Comment Archives: stories: Theater: Theater Reviews
Re: “"I Was Born an Opera. Society Has Just Got to Deal With That"”
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Re: “The Revisionist: Behold Vanessa Redgrave, Eighth Wonder of the World”
You're not alone, Tennesse Williams said it decades ago. Personally, I can't think of another actor - male or female - who is more versatile. She goes from doing Shakespeare and Chekhov on stage to then making Art House films like Blow Up and Isadora. Gives us scene stealing turns in summer blockbusters like Mission Impossible and Deep Impact then transports us to the past in with her performances in Period dramas like Howards End and The Bostonians. Sbe is truly a limitless actress and I can't think of anyone who can match her today in the English speaking theatre. Formidable actress.
Re: “Clamoring for Samuel Beckett's Bleak Krapp at BAM”
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Re: “Mies Julie: The Best Strindberg You're Going To Get”
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Re: “Chastising Chastain: The Heiress”
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Re: “Terror Tales: Murder in New York!”
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Re: “A Torn Page: Angelica Page, NYC Theater Royalty”
Angelica's play is a deeply moving memoir.
Re: “Punching a War Horse in the Mouth”
Interesting. I saw War Horse last night in Boston, presumably on a continuation of this US tour. I'm British, and originally saw the show in London, where it was out-of-this-world amazing. Totally agreed with you about it being a little overplayed and sentimental here. It got a bit WW1 101, but I think this is because they were working with a slightly different script. I imagine it was adapted for an American audience not necessarily steeped in the intricacies of British World War history (stuff about the Somme any Brit would know already etc). The accents were poor, and the comedy of the British wartime cliches a little wearing. See it in London, by the finest of British actors. I think your mind will be changed.
Re: “In It to Win It, I Guess: Bring It On”
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Re: “Nymph Errant: The Lost Cole Porter Musical”
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Re: “It Gets Better”
I just want to know what the play is about...
Re: “We Are the Knights Who Say "Motherfucker": Kenneth Lonergan's Medieval Play”
The play was TERRIBLE. I left after the first act which I thought would never end.
Re: “Outside People Want to Be on the Inside Looking Out”
Hey check out (and like) an awesome video interview with the talented playwright of the Broadway play "Chinglish" David Henry Hwang at: http://culturecatch.com/vidcast/david-henr…
Re: “10 Best Things on Stage in 2011”
I agree with #5, but can we also say clumsiest staging EVER caught in one press photo?
Re: “Top 10 Set Designs of 2011”
It would be great if all of the designers were credited...
Half Straddle's Football was designed by my good friend Andreea Mincic!
Re: “Lysistrata Jones: Aristophanes with College Athletes”
Hey, be sure to check out (and like) an interesting take on the play "Lysistrata Jones" by one of the contributors of Culture Catch Mr. Thom at: http://culturecatch.com/theater/lysistrata…
Re: “Clamoring for Samuel Beckett's Bleak Krapp at BAM”
nah, i thinks its jus the dick jokes
Re: “Sex and Dramaturgy, Blame it All on Beckett”
great work,
drama is rocking life :)
Dramaturgy Dramaturgy is the basic concept of theater acting carried out from the accient period in different aspact's
Re: “Dreaming Up New Roles for Performance”
Theater for the New City, Crystal Field, Executive Director
&
Dream Up Festival (Michael-Scott Price,Festival Director/Curator)
'Dogmouth'
in association with The Great American Play Series and L.B.Productions
John Steppling's 'Dogmouth'
directed by Stephan Morrow
with
Kendra Leigh Landon
Stephan Morrow
Ray Wasik
L.B. Williams*
*appears courtesy AEA
and
Sam Charny
Billy Marshall
Joseph Serrano
Theater for the New City (155- 1st Ave. @10St.).
Tickets - $12
Students/Seniors $10
Reservations : 212- 254-1109
www.dreamupfestival.org
Performances : Aug 21 - Sept 1, 2011.
Sunday Aug 21 @ 2PM
Wednesday Aug 24@ 9PM
Saturday Aug 27@5PM
Sunday Aug 28@ 5PM
Wednesday Aug 31 @ 9PM
Thursday Sept 1 @ 7PM
AEA approved Showcase
"Does an underground mafia of Viet Nam vets really exist hoboing around on the rails and is it as large and powerful as it is portrayed by journalists - or is it a media creation drawing the heat for every murder on the rails from Arizona to California? And has the leader of this group become a changed man - and dedicated to his nineteen year old pregnant girlfriend? Or is he an unrepentant racist criminal bent on plotting to murder a rival over a deal that went sour. When he visits a black man - is it to buy a dog or to kill him? These are the things that come up in John Steppling's dark and controversial play 'Dogmouth'. The fact that he also deftly manages to place ruminations on death and dying, the brutality of existence and the survival of the fittest on the streets of Phoenix, not to mention the breeding of dogs - in the middle of it - is what makes this play dark and riveting, and which takes us far beyond just dog fighting and mysterious murders on the rails...." Stephan Morrow, Director
"Art is not your friend". - John Steppling
Re: “Spider-Man: Turn off the Spider-Man”
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