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Afternoon Delight is more successful in translating that openness into a point of view; writer-director Jill Soloway has made a smart, funny glimpse into a California marriage/parenting bubble not unlike what Judd Apatow explored in This is 40. Like that movie, Soloway's flirts with unexplored privilege (she and her characters seem aware of how relatively easy their lives are, but still manage to take it for granted), but, also like Apatow, Soloway can find big laughs in natural-sounding conversations. Hahn is terrific; imagine the Leslie Mann role in an Apatow movie taking center stage, with more than a dash of the funny lady slacker routine that had a boom in 2011 (Kristen Wiig in Bridesmaids, Anna Faris in What's Your Number? and, most terrifying, Charlize Theron in Young Adult). The Lifeguard comes from a more middle-class vantage point, writer-director Liz Garcia has trouble sketching out the characters outside the 30-ish age range; Bell, Martin Starr, and Mamie Gummer all do decent work as reunited high school friends grappling with nostalgia (even if they have too much dialogue explaining that this is what they're doing), but crucially, both the teenagers and older parental figures are undermotivated. Both movies stumble into more melodrama than they need, but Afternoon Delight recovers while The Lifeguard doesn't have enough strong material to salvage.