Friday, November 20, 2009
Posted
by Benjamin Sutton
on Fri, Nov 20, 2009 at 3:37 PM
WilliamsburgBlane De St. Croix and critic Jill Connor discuss the former's
Mountain Strip installation at
Black & White Project Space, 483 Driggs Ave (between North 9th and North 10th Sts), 7pm
French art collective
Le Dernier Cri (work pictured) take over at
Cinders, 103 Havemeyer St (between Grand and Hope Sts), 7-10pm
Deceptive sculptors present
Evidence of the Paranormal at
Klaus von Nichtssagend Gallery, 438 Union Ave (between Metropolitan Ave and Devoe St), 7-9pm
Johan Nobell's trashy landscapes and
John Stoney's pencil classicism at
Pierogi, 177 North 9th St (between Bedford and Driggs Aves), 7-9pm
Group photography show and
Grand Opening at
K&K, 109 Broadway (between Bedford Ave and Berry St), 7-10pm
Greenpoint
Big group show Party at Chris's House at Janet Kurnatowski Gallery, 205 Norman Ave (at Humboldt St), 7-9pm
Manhattan art parties after the jump.
Continue reading »
Tags: nyc art, brooklyn art, williamsburg art, Pierogi, Cinders, K&K, art parties, performance art
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Posted
by Mark Asch
on Fri, Nov 20, 2009 at 3:11 PM
Would you like The L to "weigh in" on
Oprah Winfrey's decision to end her popular daytime television serial in which everybody takes turns talking about themselves?
It is very impressive, we suppose, that a person is secure enough in her employment and plans for the future that she can give 22 months' notice. I, too, had considered announcing that I would leave The Measure in September of 2011, to move to Copenhagen and pursue my long-term professional goal of living on government assistance while biking around drunk on Aquavit all day, but it'd be pretty presumptuous of me to expect there'd even still be a Measure in September of 2011, and not just an iPhone app that transmits Mike Conklin's withering dissections of indie-rock dinosaurs directly into your prefrontal cortex in bursts of 12 phonemes or less.
Tags: Oprah Winfrey, Someday I will move to Copenhagen, Mike Conklin Snarkin' on the Pixies from INSIDE YOUR BRAIN because of the Future
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Posted
by Mike Conklin
on Fri, Nov 20, 2009 at 2:39 PM
Jim DeRogatis of the
Chicago Sun Times had a few words for the Pixies in his
review of their show at the Aragon Theater last night, some of which I will paste below because they speak to what I was getting at
the other day before everyone started
calling me names.
When a group of revered and influential rockers come back together after a decade of acrimonious separation and/or inactivity, all but the most hard-hearted punks can grant them one lap around the reunion circuit playing the old should-have-been-hits, if only to collect the accolades and the cash that probably eluded them the first time.
Boston's proto-alternative quartet the Pixies took that victory lap in 2004. Now, while they remain popular enough to play three nights at the Aragon Ballroom—Friday and Saturday sold out, though Thursday only was about half full—it's hard to consider them anything but a cynical corporation cashing in on blatant nostalgia—a hipper version of Creedence Clearwater Revisited or Journey and whoever is singing with that group these days.
So go ahead, guys, and let him know that he should lighten up and stop being such a ridiculous asshole, and to quit being such an indie-purist while he's at it. And be sure to tell him that, duh, it's not possible that there's anything wrong with what the band's doing because they're not forcing anyone to buy anything! Altough maybe you don't have to, since it seems he already has his own commenters starting to show up. Just_A_Girl, for instance, thinks it was totally "pretentions" of him to compare them to Journey. Which is totally fair, come to think of it. I prefer to compare them to Kiss.
