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Comment Archives: stories: Theater: Theater Reviews

Re: “The Battle of the Sexes: Fixed: Donkey Punch

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Re: “This is NPH: Hedwig and the Angry Inch


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Posted by honsnmr on 06/12/2014 at 9:57 PM

Re: “Ruhlly Bad: Stage Kiss

Thank your for the detailed takedown of what makes this play (and Ruhl's playwriting in general) so terrible. Ruhl being sold as some kind of masterful writer represents the biggest fraud since phrenology.

1 like, 0 dislikes
Posted by Todd on 03/28/2014 at 2:22 PM

Re: “Lyndon In The Middle: All the Way

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Posted by Juan Viche on 03/26/2014 at 2:22 PM

Re: “Ruhlly Bad: Stage Kiss

A brief note on this reviewer's question of "How does a play as bad as Stage Kiss (through March 23) get produced? ...maybe Playwrights Horizons wanted something from her, and maybe she dug up something from the bottom of a drawer and over-embroidered it."

'Stage Kiss' was commissioned by the Goodman Theater in Chicago, where it premiered in 2011. This whole review is poorly written. But I don't expect much from a reviewer who didn't do basic research on their topic.

2 likes, 1 dislike
Posted by John on 03/13/2014 at 3:58 PM

Re: “Ruhlly Bad: Stage Kiss

i always disagree with you and think you are kind of truly vile.

2 likes, 1 dislike
Posted by derrik on 03/12/2014 at 10:55 AM

Re: “The Heart is the Matter: 4CHAMBERS

Dear Dan,

Just wanted to let you know that Dance Theater Workshop no longer exists. It's now called New York Live Arts after a merger with the Bill T. Jones/Arnie Zane Dance Company.

If you're going to write dismissive reviews without any real content or examination of the piece you're supposed to be reviewing you should at least fact check it.

Also, please read this:

Art Criticism should be thoughtful, should place work in context, and should give the reader a way to understand and access the work. Your piece does none of this. Anybody can go online and tell the world they thought a particular work of art was pointless. That is not your job. Please take your role more seriously.

Also, please tell your editor to send someone who knows about and/or has a meaningful relationship to/knowledge of dance to the next dance performance they want to review.



Posted by Alexander Thompson on 03/05/2014 at 12:54 PM

Re: “Tennessee's Breakdown: The Two-Character Play

Wow, a compelling review. Thanks!

Posted by Jim L on 07/09/2013 at 11:50 PM

Re: “The Fundamental Things Apply: The Silver Cord

loved this show. what meds was the NY times reviewer on. Production was a very
clever moving revival.

1 like, 0 dislikes
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Re: “"I Was Born an Opera. Society Has Just Got to Deal With That"

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Re: “The Revisionist: Behold Vanessa Redgrave, Eighth Wonder of the World

You're not alone, Tennesse Williams said it decades ago. Personally, I can't think of another actor - male or female - who is more versatile. She goes from doing Shakespeare and Chekhov on stage to then making Art House films like Blow Up and Isadora. Gives us scene stealing turns in summer blockbusters like Mission Impossible and Deep Impact then transports us to the past in with her performances in Period dramas like Howards End and The Bostonians. Sbe is truly a limitless actress and I can't think of anyone who can match her today in the English speaking theatre. Formidable actress.

7 likes, 0 dislikes
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Posted by flong on 10/31/2012 at 2:02 AM

Re: “A Torn Page: Angelica Page, NYC Theater Royalty

Angelica's play is a deeply moving memoir.

Posted by tomfarrell on 10/25/2012 at 12:05 AM

Re: “Punching a War Horse in the Mouth

Interesting. I saw War Horse last night in Boston, presumably on a continuation of this US tour. I'm British, and originally saw the show in London, where it was out-of-this-world amazing. Totally agreed with you about it being a little overplayed and sentimental here. It got a bit WW1 101, but I think this is because they were working with a slightly different script. I imagine it was adapted for an American audience not necessarily steeped in the intricacies of British World War history (stuff about the Somme any Brit would know already etc). The accents were poor, and the comedy of the British wartime cliches a little wearing. See it in London, by the finest of British actors. I think your mind will be changed.

Posted by demain on 10/19/2012 at 2:23 PM

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