Tuesday, July 31, 2012

Goodbye to All That

Posted by on Tue, Jul 31, 2012 at 3:50 PM

Now it can be revealed: this is what I look like.
  • Now it can be revealed: this is what I look like.
So today is, and this feels genuinely odd to type, my last day at The L Magazine, which I'm leaving to pursue a master's degree at the University of Iceland (that is a true fact).

The L is the only real job I've ever had, and my timeline here is also, in many ways, the timeline of my life in the city; I'm tempted to make this into a memoir, but I sort of suspect that not enough time has elapsed yet to make my personal, urban-anthropological and institutional memories as interesting as, say, J. Hoberman's. Still, settle in for a pretty long post: I may never have a better opportunity to try and remember all this stuff for myself. And now would be a weird time to start choosing my words carefully.

I started picking up The L in the lobby of my NYU dorm during its first year of existence. The L, for the benefit of our younger readers, was once more than 100 pages of predominantly Manhattan-based event listings, in tiny type, with mostly filler ads. What feature copy there was consisted of surprisingly well-written long-form reviews and political arguments (someone named Audrey Ference also had a column called "Zeitgeist Jamboree," about bars and hipsters and newly retro 90s pop-culture references, which I quite liked); quirky items about New York City history filling sidebars in the back of the book; and brief but often typo-garbled features, generally composed in a self-referential, hectically clever first-person plural.

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So You Wanna Be a Writer? It's Easy, Just Move to New York City, Says List

Posted by on Tue, Jul 31, 2012 at 2:52 PM

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Last week, music-and-lit blog Largehearted Boy pointed us to this, a list of the 10 best cities for aspiring writers. Criterion for the rankings were fairly loose, left up to the general amount of "professional positions" available in respective cities, as well as the amount of readings, workshops, festivals and other bookish events within one's reach, to determine how much a locale caters towards the poor, sad hearts of writers.

The top slots have been distributed pretty much as expected, meaning dear New York is in at number one—we have lots of agents swarming about, a strong presence of publishing houses, the Pulitzer Prize, yada yada—with London closing in at a seemingly close second. The remaining ranks are a little bit more surprising, however: Reykjavik, Iceland and Norwich, England are in the mix, as is a place in Wales that I never heard of before, but, upon Googling, learn that it's often referred to as "the town of books." Now I feel dumb.

As they say, if it worked for Carrie Bradshaw, it can work for you! And this concludes today's segment of "Inspiring New York Tales."

Follow Lauren Beck on Twitter @heylaurenbeck.

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Altering Rock Star Quotes for Fun and Profit

Posted by on Tue, Jul 31, 2012 at 2:20 PM

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Yesterday, New Yorker pop-science wunderkind Jonah Lehrer (already wobbly from a "self-plagiarism" scandal earlier this summer) finally resigned when he was totally nailed on the fact that his best-selling book, Imagine: How Creativity Works, was filled with slightly too perfect, and thus totally fabricated, quotes from America's most beloved singer/icon/mumbler, Bob Dylan. And while part of us thinks that an overactive imagination is pretty apt given his chosen subject, it was what is typically known in journalistic ethics circles as "a dipshit move."

But we can definitely sympathize with the desire to bend occasionally inarticulate rock stars' words juuuuust so until they fit whatever subject we are trying to comment on. After all, if a rock star said it, it must be sexy/true. And while that sort of thing might get you canned from an apex of respectability like The New Yorker, we've got a little more leeway. (We hope?)

So let's try it out on a variety of hot topics...

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Bill Doss, Co-Founder of Elephant 6 Collective and Olivia Tremor Control Dies at 40

Posted by on Tue, Jul 31, 2012 at 1:13 PM

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Word is just now beginning to spread that Bill Doss, co-founder of the Athens-based Elephant6 Recording Company and influential psych-pop band Olivia Tremor Control has died at the age of 40. No cause of death has been disclosed.

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High-Brow, Low-Fat Art (Except Maybe the Rats)

Posted by on Tue, Jul 31, 2012 at 12:38 PM

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  • Kristy Leibowitz

Art and food have always been cozy with each other, but when artists embark on culinary adventures, the results are rarely ever appetizing. From real-life rat dinners to the online antics of Kool-Aid Man in Second Life, our culture’s obsession with food is currently playing out in lavish feasts and online stores. With this list, I bring you the super-sized, jiggly, and greasy art of this century, not for the faint of stomach.

