poster agrees to attach his or her name to the post and confirms that his or her IP address, legal name, and home address are accurate." Shwa? Sorry, we were busy anonymously commenting on how much this reeks of thinly-veiled censorship, oh, and how much your favorite band f***ing sucks.

But the effort is real, and, apparently, it all comes down to a matter of cyberbullying. "Victims of anonymous cyberbullies need protection," State Senator Tom O' Mara, a sponsor of the Senate bill, said in a press conference. "We're hopeful that this legislation can be helpful to the overall effort to deter and prevent anonymous criminals from hiding behind modern technology and using the Internet to bully, defame and harass their victims."

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Yes, Old Sport, This Great Gatsby Trailer Is Making Us Uncomfortable

Posted by on Wed, May 23, 2012 at 11:58 AM

So is the medium the message? Is that what this bawdy piñata of a trailer is all about? Australian director Baz Luhrmann's take on the story seems a far cry from F. Scott Fitzgerald's reflective, flowing prose, but that probably should have been expected from the guy who did Moulin Rouge. We (maybe) see what this is going for: an excessive, hedonistic, 3D moviegoing experience, an expression of the garishness that ruins the story's West Egg characters. Even the Kanye West/Jay-Z "No Church in the Wild" bit makes sense in this context, the rappers being fabulously wealthy (and rapping about being fabulously wealthy) themselves.

Still, it feels like there's something exploitative, and undeniably gross, going on. Perhaps that's the point. The American Dream is dead, everybody. Extra cheese on your movie theater nachos?

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The Semen In Cupcakes Story You Shouldn't Read But Will Read Anyway

Posted by on Wed, May 23, 2012 at 11:06 AM

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  • Butter, frosting, and romance
Listen, stop pretending we don't all involuntarily click on every story about human parts in food. I still can't stop thinking about this fingertip in an Arby's story from last week. Anyway, so apparently some kid baked jizz into a cupcake, then gave it to another student. Who ate it.

A 16-year-old student was suspended after allegedly giving a classmate a cupcake laced with his semen, Minneapolis City Pages reports.

St. Paul police spokesman Sgt. Paul Paulos told the Pioneer Press the boy gave cupcakes to "quite a few people" on May 9, but "only one supposedly had semen." Unfortunately, the unlucky classmate ingested the baked good, so authorities are unable to confirm the allegations. [Huffington Post]

As the HuffPo piece points out, it "harkens back" to that dude who fed his unsuspecting students jizz cookies. And also this spit in a burger story, the guy from high school who claimed he jizzed in people's milkshakes at McDonalds, and every urban legend ever.

If you've caught yourself thinking that adding semen to food might be a great way to get a little cheap protein in your diet, please allow me to remind you that this continues to exist: Natural Harvest: A Collection of Semen-Based Recipes. If life gives you semen, make semenade, I guess.

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Brooklyn Led City in Murders in 2011

Posted by on Wed, May 23, 2012 at 9:49 AM

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Thirty-eight percent of the murders in New York City in 2011 occurred in Brooklyn, a higher percentage than any other borough, the Bed-Stuy Patch reports. Of the 515 homicides citywide, 196 happened in Kings County, mostly in central Brooklyn neighborhoods like Bed-Stuy, Crown Heights, and East New York; 29 percent happened in the Bronx, "slightly less than Manhattan and Queens combined," the Daily News reports. Three percent occurred in Staten Island.

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Brooklyn Heights Cinema Building Will Be Razed

Posted by on Wed, May 23, 2012 at 8:58 AM

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70 Henry Street, the one-story structure that houses the twin cinema Brooklyn Heights Cinema, will be torn down later this year and replaced with a five-story building with 17 rental units, the Brooklyn Heights Blog reports. The Cinema plans to find a temporary home nearby after August, when it closes, during the construction phase, and then return to the ground floor and basement of the new building when it's completed. That the theater would be invited to return was decided in February, but the fate of the building itself has been unsure since news spread in January that the new owner might want to tear it down.