Tags: The Pixies, Jim DeRogatis
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Posted
by Jeff Klingman
on Fri, Nov 20, 2009 at 1:28 PM

Along with the sprawling, dozen-member commune, the stark, minimal guy-girl duo has been the most ascendant band configuration of the nearly dead decade. It’s a naturally compelling setup. Without other band members to complicate things, the audience is free to read all sorts of interpersonal implications in to the music, no matter what the relationship of the performers might be. Derek Miller and Alison Krauss, the NYC twosome billed as Sleigh Bells, are factually platonic, but have even less than usual on stage to distract from daydreaming. Miller’s got a guitar, Krauss has a mic, and there’s an iPod plugged in somewhere providing the rest. Its canned, rising distortion signaled their early-Friday morning entrance to the Le Poisson Rouge stage, and instantaneously swelled the room’s ranks by a third. Really the only local unknowns to get suddenly white-hot from the recent CMJ Fest, Sleigh Bells play blown-out mutant pop, laced with lacerating guitar noise and thudding hip-hop beats. They’ve got less than a dozen songs at this point, but could plausibly be called one of the city’s hottest tickets.
Continue reading »
Tags: Sleigh Bells, Le Poisson Rouge, Show Reviews
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Posted
by Benjamin Sutton
on Fri, Nov 20, 2009 at 12:53 PM
The
Neue Galerie, the museum of Austrian and German art at Fifth Avenue and 86th Street that maintains a not unpleasant balance of awesomeness (free screenings, best museum restaurant ever, cabaret nights, well-curated exhibitions that are never too big to enjoy) and stuffiness ($15 admission, no kids under 12, no smiling), may never again seem so intimidating and exclusive: Beginning December 4th, admission to the Neue Galerie will be free on the first Friday of every month from 6-8pm.
Most museums have free nights—MoMA from 4-8pm on Fridays, the New Museum from 7-9pm on Thursdays, ICP is by donation from 5-8pm on Fridays—but it took a Bloomberg grant to bring the Neue Galerie around to the practice. And it's just in time, because the museum's current show, From Klimt to Klee: Masterworks from the Serge Sabarsky Collection (through February 15), should not be missed.
Tags: nyc art, free museums, free nights, Neue Galerie
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Posted
by Benjamin Sutton
on Fri, Nov 20, 2009 at 12:19 PM
If the Bible's anything to go by,
Mass: We Pray would be the best-selling Wii game ever if it weren't a very elaborate joke. The video game lets you re-enact your favorite Christian rituals whenever you want in the comfort of your living room with the whole family, including but not limited to baptism, confession, transubstantiation, genuflecting and lighting prayer candles. It comes with a cross-shaped Wiimote with rosary safety bracelet (pictured), and the kneeling accessory ("the Kniiler"?) makes the whole experience a little more physical (and a lot more spiritual). Check out the terrific
Mass: We Pray infomercial after the jump. (
colectiva)
Continue reading »
Tags: video games, Christian video games, Wii, Christians, genuflecting, jokes, Christmas gifts
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Posted
by Henry Stewart
on Fri, Nov 20, 2009 at 11:44 AM
My colleague Benjamin Sutton should have a fuller review of this show up soon, but in the meantime here's a brief impression:
Though Tim Burton has a few comedies, or at least comedy-hybrids, on his director’s resume, his name doesn’t conjure thoughts of hilarity: instead, he is known as the Modern Master of the Macabre, the social misfit with an imagination toggling between the eerie and nightmarish. And so the highlights of the new MoMA lifetime retrospective, which features film screenings and several galleries of sketches, storyboards, video projects and movie artifacts, aren’t the pieces that conform to the familiar conception—in which the curators revel reductively—of the troubled artist eager to reject the suburban manicurerie of his youth, though die-hard fans (often with hair of unnatural hues) will appreciate the rarae aves: the
Vincent models behind glass, the Batman hoods, the commercials, music videos, early work for television, recent flash animation projects, and the career-spanning character sketches, so rich that they make one wish some of his live-action features (
Charlie and the Chocolate Factory especially) had been animated (by hand) instead. No, the most revealing works adorning the museum walls are the sketchbook pieces that reveal an intimate lighter side, particularly those in a series from the 80s that might have felt at home as single-panel cartoons in a magazine circulated only in the afterlife.