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Songs About Sports: Your Very Unofficial Olympic Playlist

Posted by on Tue, Jul 31, 2012 at 11:31 AM

This needs a song.
  • This needs a song.
As the official anthem to the London Olympics, this Muse song is played every time athletes enter a stadium and before all medal ceremonies, which would be great it didn't sound so much like mid-aughts Korn. Alas, the aggro rock opera is fitting for some sports, but there are others—like badminton!—that call for a different kind of mood. So, here we go. A playlist tailored to the sports of the XXX Olympiad. (It's either this or a continuous loop of Jock Jams.)

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In Honor of Chris Marker, a Vertigo Thought Experiment

Posted by on Tue, Jul 31, 2012 at 9:58 AM

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The legendary French filmmaker, artist, leftist, cat fancier, second lifer and enigma Chris Marker, who died just a few days ago, also wrote one of the best, most eccentric readings of Hitchcock's Vertigo. Reading it, I started to think about the movie—how all of its many eccentricities, absurdities, contrivances and plot holes each deepen its unfathomable mystery.

For this reason, Vertigo is a fun film to play around with: it's already so strange, no eccentric interpretation can undermine the force of his drama. Quite the opposite, in fact, for its strangeness is the source of its profound and eerie resonance.

Inspired, I started to advance my own fanciful counter-reading of the film on twitter yesterday afternoon, and want to follow through with it here.

So, I'd like to propose a thought experiment: The next time you watch Vertigo, try watching it under the assumption that the real Madeleine Elster and her working-girl doppelganger Judy Barton have traded places before the start of the film, a fact never uncovered by the men on screen.

If you assume this, the plot still works, but the meaning and inflections change considerably. In that case, here is what Vertigo is a film about:

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Monday, July 30, 2012

Get 10% Off SummerScreen VIP Tickets to This Week's Screening of The Princess Bride!

Posted by on Mon, Jul 30, 2012 at 4:18 PM

Your VIP seat will look something like this.
  • Your VIP seat will look something like this.

What’s that? You want more SummerScreen? As you wish. This Wednesday, August 1, we’re back in McCarren Park screening the fairy tale that we all wish Columbo would read to us: The Princess Bride. Get ready to hear many an Inigo Montoya impersonation. But even more incredible than our recitation of Inigo's revenge speech is the fact that we're offering 10% off our VIP tickets.

Go ahead—live like SummerScreen royalty! You'll get a seat up front and center, plus food vouchers good for a meal with any of our vendors, Sixpoint beer vouchers, and a free dessert from the legendary Coolhaus truck. Plus, you get an invitation to an exclusive after party at King and Grove after the movie. To get your discounted SummerScreen VIP tickets, just click here and enter the promotional code "LMag" to buy yours!

And did we mention we'll have Chris Sarandon, otherwise known as Prince Humperdinck himself, on hand to introduce the film? But please, no swordfighting. He only played the evil prince.

And as always, it’s not just about the flick. We’ve got more music courtesy of Todd P and SHOWPAPER. This week's offerings include noise-techno-pop band Extreme Animals, experimental synth outfit Soft Circle, and fuzzy psych rockers PC Worship.

Also returning is our caravan of food vendors, which includes: V Spot, Cemitas, Little Muenster, Brooklyn Bangers and Pizza Moto. That’s enough to fill even a Fezzik-sized appetite.

So make sure to be at McCarren Park this Wednesday, on the corner of North 12th and Bedford. Doors open at 6pm, the bands will be on at 6:30, and we'll have the movie rolling by sundown. Missing this would just be, well, inconceivable.

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This Week's Must-See Art Events and Openings

Posted by on Mon, Jul 30, 2012 at 1:06 PM

Pussy Riots February cathedral performance/protest (Image courtesy of pussy-riot.livejournal.com)
  • Pussy Riot's February cathedral performance/protest (Image courtesy of pussy-riot.livejournal.com)

This week, we'll be heading to a screening at Heather's Bar, eating brunch in Baltimore, and picking up the arts and labor conversation with a few group shows.

