Posted
by Henry Stewart
on Fri, Feb 1, 2013 at 11:00 AM
When the Brooklyn Philharmonic announced its 2012-2013 season in the fall, it included three ambitious orchestral concerts, like a program called "A Brooklyn Legacy of Music and Film." But our hometown Phil has canceled two of those concerts and moved the final one to a larger venue—BAM. "It's a few things," board member Tim Gilles told me. The most basic: "we've made good progress to fiscal sustainability, but we're not there yet," he said. "It doesn't happen overnight." But smaller, more specific problems upended the season as well.
In all fairness, Super Bowl halftime shows are supposed to be strange, tacky spectacles that don't ever stand the test of time. That's how it is, and how (I assume) it always will be. Even so, the combined forces of football, network sponsors, and the pressure of trying to appease the taste of every single person in America tend to make for pretty odd bedfellows. More specifically, combinations of musicians who should never be sharing a stage together under any circumstances at all. Because watching old YouTube clips is generally better than "reading news" or "doing work," let's think about the times it's gone the most wrong.
Soko (real name: Stéphanie Sokolinski) is a French singer and actress who was born in Bordeaux and has recently jumped continents to claim Los Angeles as her home. The self-proclaimed weirdo just released her digital album, I Thought I Was An Alien, in North America. After taking a momentary break from playing music in the beginning of 2009—and citing the evils of the music industry as her reason—Soko claimed to be reborn by August of the same year and soon got back to playing live shows and writing new songs.
While she’s supported artists like M.I.A. on tour, had her music sampled by Cee Lo Green on his "Stray Bullets" mixtape, and generally been on the scene for about 5 years now, Alien is her first proper full-length (it was released in Europe in February 2012).
Soko directed and Spike Jonze filmed a video for the album's title-track and first single in Echo Park, Los Angeles. The whole video was shot on an IPhone 8mm app. The resulting alien love story looks like a daydream filled with color-tinted shots, charming fireworks, and, oh yeah, alien sex. Watch below.
Posted
by Mike Conklin
on Thu, Jan 31, 2013 at 11:51 AM
In yet another beautifully shot clip for La Blogotheque, Titus Andronicus frontman Patrick Stickles performs a solo version of Local Business closer "I Tried to Quit Smoking." Though the band's undying commitment to relentless guitar rock is admirable and refreshing, it's also nice to see Stickles switch things up the way he does here. And make sure you watch all the way to the end, for the awesome guitar loops and the triumphantly mournful guitar solo.
Posted
by Chris Payne
on Wed, Jan 30, 2013 at 9:00 AM
Sometimes you have to get away from the structure and the strain of city life to get the creative juices flowing. For their second LP for Brooklyn's now-venerable Captured Tracks label, Molly Hamilton and Robert Earl Thomas needed a change of pace, a change of scenery, and a step away from an internet connection, even if it did mean a temporary halt to Hamilton's tenacious Wikipedia habit. With most of Almanac written in Brooklyn, the duo retreated (along with producer Kevin McMahon) to a hundred-year old old barn in the woodlands of the Hudson River Valley. And Widowspeak sound all the better for it, both on record and in conversation. Once coy about singing live and hesitant to make Widowspeak the center of her life, Hamilton, a Tacoma, Washington transplant, sounds more intent than ever to see her band take on new challenges.
Posted
by Jeff Klingman
on Tue, Jan 29, 2013 at 12:33 PM
The end of last week was emotionally tumultuous for superfans of godlike Swedish electronics duo The Knife, a club to which I am a non-objective, dues-paying member. (The second disc of that avant-garde synth-pop opera was soooo good, you guys!) The first single from Shaking the Habitual, their first proper album in almost seven years, popped up online, only it was in 30 second segments that you had to keep clicking, then it disappeared altogether, except it was on You Tube later, and then it wasn't, and then their disturbing art film video clip for it was online. Then it wasn't. Then it was again.