Continue reading »
Tags: tim burton, moma, never shoot a constipated poodle
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Posted
by Benjamin Sutton
on Fri, Nov 20, 2009 at 11:10 AM
Several blogs have been commenting on the stream of hilarity that, like suited strap-hangers from subway staircases at City Hall, has been emerging nearly non-stop from the
@FakeMTA Twitter account since it began on Monday. I think the
inaugural tweet may still be my favorite:"From Nov. 16-Dec. 12, the L train will be running Ironic from Bedford Ave. to Metropolitan Ave." You should get on that.
Tags: Twitter, MTA, subways, @FakeMTA, L Train, JMZ, fake Twitter
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Posted
by Mike Conklin
on Fri, Nov 20, 2009 at 10:37 AM
I told you a couple weeks ago about the Fiery Furnaces' Matthew Friedberger talking shit about Radiohead for trying to attain all sorts of hipster credibility by writing a song about the last surviving WWI veteran, Harry Patch. I also told you that it turned out Friedberger had confused Harry Patch the war veteran with Harry Partch the experimental composer, even though he said he was just kidding? Haha?
Anyway, because Beck is actually a lot cooler and with much better taste than I ever give him credit for, he released a 10-minute tribute to Partch on his website earlier this week. Was it in response to Friedberger being an idiot? We'll probably never know.
Now Friedberger's taken to his band's MySpace page with a pair of positively full-of-shit blog posts that are basically unreadable. In one of them, titled Imaginary Response (clever!), he appears to take a shot at Beck:
How fruitful an imaginary song proved in practice! So as we all move forward, shouldn't we admit that posting songs on the internet—being virtual, in other words—is so last year? So to speak. Isn't that what every music management company intern from Northeastern recommends that bands do? That can't be right
Yes! So last year! Said Friedberger in a blog post on fucking MySpace.
[via Pitchfork]
Tags: Fiery Furnaces, Radiohead, Beck, Harry Partch, Harry Patch
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Posted
by Benjamin Sutton
on Fri, Nov 20, 2009 at 9:45 AM
According to a post yesterday on his
official website, Eminem's ambitious plans to release another
Relapse album this year have been abandoned. Instead, he'll be adding seven tracks to the first
Relapse, calling it
Relapse: Refill and putting it out just in time for the holidays on December 21. The expanded record will feature the
posse cut from the Lebron James movie with Kanye West, and Lil Wayne (and, er, Drake), a track called "
Taking My Ball" from the DJ Hero soundtrack and five brand new songs.
No word on what those will sound like, but the announcement makes oblique references to the involvement of Dr. Dre and Just Blaze, so that's promising. Relapse 2, meanwhile, will come out next year sometime. On an unrelated note, did you see those amazing cyphers from the 2009 BET Awards? Best idea ever. Check out Eminem, Mos Def and Black Thought freestyling together after the jump.
Continue reading »
Tags: Eminem, Relapse, Relapse 2, hip-hop, rap, Dr. Dre, re-releases
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Posted
by Jesse Hassenger
on Fri, Nov 20, 2009 at 8:56 AM
New Moon: The continuing adventures of Weirdface & Twitchy, and by "adventures" I mean moping in and around trees.
New Moon: Revenge of Twilight looks to sink to new depths of unintentional minimalism by sidelining the main vampire in Italy for most of the movie, providing what I assume will be an ineffective werewolf substitute. It's definitely a werewolf, though, rather than a more interesting wolf-man: in a flash, that muscley guy who almost got fired after the first movie morphs into a T-shirt-ready all-fours wolf, not some kind of badass hybrid. I will see this for the same reason I sometimes flip to the Disney Channel: because bad stuff that people between the ages of ten and eighteen enjoy is inherently more interesting to me than plain old regular bad movies and TV shows.