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Currently Winning the Olympics: This Video of Gymnast Aly Raisman's Parents Watching Her Bar Routine

Posted by on Mon, Jul 30, 2012 at 10:56 AM

Nevermind Ryan Lochte's diamond-studded American flag grill or any of the dozens of athletic feats that went down over the last few days. In a weekend crammed with Olympic coverage from every conceivable corner of the media, this clip takes the cake. In it, we watch the parents of U.S. gymnast Aly Raisman reacting to their daughter's bar routine, which, to the benefit of their mental and physical health, was strong enough to advance her into the individual all-round competition later this week. They might also be driving an imaginary race car? Hard to tell. Deadspin has the video in HD, but for a quick peek, watch above.

What's that thing that Morgan Freeman always says? Oh, yes. Go world.

Follow Lauren Beck on Twitter @heylaurenbeck.

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Delicious Schadenfreude: Reading the Tweets of Miserable Londoners as They Suffer Through the Olympics

Posted by on Mon, Jul 30, 2012 at 9:16 AM

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On another Earth in the multiverse, the people of London are enjoying a relaxingly drizzly summer while we jam ourselves onto overcrowded trains, bitch about stupid tourists, and watch our city spend millions on completely useless Olympic specialty gear while our important infrastructure continues crumbling slowly into dust. But ha! We live on this Earth. And thank sweet merciful Allah New York was not selected to endure hosting duties.

I know "that person who loudly hates the Olympics" is way more tiresome than "the person who is suddenly a gymnastics expert once every four years" and "the person normally critical of American foreign policy drunkenly chanting USA at a bar television," so if watching the games is your thing, have at it. But lest you start to feel bummed that it could've been us on the teevee, enjoy reading these tweets of miserable Londoners, totally not keeping a stiff upper lip about how much hosting the Olympics sucks.

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Friday, July 27, 2012

On Unexpected Sorrow Caused by the Awfulness of the New Carly Rae Jepsen Song

Posted by on Fri, Jul 27, 2012 at 1:20 PM

I do not need to refresh your memory about "Call Me Maybe." Deceptively full-adult-but-still-teenish Canadian Carly Rae Jepsen's massive, massive pop hit is playing right now in your local grocery store and also in your parents' car. It is a gym jam. And weirdly, most everyone agrees that it deserves to be. (I've had surreal conversations with seriously bearded, obscure noise-heads about how well made it is.) It's got a slick, relentlessly forward-moving construction plus an aw-shucks girliness that splices Kylie Minogue and Taylor Swift strains into a single pop-radio neutron bomb. Just reading the title again started its loop playing in your head, didn't it? That sort of brain-burrowing goes beyond catchiness. The song might be haunted.

Which is why her follow-up single, the misleadingly tilted "Good Time," is such an enraging bummer of a fucking terrible song. (Listen, I didn't expect to be this emotionally involved in Ms. Jepsen's career choices either, but here we are.) "Call Me Maybe" created an expectation, if not for novelty or ground broken, then for sharp craftsmanship and simple, relatable giddiness. "Good Time" is dead in its eyes.

Let's walk through it:

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Photos: At The New Museum's Summer White Cocktail Party

Posted by on Fri, Jul 27, 2012 at 12:45 PM

New Yorkers flocked to New Museum earlier this week, for a look at the museum’s new Ghosts in The Machine exhibit, which turned out to be the art world’s version of P. Diddy’s “White Party.” Guests wandered around decked out in all white threads, sipping white-themed custom cocktails and complimentary beer from Beck’s, all while listening to music provided by DJ Jack Greer. Photographer Sam Polcer captured some of the nights most memorable moments.

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Your Handy Guide to Drinking During the Olympic Opening Ceremonies

Posted by on Fri, Jul 27, 2012 at 12:31 PM

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Congratulations! You played soccer as a young tyke but only made it as far as your JV team in high school, affording you the liberty to watch tonight's Olympic Opening Ceremonies in various stages of intoxication. Take that, world-class athletes! Sure, you can spend three hours marveling as those faster, stronger and better than you proceed into the stadium, but with the help of the rules below, you'll start to care less about how fast, strong and better they are. It's the American way! The Brooklyn way!

