Art

Friday, November 20, 2009

FREE BOOZE! Art Events Tonight

Posted by Benjamin Sutton on Fri, Nov 20, 2009 at 3:37 PM

Le Dernier Cri at Cinders
Williamsburg
Blane De St. Croix and critic Jill Connor discuss the former's Mountain Strip installation at Black & White Project Space, 483 Driggs Ave (between North 9th and North 10th Sts), 7pm
French art collective Le Dernier Cri (work pictured) take over at Cinders, 103 Havemeyer St (between Grand and Hope Sts), 7-10pm
Deceptive sculptors present Evidence of the Paranormal at Klaus von Nichtssagend Gallery, 438 Union Ave (between Metropolitan Ave and Devoe St), 7-9pm
Johan Nobell's trashy landscapes and John Stoney's pencil classicism at Pierogi, 177 North 9th St (between Bedford and Driggs Aves), 7-9pm
Group photography show and Grand Opening at K&K, 109 Broadway (between Bedford Ave and Berry St), 7-10pm

Greenpoint
Big group show Party at Chris's House at Janet Kurnatowski Gallery, 205 Norman Ave (at Humboldt St), 7-9pm
Manhattan art parties after the jump.

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Neue Galerie Reaches New Millenium: Free Nights Start Next Month

Posted by Benjamin Sutton on Fri, Nov 20, 2009 at 12:53 PM

Neue Galerie
The Neue Galerie, the museum of Austrian and German art at Fifth Avenue and 86th Street that maintains a not unpleasant balance of awesomeness (free screenings, best museum restaurant ever, cabaret nights, well-curated exhibitions that are never too big to enjoy) and stuffiness ($15 admission, no kids under 12, no smiling), may never again seem so intimidating and exclusive: Beginning December 4th, admission to the Neue Galerie will be free on the first Friday of every month from 6-8pm.

Most museums have free nights—MoMA from 4-8pm on Fridays, the New Museum from 7-9pm on Thursdays, ICP is by donation from 5-8pm on Fridays—but it took a Bloomberg grant to bring the Neue Galerie around to the practice. And it's just in time, because the museum's current show, From Klimt to Klee: Masterworks from the Serge Sabarsky Collection (through February 15), should not be missed.

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Tim Burton is a Lot Funnier Than His Marketing Managers Let On

Posted by Henry Stewart on Fri, Nov 20, 2009 at 11:44 AM

My colleague Benjamin Sutton should have a fuller review of this show up soon, but in the meantime here's a brief impression:

Burtons Cupid
Though Tim Burton has a few comedies, or at least comedy-hybrids, on his director’s resume, his name doesn’t conjure thoughts of hilarity: instead, he is known as the Modern Master of the Macabre, the social misfit with an imagination toggling between the eerie and nightmarish. And so the highlights of the new MoMA lifetime retrospective, which features film screenings and several galleries of sketches, storyboards, video projects and movie artifacts, aren’t the pieces that conform to the familiar conception—in which the curators revel reductively—of the troubled artist eager to reject the suburban manicurerie of his youth, though die-hard fans (often with hair of unnatural hues) will appreciate the rarae aves: the Vincent models behind glass, the Batman hoods, the commercials, music videos, early work for television, recent flash animation projects, and the career-spanning character sketches, so rich that they make one wish some of his live-action features (Charlie and the Chocolate Factory especially) had been animated (by hand) instead. No, the most revealing works adorning the museum walls are the sketchbook pieces that reveal an intimate lighter side, particularly those in a series from the 80s that might have felt at home as single-panel cartoons in a magazine circulated only in the afterlife.

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Thursday, November 19, 2009

At Performa: Replaying Anna Halprin’s Parades & Changes

Posted by Alexis Clements on Thu, Nov 19, 2009 at 3:25 PM

Anna Halprin, Anne Collod & guests parades & changes, replays
The re-staging, or perhaps more appropriately, the re-imagining of Anna Halprin’s Parades & Changes is one of the most anticipated works in Performa 09. Those in the dance world who know Halprin’s work and her lasting influence on the form over the past sixty odd years have been eager to see this piece on the stage again. And judging from the response of the audience the night I was there, no one was disappointed.

