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Both an art book and a unique sort of novel, Leanne Shapton’s impressively titled Important Artifacts and Personal Property from the Collection of Lenore Doolan and Harold Morris, Including Books, Street Fashion, and Jewelry is built on the intimate, ordinary details of two lives.
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Pablo Neruda called murals “the people’s blackboard.”
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U2’s No Line on the Horizon
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“Already Warm,” 7” single (Captured Tracks)
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The Films of Carl Theodor Dreyer
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Directed by Christine Jeffs
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Directed by Kiyoshi Kurosawa
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Directed by Philippe Garrel and Christopher Honoré
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Directed by Leos Carax, Michel Gondry and Bong Joon-Ho
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Directed by Nikita Mikhalkov
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Directed by John M. Stahl
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Directed by Naoko Ogigami
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Ten Vong's Fat Hippo arrives just in time for recessionary belt-tightening (and dining room belt-loosening).
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Now in their third glorious, heavily researched year, The L Magazine’s Bar Awards celebrate excellence in facilitating an activity performed just as efficiently, far more cheaply, and arguably more safely in the comfort of one’s own home.
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Sweet Revenge continues the gentle gentrification of Bed-Stuy.
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Art that uses the language of media to tease out social mores is as old as Marshall McLuhan.
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D.H. Lawrence’s austere tale of marital angst was probably modern at the time of its writing, but in this uninspired production it can't escape affair play cliché.
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What could have been an original critique of American democracy blindly fetishizing it instead.
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Self-conscious quirks can't replace narrative, something Itamar Moses unwittingly illustrates in these short plays about mumblecore romance, Itamar Moses, and what a hard-working playwright he is.
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Fashion Week Tightens Its Belt
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Toward a Bee-Friendly NYC
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Art that uses the language of media to tease out social mores is as old as Marshall McLuhan’s communication theories, but seldom as interesting.
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Surf blogs were formed to facilitate communication between artists. But is it art?