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Photos From the Best Summerscreen Ever

Posted by on Fri, Jul 27, 2012 at 12:29 PM

By pretty much any estimation, Wednesday night marked the best Summerscreen ever. First, people came, rocked out to Telepathe, Prince Rama, and Vaz, and then they settled in for Dirty Dancing, which, newsflash: every single person in Brooklyn really, really loves, like, to the point where everyone stood up and danced to the finale... twice, because of some technical difficulties. So in case you missed the fervor surrounding shirtless Swayze, here’s some of our favorite shots from last night in McCarren Park.

And don’t forget to come out next week for Princess Bride, or any of our remaining screenings. Check out the schedule here.

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Upcoming Art Events: NADA Hudson, Wassaic Art Festival, and a Book Fair

Posted by on Fri, Jul 27, 2012 at 12:14 PM

The Holes Bouncy House from last years NADA Hudson. Photo courtesy of openingceremony
  • The Hole's Bouncy House from last year's NADA Hudson. Photo courtesy of openingceremony

We’re maxing. We’re relaxing. We’re doing the bouncy house with our work friends. But mainly, we’re gettin’ outta here. The next few weeks hold a few art getaways in store, while New York slumbers. But not to worry; those of us remaining can still check out a zine fair and a must-see screening.

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The Facebook Art Gallery That Gives Bliss

Posted by on Fri, Jul 27, 2012 at 11:53 AM

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Facebook just got its first art gallery, #0000FF, an online-only project started by net artist Georges Jacotey. Net art is shockingly easy to get into: if you’re on the Internet at all, you know just how much of your daily life takes place in this strange, placeless place. To get over this strangeness, artists like Antonellis are trying to make this place a little more user-friendly.

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Step Up to Your Weekend at the Movies

Posted by on Fri, Jul 27, 2012 at 8:54 AM

But why see THE WATCH when you could head up to Lincoln Center and see Christian Marclays THE CLOCK?
  • But why see THE WATCH when you could head up to Lincoln Center and see Christian Marclay's THE CLOCK?
The Watch: Last summer had an unprecedented run of hit R-rated comedies, starting with Bridesmaids and continuing on down with The Hangover Part II, Bad Teacher, Horrible Bosses, and even the innocuous rom-com Friends with Benefits. The streak ran out by August with The Change-Up and 30 Minutes or Less, which didn't seem odd at the time but now threatens to turn into a prolonged R-comedy hangover: The Sitter went by with little notice over the holiday season; Wanderlust, American Reunion, and Five-Year Engagement ranged from modest to poor returns in the spring (and all from Universal!); and this summer has already seen The Dictator and That's My Boy underperform, and only 21 Jump Street and Ted hit it big. I try not to read too much into the appearance of box office trends, but it does seem that for whatever reason, audiences are shrugging their shoulders at a lot of seventeen-plus comedies, and given last year's bumper crop, that is strange (especially if you unscientifically factor in my opinion that a bunch of this year's comedies have been pretty good, especially the wildly sloppy but very funny Sacha Baron Cohen joint).

Into this fray jump a bizarre all-star team: Ben Stiller, Vince Vaughn, and Jonah Hill, joined by The IT Crowd's Richard Ayode, star in The Watch, from a screenplay at least rewritten by Seth Rogen and Jonah Goldberg, and directed not by Shawn Levy (though he did produce it), but Akiva Schaffer, the Lonely Island cohort who previously made Hot Rod, a movie I like very much that nonetheless gave absolutely no one the impression that its makers would be allowed to make another one.

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Thursday, July 26, 2012

Old People Were Right: Music is Actually Louder and Worse These Days

Posted by on Thu, Jul 26, 2012 at 4:13 PM

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  • "Turn it downnnnnnn"
Doing the lord's work as usual, scientists have looked into some things, and reported back that music has become louder and more generic over the past five decades. Told ya so!

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Bob Seng, Robert Franca & Vince Gargiulo at Valentine

Posted by on Thu, Jul 26, 2012 at 3:37 PM

Branca, Gargiulo & Seng at Valentine Gallery
  • Left to right, a glimpse of works by Branca, Gargiulo and Seng.

Entries, evasions and variant egresses make up the thematic mix in the current exhibition at Valentine Gallery.

Full review below.

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