Originally staged in 1965, the piece caused a sensation both in the dance world and with the general public. When the work was mounted for the first time in New York in 1967, arrest warrants were issued for the artists involved. Why all the fuss? At the time nudity on the city’s stages was illegal and rarely used, even among those who would thwart the law. Today, nudity in performance art and dance has become banal in some sense, or at the very least expected in many settings. Halprin’s use of the nude body was one of the earliest, most deliberate and prolonged examples. That said, the lack of clothing was only one of the conventions that Parades & Changes was pushing up against. Perhaps more importantly was her testing of conventions of sexuality, authorship, and even the definition of dance.

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28 Hours of Innovative Art Begin in Approximately 27 Hours

Posted by Benjamin Sutton on Thu, Nov 19, 2009 at 2:52 PM

289 Hours of Innovative Art
The folks behind the summer's Vision Festival kick off their jam-packed fall festival, 28 Hours of Innovative Art, tomorrow at 6pm at the CSV Center (107 Suffolk St) on the LES. The full roster of art, dance, poetry, music and theater events continues all day and into the evening on Saturday, with everything from choreography, yoga and video art to brass bands, screenings and readings. $50 gets you into every event both days, or $30 per day ($20 for students and seniors). Check out the full schedule to see the huge roster of participating artists, dancers, musicians, artists, writers and filmmakers.

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Latin American Art Fair PINTA 09 Opens Tomorrow

Posted by Benjamin Sutton on Thu, Nov 19, 2009 at 1:51 PM

HUgo Tillman
Now in its third year, the PINTA art fair of modern and contemporary Latin American art brings together over 50 galleries and a dozen art magazines from about 20 countries, all squeezed into the Metropolitan Pavilion on West 18th Street for the next four days. The invitation-only opening party is tonight, but the real fun begins tomorrow when the fair opens to the public and continues through Sunday.

More so than the art fair week in early spring, PINTA offers an opportunity to catch smaller and lesser-known galleries from countries with vibrant but often under-represented contemporary art scenes like Brazil, Cuba and Chile. PINTA is open tomorrow and Saturday from 12-8pm and Sunday 12-7pm. Click here for details.

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Jeanne-Claude, Artistic and Life Partner of Christo, Is Dead

Posted by Benjamin Sutton on Thu, Nov 19, 2009 at 1:20 PM

Jeanne-Claude and Christo
Jeanne-Claude, who with her husband made up the artist duo Christo and Jeanne-Claude (whom New Yorkers will remember for their orange Gates in Central Park) died last night. According to The Associated Press she succumbed to complications from a brain aneurysm, she was 74.

The French artist was best known for her works with husband Christo that often involved draping large monuments, buildings and landscapes in fabric—the Museum of Contemporary Art in Chicago, a stretch of coast in Sydney, Pont Neuf in Paris, for instance. A family statement explained that the pair's two current works-in-progress (one in Colorado, the other in the United Arab Emirates), will continue as planned, though they'll clearly have a more solemn emotional impact than the usual giddy wonder the duo's spectacular installations evoke. (ArtsBeat)

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Illustrator Puts Beards on Formerly Beardless Characters

Posted by Benjamin Sutton on Thu, Nov 19, 2009 at 10:23 AM

Batman with Beard
The Croatian illustrator Vanja Mrgan recently had an epiphany in the place where most of us make the greatest discoveries of our lives. He explains: "So I was sitting on the toilet recently reading a Conan short story when it struck me like a bolt of lightning. Conan should have a beard!" (I'm assuming that by "Conan" he's referring to the barbarian, not the talk show host, although it's hard to say since neither has a beard.)

