Comment Archives: stories: Film
Re: “Crime Is A Form Of Capitalism (Get It? Get It?): Killing Them Softly”
Clearly, Dominik meant the film to be a slam against capitalism, our national excuses for exploitation should remain under constant assault and suspicion, and I think the film was sustained, simple, and a direct hit, the kind of shot that needs to be taken, as such, especially in a gangster film where gut shots are the best ones. Blows against an empire are one of the only ways to make a difference - persistence pays dividends - and this is clearly Andrew Dominik's intention, which he has also stated in interviews.
Re: “Tales of the Brothers Quay”
What is the name of the picture?
Re: “Crime Is A Form Of Capitalism (Get It? Get It?): Killing Them Softly”
writers don't write headlines
Re: “Crime Is A Form Of Capitalism (Get It? Get It?): Killing Them Softly”
Clearly, the reviewer didn't fully understand Andrew Dominik's intention and seems to only be trying to skewer this film. Too bad because the film is as beautiful and heartfelt as Dominik's Jesse James film was. As a jumping-off point, the title of this article should have been "Capitalism is a form of crime" and not the far-too-obvious and shallow "Crime is a form of capitalism" that the reviewer subtitled as Get it?, so snarkily. Vadim Rizov didn't understand this film or the magnificent and elegiacal Jesse James film. This is an all-too-common problem with reviewers who become too bitter and ingrown from too much critique and not enough creation.
Re: “The Romcom Behind Psycho: Hitchcock”
l finally saw the move yesterday, on West 42 Street; where the phantom of horrors are still historically evident. WOW! Awesome! If you grew up watching Alfred Hitchcock movies and you were pasted to your seat, as l was...maybe it would be even, more, appreciated to witness the idiosyncraties of the ambitious Hitchcocks and their production crews and back office shenanigans. Did the story give credence to the adage "for every sucessful man there's a strong women", however, here, may l write, or, "for every sucessful woman, there's, a psychopathic man....LOL..No...But, The movie may had revealed some underlining abnormalities of resentment and anger that Mr. Hitchcock (Hitch) had towards his wife or something the wife thought he had towards her (She was once his boss), that laid shelterend in his subconscience but was set to detonate at any given moment. l wonder, "What would the analysis of the late Sigmund Freund or Carl Jung, be of Hitch's abnormal enthusiastic zeal for killing and murder (which was revealed during the last scene segment) when like a conductor directing his orchestra, Hitch (Who stood out side peeping into the movie audience) he then simultaneously and surreptitiously made striking motions w his hands synchronizing along w the horrendous screams of the audience and the striking suspensed background music... during the shower scene, as the innocent young lady was being repeatingly stabbed with a large sharp knife by her crazed and inconspicuous host. l wonder Y Mr. Hitch choose to have the villian made up in Black Face'? :) And Y the make up crew didn't do a better, mirror, image of the late Alfred Hitchcock of Mr. Hopkin's face and neck, since, Mr. Hitchcock's face and neck were just as much his brand and trade mark as his movies. A.H. stood alone in alot of ways...l dont think Hitch would had liked the way his character looked, and l even doubt if he would have allowed such personal entries, but, l thought the performance and everthing else was superb, esp. Tony Perkins and Alma characters. I also wonder how Alfred Hitchcock wrould had directed his own bio. Cuut! ltss a Wrraap! thx, peace. :)
Re: “A Hell Of A Musician And A Real Son Of A Bitch: Beware of Mr. Baker”
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Re: “Crying Like a Man: New Jerusalem”
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Re: “Crime Is A Form Of Capitalism (Get It? Get It?): Killing Them Softly”
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Re: “The Restorative Properties Of Sex And Violence: Rust and Bone”
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Re: “The Romcom Behind Psycho: Hitchcock”
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Re: “The Romcom Behind Psycho: Hitchcock”
lve always been in 'awe' of Mr. Hitchcock's work and his introduction to the power of film and fright and his use of classical actors and conservatism in black and white. l hope to see this movie about a man who, not enough has been written about, but who, gave so much to the young, restless and wise viewer i.e. The Birds. Peace :)
Re: “All the Screen's a Stage: Anna Karenina”
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Re: “Practicing Yoga at the End of the World: First Winter”
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Re: “The Comedy: Rich Hipster Assholes”
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Re: “A Real American Hero: Lincoln”
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Re: “Following The Rules: The Law in These Parts”
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Re: “The Kids Are Alright: Best Rock Movie Ever?”
I saw this many years ago when it first came out at a movie theater and I was absolutely blown away. The Who and especially Keith Moon became my favorite band and drummer for many years to follow. You may be correct that this was the best rock docudrama of all time.
Re: “A Liar's Autobiography: An Animated Biopic?!”
Too bad the reviewer wasn't consulted before the film, perhaps, polished out what they shouldn't have neglected to include. Somehow the publicity machine wasn't fed enough to advertise the university tour I hadn't heard about. Sounds as if that tour could have been his life's exclamation point. Thank you, Mr. Goldman.
Re: “Red Hook Summer: A Spike Lee Lecture”
am sorry to sound like am judging but the children looks very uncomfortable am decerning that that pastor or bishop is not quite straight something is wrong in this pic god is not mocked wats done in darkness will come out in light
Re: “A Real American Hero: Lincoln”
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