Slowly but surely, galleries are trying to return to business as usual after Hurricane Sandy. Some of those hardest hit in Chelsea, like Zach Feuer, have reopened only within the last week, while others, like Casey Kaplan and Wallspace, have plans to reopen early next year. Despite setbacks, all these galleries have been prepping for this week’s Miami art fairs, a mecca of fine art transactions that could help many galleries stay afloat. Many of them, it seems, have similar stories to tell.
GIFRIENDS, "Bushwick" (Gif courtesy of giftedtogether.com)
Most of the art world will be at Art Basel Miami Beach this weekend, which means the rest of are stuck up here with only the art and the artists. So. excited.
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by Corinna Kirsch
on Fri, Nov 30, 2012 at 12:30 PM
On Tuesday, we started out our list of famous artists who had to work their way up with day jobs. As a profession, “artist” ranks pretty low in terms of financial reward. Most artists schlep their way through menial professions for years before being able to give them up for more rewarding work. Those jobs are not always fun, but they can influence an artist’s practice.
The Decent or Marcel Duchamp meets Hieronymus Bosch. Dimensions very large. (Photo courtesy of Peter Bardazzi)
Brooklyn artist Peter Bardazzi doesn't fit a type. "I'm not just a straight painter in the sense that I just wake up in the morning and think about painting," he told me in a studio visit this summer. "Art is this huge thing."
Posted
by Henry Stewart
on Thu, Nov 29, 2012 at 9:00 AM
When the Gowanus-based short-story bookleteer One Story launched a teen-fiction sister-publication this summer, it wasn't just the intended audience that distinguished the two—it was the covers. While the adult boasts a functional recurring design, One Teen Story features vibrant illustrations from erstwhile Brooklynite Stefan Lawrence, an artist (and more!) now based in Los Angeles. We reached out to Lawrence to find out how he creates the covers—and how long he expects to do it.
Does the age of your audience affect your approach at all? I don't think so. Young adults these days are very visually sophisticated, so there's never been any talk of dumbing down the designs. I do try to design with energy and fun, which fits the audience, but that's how I tend to approach most of my design anyway.
Posted
by Corinna Kirsch
on Tue, Nov 27, 2012 at 11:14 AM
As a profession, “artist” ranks pretty low in terms of financial reward. Most artists schlep their way through menial professions for years before being able to give them up for more rewarding work. Those jobs are not always fun, but sometimes, they influence an artist’s practice.
As such, we’ve gathered a list of ten common art world day jobs, listed a few famous artists who’ve held down the position, and given some pros and cons to taking on each one. Friday we’ll reveal part two of the list with ten more. Your future as a Met security guard awaits!
Tony Luib, Junk Wave, 2012 (Photo courtesy of the 2012 Annual Juried Affordable Art Exhibition)
This week, we’re stuffing our stockings with local art. We’ll also be stopping by the Guggenheim for an artist’s talk and checking out a few Brooklyn openings this weekend.
Equanimity-Vermillion (detail), by Robert Lansden. Photo courtesy Robert Henry Contemporary.
Bradford's ruptures, de Balincourt's ecstasies and Lansden's painstakingly meta-woven necessities are among the subtler points of note in these picks from the 11/21 edition of our fine-fettled newsletter.
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by Corinna Kirsch
on Tue, Nov 20, 2012 at 3:44 PM
Plan on being baffled when watching this year’s Macy’s Thanksgiving Day Parade. This year, alongside the Sonic the Hedgehog and Ronald McDonald balloons marched down the street, there will be one incredibly depressed clown, weeping from the bottoms of his helium-filled heart. That grayscale clown goes by the name “Companion” and was designed by street artist KAWS in the 1990s. This parade will mark his first appearance in the skies of New York.
Screenshot of Ashland Mines, from Ryan Trecartin's W Magazine Spread
It's too bad that the 319 Scholes show Collect the WWWorld: Artist as Archivist in the Internet Age, kind of a greatest hits album of the last five years, was only open for a few weeks. Lucky for us, you can still find a lot of these treasures on the exhibition site. I've highlighted three below.
