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      <title>Comments On: Oscarbation: Memoirs of a Guido
    
      by Benjamin Sutton and Henry Stewart</title>
      <link>http://www.thelmagazine.com/TheMeasure/archives/2009/12/18/oscarbation-memoirs-of-a-guido</link>
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      by Benjamin Sutton and Henry Stewart</description>
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      <pubDate>Sat, 18 May 2013 00:00:01 -0400</pubDate>
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    <title><![CDATA[Re: Oscarbation: Memoirs of a Guido]]></title>

    
    <link><![CDATA[http://www.thelmagazine.com/TheMeasure/archives/2009/12/18/oscarbation-memoirs-of-a-guido/#1665237]]></link>

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    <author><![CDATA[nellie]]></author>
    <description>
      
      <![CDATA[I still don't get everyone bitchiness over this film. Its like they were expecting a completely different type of movie and when they didn't get that, this was deemed poorly made.
        
        <br />
        Posted by 
        
          <a href="http://www.thelmagazine.com/newyork/Profile?oid=1665236">nellie</a>]]>
    </description>
    <pubDate>Mon, 21 Jun 2010 08:18:43 -0400</pubDate>
    <source url="http://www.thelmagazine.com">The L Magazine</source>
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          <item>
    
    <title><![CDATA[Re: Oscarbation: Memoirs of a Guido]]></title>

    
    <link><![CDATA[http://www.thelmagazine.com/TheMeasure/archives/2009/12/18/oscarbation-memoirs-of-a-guido/#1475686]]></link>

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    <author><![CDATA[jesse]]></author>
    <description>
      
      <![CDATA[I haven't seen Nine yet and while I agree with both of you wholeheartedly about Marshall's weird anti-affinity for musicals, I do think it's a bit misleading to suggest, as is customary, that a musical is ruined by fast cutting or excess camera movement. For my money, Moulin Rouge is the best screen musical of the past however-many-years because Luhrmann seems to understand how to use cinematic devices to enhance the musical numbers, rather than applying them haphazardly (as a lot of directors seem to do in the wake of music videos) or trying his best to sidestep them and pretend it's pretty much just a stage performance (as with something like the film version of the Producers musical).
        
        <br />
        Posted by 
        
          <a href="http://www.thelmagazine.com/newyork/Profile?oid=1183624">jesse</a>]]>
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    <pubDate>Fri, 18 Dec 2009 13:35:24 -0500</pubDate>
    <source url="http://www.thelmagazine.com">The L Magazine</source>
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          <item>
    
    <title><![CDATA[Re: Oscarbation: Memoirs of a Guido]]></title>

    
    <link><![CDATA[http://www.thelmagazine.com/TheMeasure/archives/2009/12/18/oscarbation-memoirs-of-a-guido/#1475652]]></link>

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    <author><![CDATA[Mark Asch]]></author>
    <description>
      
      <![CDATA[You guys know that Rob Marshall was actually a choreographer before he started directing movies? Multiple Tony nominations, even.
        
        <br />
        Posted by 
        
          <a href="http://www.thelmagazine.com/newyork/Profile?oid=1151003">Mark Asch</a>]]>
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    <pubDate>Fri, 18 Dec 2009 12:24:09 -0500</pubDate>
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