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Tuesday, May 22, 2012

New York City's Hudson River Gas Pipeline Has Been Approved

Posted by on Tue, May 22, 2012 at 3:41 PM

Map of the pipeline route.
  • saneenergyproject.org
  • Map of the pipeline route.
A 15.2 mile gas pipeline that will run from Staten Island, through Jersey City, under the Hudson River and to the West Village has been approved by the Federal Energy Regulatory Commission, reports the Times. The pipeline, which has been debated by environmentalists, Manhattan residents, New Jersey elected officials for months, will cost $1.2 billion and transport up to 800 million cubic feet of gas a day.

Though the commission ruled that building the pipeline under a densely populated area shouldn't pose significant environmental threats, critics of the endeavor have been wary of things like explosions, contamination of the water supply, as well as noise from construction.

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Bei Bei Shuai, Imprisoned For Attempting Suicide While Pregnant, Finally Released

Posted by on Tue, May 22, 2012 at 2:20 PM

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If you haven't been following the Bei Bei Shaui case, it is chilling example of the many (unintended? I guess it's hard to say at this point) effects that "war on women" legislative overreach has on women's lives. Shaui, who was suffering from depression during her pregnancy, attempted to take her own life by swallowing rat poison.

In December 2010 Shuai was running a Chinese restaurant in Indianapolis with her boyfriend, Zhiliang Guan, by whom she was eight months pregnant. Just before Christmas, he informed her that he was married and had another family, to which he was returning. When Shuai begged him to stay, he threw money at her and left her weeping on her knees in a parking lot. [The Nation]


Luckily, she survived. Unfortunately, her fetus did not:

Although Ms. Shuai did everything she could, including undergoing cesarean surgery, to ensure that her baby survived, her newborn died shortly after birth.

Ms. Shuai was arrested for the crime of murder (defined to include viable fetuses) and feticide (defined to include ending a human pregnancy at any stage). The sentence for murder can be the death penalty or 45 years-to-life. The sentence for attempted feticide is up to 20 years. Both of these kinds of laws are promoted and supported by “pro-life” organizations. [Change.org]

Today, after spending more than a year in jail, she was finally released. We value the lives of women so little that we criminalize any mental illness that endangers their roles as baby incubators. Under Indiana law, she was facing 45-65 years in jail. The law that put her away is still on the books, and pro-lifers want more of them. Women who miscarry can be subject to police investigation. It's getting very, very scary out there.

I guess if you consider losing your partner, child, and spending only a year in jail for it a happy ending, then Bei Bei Shaui deserves congratulations. I think she deserves an apology, and I hope she's able to heal from all of this. Let's hope the next woman who has something awful happen to her is as "lucky."

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Win Drinks on Us at Literary Upstart By Answering New York City Literary Trivia Questions on Twitter This Week

Posted by on Tue, May 22, 2012 at 2:16 PM

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This Thursday evening, at 7pm, we'll be returning to the Wythe Hotel for the season's second Literary Upstart semifinal.

Now: if there's one thing I've discovered while signing people up for New York City Literary Trivia at Upstart these past few years, it's that all you guys—all of you—come to the event solely for the chance to answer semichallenging questions about New York books and writers, and that the short fiction readings are just window dressing.

So! To extend the excitement into the realm of social media, where we all live, we'll be anticipating Thursday's trivia competition (and reading, fine) by bestowing $20 worth of drinks at this Thursday's reading to the first person to correctly tweet back at us with the answer to the New York City Literary Trivia question we'll be tweeting out, via @thelmagazine, this afternoon; we'll also have a question for you on Wednesday afternoon, and again around lunchtime on Thursday.

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Joffrey Ballet To Begin Residency At Bay Ridge High School

Posted by on Tue, May 22, 2012 at 1:19 PM

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Bay Ridge, meet internationally renowned ballet. It's not often that a celebrated ballet company up and launches a high school dance program, but it seems that the Joffrey Ballet and Fort Hamilton High School will provide an exception to that rule. The company is slated to start teaching classes to 25 students at the Bay Ridge high school in the fall.

According to the Daily News, the idea was conceived at a barber shop, while the husband of one of the school's finance teachers was touching up the Joffrey director's, Gail D'Addario's, highlights.