It was either an amazingly effective viral marketing campaign, or just a case of several obscure Scandinavian art websites not having their shit together. (Or both!) Anyway, "Full of Fire" has been online reliably for a few days now, and available for prolonged obsessing. And I love it. Listen:
Posted
by Jeff Klingman
on Fri, Jan 25, 2013 at 11:42 AM
After much teasing, the lineup for this year's Coachella Music Festival and Vegan Chili Cook-Off has been announced. It is OK. I mean, as expansive as its gotten, you pretty much have to be a fan of no music whatsoever to not be able to find anything you'd be psyched to see in there. (After a quick personal peruse: Yeah Yeah Yeahs, Wu-Tang, OMD, Sparks.) But the top-line is so-so, surprising, and lame, respectively. Stone Roses are really that commercially popular in 2013? Phoenix can anchor a night now? There's a lingering constituency for the fucking Chili Peppers? In the search for fabled festival act envy, our eyes can't help but wander.
Posted
by Mike Conklin
on Thu, Jan 24, 2013 at 9:17 AM
Klingman took a close look at "Suit and Tie" when it first came out last week, but now that the first new Justin Timberlake song in almost six years has gotten the official video treatment, it seems like it's probably a good time to pay it another visit. I did, and, spoiler alert, it's so stupid! Let's watch, and then make note of 10 totally crappy things we're supposed to overlook because he's attractive and likable and good at golf of whatever the fuck.
Posted
by Jeff Klingman
on Wed, Jan 23, 2013 at 12:33 PM
Yesterday, favored NYC preps Vampire Weekend announced the release date of their first album in almost three years, the follow up to the pretty darn good Contra: May 6th in the UK, and May 7th in the US. That 2010 record and their 2008 debut both sound pretty classic right about now, possessing a fully formed aesthetic of smart lyrics and memorable melodies. Are we still going to fight about them appropriating African cultures and dressing kind of dorky? Or can we just skip that part this time? The only hope is that everyone is all bitched out, because the yet-to-be-titled new one is most likely going to be a continuation of previous work rather than a massive departure.
Our assumption is supported by a possible preview of their new record that was posted on Stereogum this morning, a live version of a new song "Arms" from a concert in Sydney, Australia. And while getting really excited about kinda fuzzy live versions of new songs right before their recorded versions come out makes us feel a little overexcited and teenage, you can already hear how polished this one sounds in concert, and will soon sound on record. I bet those soothing keyboard lines, spacious drums, and rising string swells are going to sound just great! More ready for this than I might have previously expected. 2013 is shaping up real nice, folks.
Listen to the recording of "Arms" below, maybe while standing behind some really tall guy and pretending he is blocking your stage view:
Posted
by Jeff Klingman
on Mon, Jan 21, 2013 at 11:53 AM
Last night, at one of Washington D.C.'s one billion inaugural parties, Chicago rapper Lupe Fiasco shook up the happy party times vibe by performing an extended version of his song "Words I Never Said," which has a mad-at-everyone political fierceness that organizers StartUpRockOn totally could have Googled ahead of time and thought about before inviting him to perform.
You can watch highlights of the song's most salient political jabs, Fiasco dancing strangely, and then some security guards with really unwelcoming body language getting him the fuck out of there, below:
Posted
by Jeff Klingman
on Mon, Jan 14, 2013 at 12:23 PM
Last night, after a few-day tease delay, the first new Justin Timberlake song in over six years was released, an advance marker for a new record called The 20/20 Experience. "Suit & Tie" was produced by Timbaland and features a guest verse from Jay-Z. Not fucking around with the bold-type names. It's a gentle disco/R&B ode to getting yourself fancified and dancing, on such suitable occasions as a senior prom, a formal work event, or a high school friend's wedding.
