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      <title>Comments On: Your Spoilt-for Choice Weekend at the Movies
    
      by Jesse Hassenger</title>
      <link>http://www.thelmagazine.com/TheMeasure/archives/2009/09/18/your-spoilt-for-choice-weekend-at-the-movies</link>
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      by Jesse Hassenger</description>
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      <pubDate>Wed, 19 Jun 2013 00:00:01 -0400</pubDate>
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    <title><![CDATA[Re: Your Spoilt-for Choice Weekend at the Movies]]></title>

    
    <link><![CDATA[http://www.thelmagazine.com/TheMeasure/archives/2009/09/18/your-spoilt-for-choice-weekend-at-the-movies/#1283307]]></link>

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    <author><![CDATA[jesse]]></author>
    <description>
      
      <![CDATA[Yeah, as mentioned, for all I know Ben is completely right about the movie itself. But I'm not really sure if an obvious idea or theme becomes much less obvious if you're coming to it via subtext.
        
        <br />
        Posted by 
        
          <a href="http://www.thelmagazine.com/newyork/Profile?oid=1183624">jesse</a>]]>
    </description>
    <pubDate>Fri, 18 Sep 2009 15:14:05 -0400</pubDate>
    <source url="http://www.thelmagazine.com">The L Magazine</source>
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    <title><![CDATA[Re: Your Spoilt-for Choice Weekend at the Movies]]></title>

    
    <link><![CDATA[http://www.thelmagazine.com/TheMeasure/archives/2009/09/18/your-spoilt-for-choice-weekend-at-the-movies/#1283301]]></link>

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    <author><![CDATA[Mark Asch]]></author>
    <description>
      
      <![CDATA[Well, not having seen the film I'm completely neutral on it (that sounded facetious but I very much mean it), but I think Ben's complaint about the subtext here rapidly becoming, uh, text is less about film critics not getting to get their interpretive rocks off, and more about a straightforward complaint that's often made when movies do this: it's too obvious.<br>
<br>
What Ben describes is a movie in which genre signifiers are waved vigorously about, rather than integrated into the storytelling -- you could argue that this reflects a knowing, pop-savvy pomo sensibility, or complain that the writer is merely lazily showing off her cleverness (and flattering the audience with the implication of prized, privileged knowledge).<br>
<br>
It's a matter of taste, I guess, especially given that the same pro/contra arguments can be made about her dialogue.
        
        <br />
        Posted by 
        
          <a href="http://www.thelmagazine.com/newyork/Profile?oid=1151003">Mark Asch</a>]]>
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    <pubDate>Fri, 18 Sep 2009 14:37:21 -0400</pubDate>
    <source url="http://www.thelmagazine.com">The L Magazine</source>
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    <title><![CDATA[Re: Your Spoilt-for Choice Weekend at the Movies]]></title>

    
    <link><![CDATA[http://www.thelmagazine.com/TheMeasure/archives/2009/09/18/your-spoilt-for-choice-weekend-at-the-movies/#1283284]]></link>

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    <author><![CDATA[jesse]]></author>
    <description>
      
      <![CDATA[But you don't think that's kind of a rarified, film-studies sort of reaction? That the movie doesn't have lots of fun subtextual interpretations because it wants to actually deal with those things as actual text?
        
        <br />
        Posted by 
        
          <a href="http://www.thelmagazine.com/newyork/Profile?oid=1183624">jesse</a>]]>
    </description>
    <pubDate>Fri, 18 Sep 2009 14:17:09 -0400</pubDate>
    <source url="http://www.thelmagazine.com">The L Magazine</source>
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    <title><![CDATA[Re: Your Spoilt-for Choice Weekend at the Movies]]></title>

    
    <link><![CDATA[http://www.thelmagazine.com/TheMeasure/archives/2009/09/18/your-spoilt-for-choice-weekend-at-the-movies/#1283268]]></link>

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    <author><![CDATA[Benjamin Sutton]]></author>
    <description>
      
      <![CDATA[Hey there Jesse. It may be hard to imagine, but I too more-or-less secretly wanted Jennifer's Body to be a deliciously evil and enjoyable horror movie, and although I was extremely disappointed I still think Megan Fox could be more than a maniacal filmmaker's muse.<br>
<br>
That being said, much of my problem with Diablo Cody's script was not that it shied away from horror movie conventions, but rather that in trying to transcend them the film inadvertently removes any pleasure from their interpretation and manipulation.
        
        <br />
        Posted by 
        
          <a href="http://www.thelmagazine.com/newyork/Profile?oid=1151166">Benjamin Sutton</a>]]>
    </description>
    <pubDate>Fri, 18 Sep 2009 14:01:25 -0400</pubDate>
    <source url="http://www.thelmagazine.com">The L Magazine</source>
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