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The Seven Most Hilarious and/or Horrifying Moments of Geraldo Rivera's Career

Posted by on Tue, May 22, 2012 at 12:27 PM

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Gerald Michael Riviera was born in Brooklyn on Independence Day, 1943. Loved and trusted by those who knew him, Gerald delivered on the promise of his youth, eventually earning a law degree from Brooklyn Law School and working as an investigator for the NYPD. Then, tragically, Gerald Michael Riviera, who had so much left to give us, died, only to be reborn in 1970 as Geraldo Rivera, a rookie reporter for Eyewitness News. Since then, the world has been one moustache heavier, and kind of funnier, maybe. Geraldo’s been around forever (1970), and for good reason. People love Geraldo — not the way they loved Gerald — but the way they love the craziest drunk person they know. They love Geraldo because every now and then he provides the journalistic equivalents of tripping over a trashcan, rolling around in puke, or puking in and around a trashcan and then tripping over the trashcan and then rolling around in the puke. Here are some of the finer moments of his career, including the latest egg he laid on Friday:

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Meet The Spoon, Wolf Parade And New Bomb Turks Supergroup

Posted by on Tue, May 22, 2012 at 11:35 AM

Divine Fits.
  • Divine Fits.
There's next to no information on this quite yet, but here's what we do know: Spoon's Britt Daniel, Wolf Parade/Handsome Furs' Dan Boeckner, and New Bomb Turks' Sam Brown are in a band together. That band is called Divine Fits. And, if you go to the Divine Fits' website and click on the backdrop, you will be led through a series of images (is that a shirtless Dan Boeckner in the motorcycle helmet?) that culminate in a random Youtube video, Myspace page, flan recipe, or apartment listing (there are probably more). The news of the new group arrives quickly on the heels of the Handsome Furs' announcement that their band days were officially over.

According to Brooklyn Vegan, the Divine Fits' debut album will be released on Merge Records sometime later this year. British recording engineer Nick Launay, who has worked with artists such as Arcade Fire, Yeah Yeah Yeahs, Silverchair, Nick Cave, Lou Reed and David Byrne, is responsible for production.

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Pop-Up Mart for Street Art

Posted by on Tue, May 22, 2012 at 10:43 AM

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If staying attuned to the mores and modes and ever-variant idiomatic codes of street art is your thing, and if owning fresh exemplars of the same might fall within your sphere of interests as well, then Robin Grearson's Street Art Pop-Up Store should sound enticing.

Grearson, who recently curated a show of works by Criminy Johnson, a.k.a QRST, at the Active Space, has decided to transform her studio into an art shop of sorts during Bushwick Open Studios, promising therein a wide range of drawings, paintings, prints, posters and the like by about 20 different street artists, all priced to sell—items will be tagged in dollar amounts ranging from 0 to no more than 300.

So if you've been looking for something affordable by Christ Stain, Nathan Pickett, Quel Beast, Daniel Feral, Elle, Enzo & Nio, General Howe and many others, take note of the dates and times and related details from Grearson's press release below.

(Or if you're looking for some bespoke facial hair, pay particular attention to the line about Moustache Man.)

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Pina Bausch's Dance Company Coming to BAM in October

Posted by on Tue, May 22, 2012 at 9:45 AM

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Tanztheater Wuppertal Pina Bausch, the dance company run by Ms. Bausch until her death in 2009, will return to BAM in October as part of the Next Wave Festival to present her final work. It's the first time the company will perform in the city since Wim Wenders's documentary Pina became an art-house blockbuster late last year. (The company presented Vollmond at the 2010 Next Wave festival.) “… como el musguito en la piedra, ay si, si, si …” (Like moss on a stone) will have its US premiere October 18, and run for about a week.

BAM "has been [Pina's] exclusive US home since 1986," the publicist handling the show told us. "We were always planning to present it; it has nothing to do with the film, although obviously it was amazing to see an iconic BAM artist get worldwide recognition and meant a huge deal to all of us who have worked with Tanztheater Wuppertal, many for 30 years."

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Monday, May 21, 2012

Imperial Fantasies: The Dictator and Battleship

Posted by on Mon, May 21, 2012 at 4:03 PM

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It’s now been more than ten years since Sacha Baron Cohen, in the persona of Brüno Gehard, asked a thoroughly zonked-out fashionista whether he agreed with Austrian critics that “Osama bin Laden is like the best-dressed guy.” It is, in the great Ali G tradition, a joke with many butts—the fashion industry, UBL himself, folks who might assume the luminaries of high fashion talk like this amongst themselves, etc. In his latest film, The Dictator, which opened last week, Baron Cohen is still doing a full-immersion character, and he’s still rolling out the bin Laden jokes (the terrorist mastermind didn’t actually die in Abbottabad, and he’s a terrible houseguest!). But the British comic is no longer asking unwitting people any questions, and The Dictator, directed by Borat and Brüno’s Larry Charles, feels directionless from the beginning.