Continue reading »
Tags: Your Weekend at the Movies, Twilight, New Moon, Wolf T-Shirts, Nicolas Cage, Bad Lieutenant, Broken Embraces, Pedro Almodovar, The Blind Side, Planet 51, Animation, Red Cliff, John Woo, Face/Off
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Thursday, November 19, 2009
Posted
by Benjamin Sutton
on Thu, Nov 19, 2009 at 5:04 PM
The
Telegraph's Travel section, always a treasure trove of unusual destinations, featured an all-too-brief piece on Tuesday about a hotel in an 18th century building in Nantes, France, where Frederic Tabary and Yann Falquerho have created a suite called "Hamster Villa." Following the "
caveman suite" model (except, you know, inter-species), the Hamster Villa is a hotel room designed to resemble a giant hamster cage.
There's a human-sized hamster wheel for fitness, grain pellets for food, hay for sleeping in and hamster hats to help you get into the role, all for the relatively affordable rate of 99 euros per night ($147)—although that price is expected to go up shortly as un-hamster-y amenities like wireless internet and TVs are added. Get a closer look after the jump, where, if you understand French, Tabary (pictured) discusses very rationally, practically intellectually, why he and Falquerho created the Hamster Villa. (io9)
Continue reading »
Tags: tourism, travel, France, themed hotel rooms, hamsters, pets, role play
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Posted
by Mark Asch
on Thu, Nov 19, 2009 at 4:29 PM
So, Wes Anderson's
Fantastic Mr. Fox is a delightful dioramarama that gets the best out of its director's obsession with controlled play; perhaps due to its natural, sweet address to kids, his usual unresolved conflicts—chiefly, the problems of stepping out of a world of your own making and understanding the needs of others—feel less petulant than in his
prior film (and less precious than in another recent
film we could name).
It also features, as the background music in an early, pastoral scene, the song "Love", an Oscar-nominated number from Disney's 1973 film of Robin Hood, the movie your film editor watched more times than any other movie in the years before he watched The Princess Bride more than any other movie.
In Disney's Robin Hood, of course, Robin Hood and Maid Marian are loving foxes as well. Roald Dahl's Mr. Fox (the book was published in 1970) is himself a Robin Hood figure, a dashing, justified thief who, along with his gang of fellow-animals (badgers, rabbits, etc in both Disney and Dahl), risks life and limb to steal from comically greedy English landowners.
Is the song in question embedded after the jump? Oh gee I don't know better click on the jump and find out.
Continue reading »
Tags: Disney's Robin Hood, Disney Animation, Fantastic Mr. Fox, Wes Anderson, Robin Hood, Roald Dahl, Redistribution of Wealth
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Posted
by Benjamin Sutton
on Thu, Nov 19, 2009 at 3:57 PM
The cast of an upcoming revival of Sam Shepard's 1985 play
A Lie of the Mind by
The New Group, which is to be directed by Ethan Hawke, was announced today. According to
ArtsBeat, the cast will include Josh Hamilton (who starred in Hawke's previous directorial effort, 2007's
Things We Want), Marin Ireland (whom our own Dan Callahan called "one of our finest young theater actresses" in his review of
After Miss Julie), Deirdre O’Connell (of the extended Paywrights Horizons show
Circle Mirror Transformation), and three other actors you're more likely to remember for their film roles:
Alessandro Nivola,
Frank Whaley and
Maggie Siff (from season one of
Mad Men). The play, about a man who thinks he may have murdered his wife during a fit of blind rage, begins previews on January 29.
Tags: nyc theater, off-broadway, Sam Shepard, A Lie of the Mind, The New Group, Ethan Hawke, casting
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Posted
by Alexis Clements
on Thu, Nov 19, 2009 at 3:25 PM
The re-staging, or perhaps more appropriately, the re-imagining of
Anna Halprin’s
Parades & Changes is one of the most anticipated works in
Performa 09. Those in the dance world who know Halprin’s work and her lasting influence on the form over the past sixty odd years have been eager to see this piece on the stage again. And judging from the response of the audience the night I was there, no one was disappointed.