Posted
by Jeff Klingman
on Fri, Jan 11, 2013 at 11:51 AM
The latest video from Ke$ha's kind-of-respected 2012 record Warrior was released this morning, for its second single, "C'mon." In it, Ke$ha shows up for an exaggeratedly gross waitressing job, quits immediately, and then goes on a psychedelic journey of sexual awakening with a van full of furries and a bunch of cheap booze. Typical Ke$ha stuff.
If that sounds like your sort of thing, you can watch it right here:
As I sipped coffee at my desk this morning, making puns and listening to the Kendrick Lamar album on Spotify, I thought about the lyrics, and I couldn't help but wonder: if he can "fuck the world for 72 hours," why can't I? Has Samantha tried it? And after all, are rappers and writers really so different? Are men and women?
Posted
by Jeff Klingman
on Tue, Jan 8, 2013 at 1:04 PM
Still looking better than his old man make up from The Hunger...
Late last night (or early this morning depending on your personal schedule), word came through that 66-year-old birthday boy and unquestioned art-pop legend David Bowie will be releasing a new record, entitled The Next Day on March 12 in the U.S. and slightly earlier than that in Australia, where they are used to living tomorrow's future right now. This came as something of a surprise, given the nearly ten-year gap that followed his next-most-recent record, Reality, which had most people assuming he'd given up recording for good.
The first single from Bowie's 30th (!) studio album is called "Where Are We Now?" and already has a slightly unsettling video, which you can watch below.
The music industry may have lost its lone cage-rattling political activist. None have come before, and none shall follow. From here on out we are a lost generation, lacking direction, integrity, and the ability to locate Sri Lanka on a map.
This is all because M.I.A. is, she says, being cruelly hushed up by the powers that be, this time her record label, which has pushed her newest album back to an April release (it was originally supposed to come out in December) for being "too positive."
Posted
by Jeff Klingman
on Fri, Jan 4, 2013 at 11:57 AM
Well, this is a dumb way to start the year. As you may have read by now, two of the albums we're most looking forward to in 2013 are full-length debuts by local rappers Azealia Banks and Angel Haze. While Azealia's been fussing with it for a long time, her record Broke With Expensive Taste seems to finally be just about to drop. While fewer details are known about Haze's album, the speed and hunger with which she's been putting out material suggest we won't be waiting on it for long. Coming to attention after the boom of Banks' "212", Haze has been totally intertwined with her in the press, for reasons of demographic similarity more than resemblance in their rapping styles. Which is sort of lazy and unfair. But given bigger sample sizes of their work, and a little time to carefully consider, the discussion over each might have eventually settled into a focus on their own specific merits? That would have been nice, anyway.
Posted
by Lauren Beck
on Fri, Dec 28, 2012 at 1:05 PM
We've spent the last 12 months listening, fast-forwarding, forming opinions, rewinding, relistening and reforming opinions to albums birthed from the Brooklyn music scene. Now let's find out what the bands responsible for some of our favorites have been listening to and forming opinions on in 2012. (Then go listen to them, form opinions, and we'll start the cycle again. See how this works?)
Posted
by Henry Stewart
on Wed, Dec 26, 2012 at 11:30 AM
I don't care if it's not Christmas anymore. Dave Brubeck's death renewed my interest in cool piano jazz, which left me more susceptible than usual this year to Vince Guaraldi's A Charlie Brown Christmas soundtrack. It'll occupy a place in my five-disc changer (you guys, what's wrong with me?) well into the new year. But if you don't listen to albums anymore because your attention span has been destroyed by lists on the Internet, here are the key tracks (minus "Linus and Lucy" because it's too obvious, even if it's obviously awesome).
Posted
by Henry Stewart
on Mon, Dec 24, 2012 at 10:30 AM
Most people know Tchaikovsky's music for The Nutcracker from the suite—you know, from the version used in Fantasia. But as anyone who's seen it on the stage knows, it's a whole goddamn ballet! With, like, hours worth of music. Here are some of the choicest bits you may not already know.