<?xml version="1.0" encoding="utf-8" ?>









































































  <rss version="2.0" xmlns:atom="http://www.w3.org/2005/Atom">
    <channel>
      <title>Comments On: Eddie Adams: Vietnam
    
      by Mark</title>
      <link>http://www.thelmagazine.com/TheMeasure/archives/2009/03/11/eddie-adams-vietnam</link>
      <atom:link href="http://www.thelmagazine.com/newyork/Rss.xml?oid=1148086&amp;id=comments" rel="self" type="application/rss+xml" />      <description>Comments On: Eddie Adams: Vietnam
    
      by Mark</description>
      <language>en-us</language>
      <copyright>Copyright 2013 The L Magazine. All rights reserved. This RSS file is offered to individuals, The L Magazine readers, and non-commercial organizations only. Any commercial websites wishing to use this RSS file, please contact The L Magazine.</copyright>
      <webMaster>editor@thelmagazine.com (The L Magazine Webmaster)</webMaster>
      <pubDate>Wed, 22 May 2013 00:00:01 -0400</pubDate>
      <lastBuildDate>Wed, 22 May 2013 05:15:00 -0400</lastBuildDate>
      <generator>Foundation</generator>
      <docs>http://blogs.law.harvard.edu/tech/rss</docs>
      
        
          <item>
    
    <title><![CDATA[Re: Eddie Adams: Vietnam]]></title>

    
    <link><![CDATA[http://www.thelmagazine.com/TheMeasure/archives/2009/03/11/eddie-adams-vietnam/#1560484]]></link>

    <guid isPermaLink="true"><![CDATA[http://www.thelmagazine.com/TheMeasure/archives/2009/03/11/eddie-adams-vietnam/#1560484]]></guid>
    <author><![CDATA[Michael Zunenshine]]></author>
    <description>
      
      <![CDATA[The camera, as an alternative to the gun, again begs the association to the mechanical phallus. But unlike the gun, which is an expression of overcompensation for impotence, the camera is a celebration of impotence, a collective sharing of the impotent moment, where we participate in the passive gaze and lament our inability to change the past.
        
        <br />
        Posted by 
        
          <a href="http://www.thelmagazine.com/newyork/Profile?oid=1560483">Michael Zunenshine</a>]]>
    </description>
    <pubDate>Mon, 08 Mar 2010 13:25:17 -0500</pubDate>
    <source url="http://www.thelmagazine.com">The L Magazine</source>
  </item>
        
          <item>
    
    <title><![CDATA[Re: Eddie Adams: Vietnam]]></title>

    
    <link><![CDATA[http://www.thelmagazine.com/TheMeasure/archives/2009/03/11/eddie-adams-vietnam/#1149692]]></link>

    <guid isPermaLink="true"><![CDATA[http://www.thelmagazine.com/TheMeasure/archives/2009/03/11/eddie-adams-vietnam/#1149692]]></guid>
    <author><![CDATA[Anonymous]]></author>
    <description>
      
      <![CDATA[Subsequent to his Vietnam photography, Eddie Adams would go on to a career as an adult actor under the nom-du-porn Dirk Diggler.
        
        <br />
        Posted by 
        
          Anonymous]]>
    </description>
    <pubDate>Wed, 11 Mar 2009 11:22:00 -0400</pubDate>
    <source url="http://www.thelmagazine.com">The L Magazine</source>
  </item>
        
      
    </channel>
  </rss>