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Brooklyn "Creative Mediums" Set Out To Deliver Artifacts From A Parallel Universe

Posted by on Mon, May 21, 2012 at 3:12 PM

Bennani and Dunham, mediums of the Other World.
  • Bennani and Dunham, mediums of the Other World.
Cue the Twilight Zone musical introduction: Two Brooklyn artists, Hayden Dunham and Meriem Bennani, are fashioning themselves into messengers from a parallel universe. Their new project, "Other Travel," aims to deliver objects to a roster of artists and writers, ostensibly from the creatives' mirror selves in the "other" world. "Each artist involved will receive an invitation to a specific place in New York City where the delivery of an installation or package will take place," Dunham and Bennani explain by way of the project's Kickstarter. "The collaboration begins when the artist chooses to produce a piece in response to the installation received."

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It's Time to Stop Standing Ovations

Posted by on Mon, May 21, 2012 at 2:24 PM

Tools.
  • Tools.
I'm easy to spot in a theater—when it comes time to applaud, I'm that one guy who's sitting down. (The only person younger than 75, anyway.) It has become customary in this town—in Broadway theaters and off-Broadway theaters, concert halls and opera houses—not only to clap for a job well done, but to do so on one's feet; the standing ovation is now the default ovation. Of course, this renders the standing ovation meaningless, so I won't do it; there are times you want a performer to know that what they've done is exceptional, that they've really knocked your socks off—Pinchas Zukerman after Beethoven's "Violin Concerto," or Christian Borle at the end of Peter and the Starcatcher—but as audience members we no longer have a tool for such expression at our disposal. Stand up and you're just one more tourist "beating their flippers together like captive sea lions when the zookeeper arrives with a bucket of fish."

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Watch Mick Jagger's Moves On SNL: The Good, The Bad, The Group Singalong

Posted by on Mon, May 21, 2012 at 1:31 PM

To the surprise of few, Mick Jagger’s performances with Arcade Fire (featuring the Strokes’ Nikolai Fraiture on bass!) and the Foo Fighters on SNL this past weekend were pretty great – the former was an enthusiastic, raucous take on a seldom-heard Rolling Stones classic, “The Last Time” from Out of Our Heads (at least here in America), while the latter featured Dave Grohl & Co. blazing through a medley of "19th Nervous Breakdown"/"It's Only Rock 'n’ Roll (But I Like It).” Also, the Stones frontman impersonated Steven Tyler in a sketch called “So You Think You Can Dance at an Outdoor Music Festival,” which was quite amusing and contained a now-obligatory mention of Burger King’s Crispy Chicken Strips.

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At Cannes: You Ain't Seen Nothing Yet, Antiviral, Beasts of the Southern Wild

Posted by on Mon, May 21, 2012 at 12:39 PM

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Reported to be Alain Resnais’s final film, You Ain’t Seen Nothing Yet certainly feels like a sendoff. After a rousing credit sequence full of adventure film graphics and loud symphonic bangs, a montage of mysterious phone calls leads a veritable all-star team of Resnais regulars (Michel Piccoli, Sabine Azema, Mathieu Amalric, Lambert Wilson and more) to a chateau villa in the mountains of France. Their journey comes at the posthumous request of a recently deceased theater director who asks his former stars via video to critique another troupe’s minimalist performance of Eurydice. As the piece unfolds, the elder actors begin performing the scenes themselves, interpreting the interpretation of the roles they played decades before.

At first, this meta-production about the process of artmaking is both breakneck and funny. Resnais seems to be skewering the fact that each actor can’t simply experience a fresh perspective on their work without taking back control of their “characters” and overpowering their peers with a louder staging. As each actor inhabits their original roles, they become more immersed in the spotlight of performance, more gleefully obsessed with reimagining their past. Resnais’s fluid camera, faux digital backdrops, and jarring editing flourishes (split screens, vignetting, and quadrants abound) further illuminate the artificiality on display, and for a while the film plays brilliantly.

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