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Midnight Boom (2008)
Tabbed at the start of their career as White Stripes rip-offs, despite an unleapable gulf in damaged sexiness from Alison Mossheart to sweet, girlish Meg White, The Kills proved themselves as an art-pop combo with real staying power. Midnight Boom, their underrated career best, bristles with the queasy feeling of two people who are horrible for each other, but just can’t lay off.
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