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Is that different from going through it—
Yeah. Because it has a predetermined meaning, as opposed to inventing the meaning while you’re doing the scene. I haven’t done straight improv like that in a long time. It’s an odd skill. It’s cool, but the well runs dry at some point.
Let’s talk about New York stuff. Where do you live?
I live in Chinatown. Off of East Broadway, so real deep. I love it. It feels like After Hours. It shuts down really early and the streets are deserted and it feels crazy.
Where were you before Chinatown?
I’ve lived a lot of places. Before Chinatown, I was in Chelsea, before that, I was in East Williamsburg, and before that I lived in Park Slope—we called it “Park Slide,” it was the not quite as nice part of Park Slope, by the water.
I suppose I should ask you about living in Brooklyn, and which bars you went to, and whether it’s completely ruined now—when were you in East Williamsburg?
Like two years ago, two or three years ago. Right off of Grand.
By the high school?
Yeah, they used to show the Met Opera there, which was convenient. I love Brooklyn, when I leave Chinatown I might go back, the only thing that could be hard about it is if the train’s not running, you’re screwed.
Especially in Park Slope, my experience of being there was not having enough money to go anywhere, so it was a lot of getting just really cheap like Georgi vodka, we used to buy Georgi vodka and juice concentrate. It was disgusting. And we wouldn’t even unfreeze the juice concentrate to make juice, we just let it get a little soft, we’d mix it in and maybe add a little water, but it was like fully disgusting.
Most of Brooklyn was just marked by being—it was a lot of drinking at home. My friend Gabby made up this phrase, we used to bring Naughty Nalgenes everywhere.
Noah Baumbach's sensitive latest makes something interesting of male midlife malaise.
Mar 17, 2010
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