At any rate, this realization led Mrgan to undertake a truly delightful project: He will add beards to every fictional beardless character he can think of until he runs out of ideas. The series, titled Bearded, is up to 9 so far, and includes a bearded Batman (pictured) and Robocop sporting some seriously Santa-like facial hair. I'm not sure if he's taking requests, but Ronald McDonald would look totally terrifying with a big, shaggy, Grizzly Adams-style beard. (NOTCOT)

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Wednesday, November 18, 2009

Robert Smithson, the Original Balloon Boy

Posted by Benjamin Sutton on Wed, Nov 18, 2009 at 4:37 PM

Spiral Jetty Robert Smithson
There's an interesting piece in yesterday's Times about the improbably simple solution to the confusing business of documenting the conservation of Robert Smithson's Spiral Jetty (1970), itself an improbably complicated yet, on some level, very simple piece of land art. Basically, when faced with the monumental task of documenting the piece's evolution as it's eroded and re-shaped by the waters of Utah's Great Salt Lake, Francesca Esmay, a conservator at the Dia Art Foundation (which owns the piece) collaborated with Rand Eppich at the Getty Conservation Institute to come up with this solution: a digital camera strapped to a helium balloon at the end of a fishing line.

That amounts to about $500 to make sure an artwork that is essentially priceless isn't deteriorating too quickly or substantially—compared to say, $100,000 every year to water your Jeff Koons flower puppy. It's welcome proof that not all improvised balloon contraptions sent into mountain state skies are doomed to end in mock disaster and controversy (although Eppich said that a few balloons did pop in the summer heat).

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If NYC Neighborhoods Had Their Own Currencies

Posted by Benjamin Sutton on Wed, Nov 18, 2009 at 2:39 PM

Tribeca Dollars
School of Visual Arts students in Jason Santa Maria's Communicating Design class picked neighborhood names out of a hat last month, and designed district-specific currencies for whichever 'hood they happened to select. The results of the experiment were posted on an SVA blog (and Flickr) on Monday, and most of them are terrific. (Except Richie Lau's SoHo money, which is full of animals for some reason—is there a zoo down there I don't know about?) The Chelsea cash (by Eric St. Onge) uses patterns from Nabisco cookies, because the Chelsea Market building was originally a Nabisco plant; the Midtown money (by Kristin Gräfe), when assembled, makes a map of all Midtown. I'm not sure why they stuck to Manhattan neighborhoods (including some dubious districts, like Stuyvesant Town), but in the absence of a Dumbo Dollar or Williamsburg Kroner, I'd say my favorite is Chia-Wei Liu's design for Tribeca (pictured). (NOTCOT, DesignRelated)

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Shaq (Yes, Shaq) Curating Art Exhibition!

Posted by Benjamin Sutton on Wed, Nov 18, 2009 at 11:42 AM

Shaq curator
Today, Bloomberg reports the hilariously awesome news that Shaquille O'Neal, legendary basketball star and somewhat less legendary rapper and actor, will be curating an exhibition at the Flag Art Foundation in February. The show, titled "Size DOES Matter" (February 19 to May 27), will feature 52 pieces by 39 artists whose work plays with scale and manipulates proportions, and will include five new pieces commissioned especially for the show. Shaq will reportedly come to New York to help with the hanging (even though, you know, he still plays basketball sometimes, 500 miles away).

James Frey, a partner in the non-profit gallery, will be writing an essay for the exhibition catalog. He told Bloomberg: "“Getting Shaq, one of the largest people in the world, to curate a show about scale is really fun." Artists appearing in the show include Chuck Close, Tom Friedman, Andreas Gursky, Brian Jungen (presumably his shoe sculptures?), Ron Mueck (obviously), Yinka Shonibare and Kehinde Wiley, with more names still to be announced.

