The L Magazine

Holopaw

An Anywhere Road For Anybody Anyhow

• by Jocelyn Hoppa

John Vanderslice

Still the Coolest Name Ever

• by Mike Dougherty

Son Volt

So Very, Very Disappointing

• by Mike Conklin

The Video Game Review:  Medal of Honor: European Assault

• by Allan Dellikat

The Perfect Score: 33 1/3

• by Michael Lindgren

Broken Flowers

Directed by Jim Jarmusch

• by Jason Bogdaneris

2046

Directed by Wong Kar-wai

• by Mark Asch

Pretty Persuasion

Directed by Marcos Siegal

• by Michael Joshua Rowin

Dukes of Hazzard

Directed by Jay Chandrasekhar

• by Kevin Wicks

The Untold Story of Emmett Louis Till

Directed by Keith Beauchamp

• by Jason Bogdaneris

Talking Pictures: Craig Brewer Got His FIlm Hustle Flowing

• by Brad Balfour

The Brothers Grimm

Directed by Terry Gilliam

• by Rebecca Onion

Under The Stars

August 3-30

Cinephile's Notebook: Return of the 36 Chambers

• by Mark Asch

The Restaurant:  Centrico

• by Laurel Pinson

What Are Your Summer Vacation Plans?

• by Adam Bonislawski

The Nar: Cattyshack

• by Lucy Baker

Letters to the Editor

No Politics. Just Praise

Everybody's Going Green!

• by Annemarie Ahearn

Children of the Corn Whiskey

• by Audrey Ference

Horoscope

• by Läps Trinity

Gallery Receptions

Art in the City: Why Don’t We Do It In the Road?

• by Bryony Roberts

The L Magazine Presents:

The Artist’s Collaboration Space

Notable Uptown:

The Best of Broadway and Beyond

Theater In Focus

• by Douglas Singleton

Manuscript

by Paul Grellong

• by Douglas Singleton

What Do You Think About Subway Searches?

• by Brian Diedrick

Freefall

Trouble at the International Un-Freedom Center

• by Paul Kiel

Best in Show:

Blue Ribbons For Dressage

• by Laurel Pinson

Work and Play in Madison Square Park

• by Amanda Park Taylor

THE L’S BEST! (AND WORST) OF NYC

Blood Simple

Cormac McCarthy, Serial Killer (of his own characters)

• by Adam Bonislawski

What Would Karl Do?

• by Rebecca Schuman