MoisÈs Kaufmanís 33 Variations suggests a polished combination of Margaret Edsonís Wit, a 1940s melodrama, a modern romantic comedy, and an enlightening lecture on Beethovenís Diabelli Variations. There is only the most tenuous intellectual connection between Fondaís star turn and the subject of Beethovenís music, but all the play’s varied ingredients prove enjoyable in their own right, and itís great to see Fonda tackle this theatrical vehicle with all of her old bravery and intensity.