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Monday, November 16, 2009

Public Art Fund Installation at MetroTech Provokes Double Take

Posted by Benjamin Sutton on Mon, Nov 16, 2009 at 2:01 PM

Public Art Fund Double Take
The Public Art Fund's latest commission was unveiled last week at MetroTech Center in Downtown Brooklyn, where six artists have created five works for a public plaza in the exhibition Double Take. More disquieting than the Fund's recent exhibitions, which have tended more towards the poppy and playful side of public art, the new installation aims to draw viewers into alternate universes and uncanny spaces.

Double Take features a sculpture called "Pilgrim Ghost" by Johannes VanDerBeek that's exactly what it says it is, Christian de Vietri created an ominous, vaguely Blair Witch Project-y pile of cast aluminum branches called The Gathering, and Matt Irie and Dominick Talvacchio contributed a droopy but still functional lamp post (rendered at right) that seems to be getting pulled into a vortex kind of like in that Halloween episode of The Simpsons. The show also features more architectural installations by Michael DeLucia and Natasha Johns-Messenger, and continues through September 10, 2010.

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Artist's Attempt To Spruce Up Sotheby's Auction House Lands Him in Jail

Posted by Benjamin Sutton on Mon, Nov 16, 2009 at 12:09 PM

Sam Bassett
Amid all of last week's art auction madness, one of the few living artists to present his work at Sothedby's left in a squad car. Sam Bassett, who specializes in what could most readily be called public sculpture (colorful tape forms draped over and around buildings and streets in sharp geometric patterns, not unlike Aakash Nihalani) was arrested last week while trying to create one such sculpture on the facade of Sothedby's the morning before a very expensive auction.

The idea behind the guerrilla art attack, Bassett told NBC New York, was to call attention away from the enshrined artists whose works were fetching millions, and get bidders and auctioneers thinking about contemporary art. Bassett told the Post:

The cops liked the concept, one cop called me the new Cristo. I tried to explain this was a modern art project, but the security guard was convinced I was trying to break in and steal the Warhol print. So the cops took me to jail.

Well, at least the NYPD (not always known for their understanding of public art) got something out of it. (Artforum)

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Artist Stages Pop Up Lunches on Improvised Sidewalk Furniture

Posted by Benjamin Sutton on Mon, Nov 16, 2009 at 11:03 AM

Pop Up Lunch on mailbox
The anonymous furniture designer and urban inventor behind the blog project Pop Up Lunch is trying to re-define how we use city streets and sidewalks, especially when lunchtime rolls around. The gist of the project is to use existing features of the streetscape like fire hydrants, mailboxes (pictured), traffic poles and fences as staging areas for eating surfaces. Because goodness knows, juggling a drink, napkins and food when there's nary a bench or table in sight is damn near impossible.

S/he has organized several pop-up lunches, where inventive urban eaters can meet and test out new street surfaces. The last one took place in Soho about two weeks ago. Keep checking the Pop Up Lunch site for news of the next get-together and upcoming prototypes (like the lunch bag hammock). (BoingBoing)

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Friday, November 13, 2009

Street Artist Known Only as "The Decapitator" Decapitates Ads and Magazine Covers

Posted by Benjamin Sutton on Fri, Nov 13, 2009 at 4:37 PM

The Decapitator

In the great tradition of Posterboy and Posterchild, an artist named The Decapitator—whose work was previously spotted in London, Paris and Sao Paulo—has been leaving his funny, bloody mark on New York billboards lately. Earlier this week he even organized a scavenger hunt (illegally, of course) at the Union Square Barnes & Noble, where he's planted several copies of this month's Rolling Stone with Shakira's head chopped off (like so). There may still be a few hidden copies in the store, but even if they're all gone you should check out his work. (WhoKilledBambi?)