Posted
by Corinna Kirsch
on Fri, Nov 16, 2012 at 3:42 PM
From left to right: William Cardini and Josh Burggraf at the Brooklyn Comics and Graphics Festival
How do you escape the rut of going to Kinko’s to make your own zines with your own pocket change, and for the eyes of just your closest friends? I spoke with Queens-based illustrator Josh Burggraf who writes and edits Future Shock; according to the comic’s online distributor Birdcage Bottom Books, it’s an “astro-psyche-out sci-fi anthology”. It’s also a great, self-published comic featuring dozens of artists and writers in each issue. Burggraf and I spoke about how to get your comic or zine noticed and what’s better, Tumblr or Twitter.
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by Corinna Kirsch
on Tue, Nov 13, 2012 at 10:08 AM
Any bird flying over Williamsburg on Saturday would have spotted a curious sight: on the corner of Havemeyer and North 8th, legions of people were pouring out of a church. Crowds were gathered for a yearly holy conference, The Brooklyn Comics and Graphics Festival. In just its third year at this location, the one-day event packed comic, zine, and graphic novel enthusiasts into two floors full of booths by small and large publishers alike.
From hand-drawn, inky doodles of sci-fi creatures, to graphic novels with doe-eyed females, the full gamut of contemporary illustration was on view. With comics, you’re often bound to find an image, turn of phrase, or a certain pacing, that seems like it’s been invented by plumbing the subconscious. Many comics revel in the weird, but the subculture’s numbers are anything but tiny. From the looks of it at The Brooklyn Comics and Graphics Festival, cartoonist culture is alive in Brooklyn, and abroad.
Posted
by Corinna Kirsch
on Fri, Nov 9, 2012 at 12:11 PM
Greece, Spain, and Italy: for the last few years, they’ve been on the verge of going under, but through a series of international loans and bailouts in the billions of dollars, these countries have yet to go bankrupt. The American people have been doing the same thing for banks and all types of corporations in this country, but that’s not fair for the millions of us already burdened with credit card debts and student loans.
If only there were a system of forgiveness on a smaller scale: if we can forgive countries for debt, then why not individuals? Can’t we just have a system of take-backsies?
James Huang's “Angler” in Wood, available for $225
If you’re trying to make it as a full-time artist, you’ve probably thought about makin’ some merch. Not “merch,” as in Louis Vuitton handbags that serve to turn your work into luxury brand; I mean “merch” as in small, thoughtful extensions of a larger body of work, which can be made and bought at a low price. Gagosian is schilling its Cindy Sherman tea sets and Keith Haring skateboard decks, and for them it seems like an afterthought. It’s time for Bushwick to get in on this.
In come art heros Jen Dalton and Jennifer McCoy. Their new space in Bushwick, Auxiliary Projects, will present multiples alongside artists’ work, so artists can make money from the things they love without divorcing it from their ideas, and normal people can start art collections on a budget at the affordable limit of $300 per piece. The best part is, the model allows art and ideas to circulate; people can borrow and trade little works of art, rather than see it disappear into a collector’s home forever. The first show (which opens tonight, November 9th) presents work by sculptor James Huang, who often appropriates and resizes industrial objects. He’ll be showing Swiss Army knives made of felt, plaster, and plexiglass alongside his larger cast-plaster sculptures.
New York has seen its fair share of misery over the past week, and now, with a Nor’easter on its way, we have word that the Rockaways are about to be evacuated a second time. But, there is a glimmer of hope! Obama won this year’s election and promptly took over Tumblr—and this morning, the G train started running again.
In celebration of our president’s continuation as president, we’ve scoured Tumblr for some of the best election day bytes. We’ve got GIFs, videos, and photos like Romney as a sad little kitten. “Smug Obama” loved that one.
Posted
by Corinna Kirsch
on Fri, Nov 2, 2012 at 12:23 PM
For all the critics out there, Brooklyn-based curator Lauren van Haaften-Schick has a project just for you. All you need to do is send her a letter.
Van Haaften-Schick’s latest project, Non-Participation, “will be a collection of letters by artists, curators, and other cultural producers, written to decline their participation in events, or with organizations and institutions.” She can’t do all the legwork on her own, so if you’ve ever had a beef with organizations and institutions, send her your submission.
We here at AFC plan on submitting our petition against Sotheby’s, the auction house that locked out its art handlers for nearly a year. But with the definition of “letter” left vague, we could also submit a handful of things like reviews, tweets, emails, or anything beginning with “Dear _____.”
Read below for the full details on the project, including how to send off your letter (Deadline: December 31, 2012).