Originally staged in 1965, the piece caused a sensation both in the dance world and with the general public. When the work was mounted for the first time in New York in 1967, arrest warrants were issued for the artists involved. Why all the fuss? At the time nudity on the city’s stages was illegal and rarely used, even among those who would thwart the law. Today, nudity in performance art and dance has become banal in some sense, or at the very least expected in many settings. Halprin’s use of the nude body was one of the earliest, most deliberate and prolonged examples. That said, the lack of clothing was only one of the conventions that Parades & Changes was pushing up against. Perhaps more importantly was her testing of conventions of sexuality, authorship, and even the definition of dance.
Continue reading »
Tags: Performa 09, nyc art, performance art, dance, Anna Halprin, Dance Theater Workshop
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Posted
by Benjamin Sutton
on Thu, Nov 19, 2009 at 2:52 PM
The folks behind the summer's
Vision Festival kick off their jam-packed fall festival,
28 Hours of Innovative Art, tomorrow at 6pm at the
CSV Center (107 Suffolk St) on the LES. The full roster of art, dance, poetry, music and theater events continues all day and into the evening on Saturday, with everything from choreography, yoga and video art to brass bands, screenings and readings. $50 gets you into every event both days, or $30 per day ($20 for students and seniors). Check out the
full schedule to see the huge roster of participating artists, dancers, musicians, artists, writers and filmmakers.
Tags: Clemente Soto Vélez Cultural Center, nyc art, art festival, 28 Hours of Innovative Art, Vision Festival
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Posted
by Jonny Diamond
on Thu, Nov 19, 2009 at 2:21 PM
You know, we can't all be held accountable for the sins of our fathers. Omar Bin Laden agrees with me, and is just kind of bummed about his dad, Osama. The fourth son of the skinny old terrorist demagogue
[pictured, btw, second from the right in happier, pre-demagogue times] told the
New Statesmen, wistfully:
Although my father was stern and did not hesitate to use his cane, there were good times when he stopped his war plans and played with us.
Which is kind of like how my dad would sometimes stop watching Canadian football and tell me to get him a beer. Lil Bin Laden also revealed a possible career path, demonstrating a pretty shrewd sense of the current American political climate:
I would like to be in a position to promote peace. I believe that the United Nations would be ideal for me.
C U THERE! Also, he likes horses.
Tags: Omar Bin Laden, Osama Bin Laden, Fathers and sons, The United Nations, Terrorism, Afghanistan
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Posted
by Benjamin Sutton
on Thu, Nov 19, 2009 at 1:51 PM
Now in its third year, the
PINTA art fair of modern and contemporary Latin American art brings together over 50 galleries and a dozen art magazines from about 20 countries, all squeezed into the
Metropolitan Pavilion on West 18th Street for the next four days. The invitation-only opening party is tonight, but the real fun begins tomorrow when the fair opens to the public and continues through Sunday.
More so than the art fair week in early spring, PINTA offers an opportunity to catch smaller and lesser-known galleries from countries with vibrant but often under-represented contemporary art scenes like Brazil, Cuba and Chile. PINTA is open tomorrow and Saturday from 12-8pm and Sunday 12-7pm. Click here for details.
Tags: PINTA, art fairs, nyc art, Latin American Art
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Posted
by Benjamin Sutton
on Thu, Nov 19, 2009 at 1:20 PM
Jeanne-Claude, who with her husband made up the artist duo Christo and Jeanne-Claude (whom New Yorkers will remember for their orange
Gates in Central Park) died last night. According to
The Associated Press she succumbed to complications from a brain aneurysm, she was 74.
The French artist was best known for her works with husband Christo that often involved draping large monuments, buildings and landscapes in fabric—the Museum of Contemporary Art in Chicago, a stretch of coast in Sydney, Pont Neuf in Paris, for instance. A family statement explained that the pair's two current works-in-progress (one in Colorado, the other in the United Arab Emirates), will continue as planned, though they'll clearly have a more solemn emotional impact than the usual giddy wonder the duo's spectacular installations evoke. (ArtsBeat)
Tags: Jeanne-Claude, nyc art, The Gates, Central Park, Christo, deaths, installation art, monuments, land art
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