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FREE BOOZE! Art Events Tonight

Posted by Benjamin Sutton on Fri, Nov 13, 2009 at 3:31 PM

Jenny Morgan & David Mramor
Williamsburg
It's the 2nd Friday of the month, which means most if not all Williamsburg galleries, whether or not they're opening a new show, will be open late with, at the very least, some wine out and in some cases much, much more. For instance: Karen Margolis will discuss her exhibition at Slate Gallery at 7pm, curator K. Saito opens an exhibition of artist-designed tote bags at Figureworks from 6-9pm, a Dutch jazz ensemble plays the opening of a group show of contemporary Dutch artists at Artbreak from 6-10pm, and Jenny Morgan and David Mramor open their show of collaborative canvases (pictured) at Like the Spice from 6-10pm.

Bushwick and LES art parties after the jump.

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Ryan McGinness Hosting Artists' Auction at His Studio Tonight

Posted by Benjamin Sutton on Fri, Nov 13, 2009 at 12:07 PM

Ryan McGinness art auction party
Rising Pop art star Ryan McGinness has been hosting weekly parties at his studio on Friday nights since July dubbed 50Parties, but tonight's 19th party will be a little different: He'll be holding an artists' auction (click here to see the catalog). It's been kind of a crazy week for art auctions, but this is a pretty significant departure from the norm.

Of course, Damien Hirst made headlines just over a year ago when he organized an auction of his own works that raked in about $200 million, but that was held at Sotheby's and featured only works by one, very well-known artist. Here, McGinness is cutting out auction houses altogether, which means no fees for buyers and more money for the artists.

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Cindy Sherman to Receive Jewish Museum Award Designed For Cindy Sherman

Posted by Benjamin Sutton on Fri, Nov 13, 2009 at 9:34 AM

Cindy Sherman and David Byrne
She didn't get the Art Award for best gallery show, but Cindy Sherman will receive an award from the Jewish Museum next week that sounds like it was created with her in mind. Yesterday Artinfo reported that the award will be given to the self-photographing, identity-shifting avant-garde artist during a ceremony on November 17. The prize, called the Man Ray Award, is given to artists who understand and demonstrate art's ability to imagine and explore new identities, which, in a nutshell, is exactly what Sherman (and Man Ray) has always done.

The award also coincides with the Jewish Museum's major Man Ray exhibition, Alias Man Ray: The Art of Reinvention, which opens on Sunday and of which there will be a private tour during the award ceremony. I hope Sherman and long-time boyfriend David Byrne (pictured at the Performa gala) go dressed as each other.
(Photo by Amber De Vos)

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Tim Burton Directs Trailer for Tim Burton Exhibition at MoMA

Posted by Benjamin Sutton on Fri, Nov 13, 2009 at 8:45 AM

MoMA Tim Burton catalog
The blockbuster exhibition of the winter (sorry Urs Fischer), MoMA's Tim Burton retrospective, opens in a little over a week (November 22). Just in case you were thinking of forgetting, the museum commissioned Burton to direct a cute promo for his show. It's a typically Burtonesque affair, with a steampunk Frankenstein monster-ish robot inflating balloons that look like they were designed by Niki de Saint Phalle. Check it out after the jump. (Design:Related)

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Thursday, November 12, 2009

FREE BOOZE! Art Events Tonight

Posted by Benjamin Sutton on Thu, Nov 12, 2009 at 3:15 PM

Sopheap Pich
Chelsea
Makoto Fujimura's colorful, weathered abstract paintings at Dillon Gallery, 555 W 25th St (between Tenth and Eleventh Aves), 6-8pm
Kimberly Hart's nostalgic animals and landscapes at Mixed Greens, 531 W 26th St (between Tenth and Eleventh Aves), 6-8pm
Sopheap Pich's surreal wire sculptures (pictured) at Tyler Rollins Fine Art, 529 W 20th St, 10W (between Tenth and Eleventh Aves), 6-8pm
Magazine launch and panel discussion Post-Feminist: Do We Need To Go There? at P.P.O.W. Gallery, 511 W 25th St, Room 301 (between Tenth and Eleventh Aves), 6-8pm
More Chelsea and Soho events after the jump.

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