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      <title>Comments On: How Bad Movies Get Made: &lt;i&gt;Robin Hood&lt;/i&gt; from Script to Screen
    
      by Mark Asch</title>
      <link>http://www.thelmagazine.com/TheMeasure/archives/2010/05/19/how-bad-movies-get-made-robin-hood-from-script-to-screen</link>
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      by Mark Asch</description>
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      <pubDate>Thu, 20 Jun 2013 00:00:01 -0400</pubDate>
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    <title><![CDATA[Re: How Bad Movies Get Made: Robin Hood from Script to Screen]]></title>

    
    <link><![CDATA[http://www.thelmagazine.com/TheMeasure/archives/2010/05/19/how-bad-movies-get-made-robin-hood-from-script-to-screen/#1634083]]></link>

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    <author><![CDATA[Mark Asch]]></author>
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      <![CDATA[Jesse, are you implying that Hollywood is so impressed by seeming erudition of a British import that they keep throwing money and prestige at him regardless of the quality of his actual work? Because I'm having a really difficult time swallowing that.
        
        <br />
        Posted by 
        
          <a href="http://www.thelmagazine.com/newyork/Profile?oid=1151003">Mark Asch</a>]]>
    </description>
    <pubDate>Wed, 19 May 2010 14:13:54 -0400</pubDate>
    <source url="http://www.thelmagazine.com">The L Magazine</source>
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          <item>
    
    <title><![CDATA[Re: How Bad Movies Get Made: Robin Hood from Script to Screen]]></title>

    
    <link><![CDATA[http://www.thelmagazine.com/TheMeasure/archives/2010/05/19/how-bad-movies-get-made-robin-hood-from-script-to-screen/#1634082]]></link>

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    <author><![CDATA[bstrong]]></author>
    <description>
      
      <![CDATA[Tarantino's revisions come through loud and clear in Crimson Tide.
        
        <br />
        Posted by 
        
          <a href="http://www.thelmagazine.com/newyork/Profile?oid=1189460">bstrong</a>]]>
    </description>
    <pubDate>Wed, 19 May 2010 14:00:33 -0400</pubDate>
    <source url="http://www.thelmagazine.com">The L Magazine</source>
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          <item>
    
    <title><![CDATA[Re: How Bad Movies Get Made: Robin Hood from Script to Screen]]></title>

    
    <link><![CDATA[http://www.thelmagazine.com/TheMeasure/archives/2010/05/19/how-bad-movies-get-made-robin-hood-from-script-to-screen/#1634074]]></link>

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    <author><![CDATA[jesse]]></author>
    <description>
      
      <![CDATA[It seems like the patented Stoppard dialogue polish has yet to actually work in a movie not actually written by Stoppard (unlike, say, Tarantino, who has done some supposed dialogue polishes that were, if not essential, at least amusing). Wasn't he rumored to have done some touching up on the Star Wars prequels?
        
        <br />
        Posted by 
        
          <a href="http://www.thelmagazine.com/newyork/Profile?oid=1183624">jesse</a>]]>
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    <pubDate>Wed, 19 May 2010 13:50:32 -0400</pubDate>
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          <item>
    
    <title><![CDATA[Re: How Bad Movies Get Made: Robin Hood from Script to Screen]]></title>

    
    <link><![CDATA[http://www.thelmagazine.com/TheMeasure/archives/2010/05/19/how-bad-movies-get-made-robin-hood-from-script-to-screen/#1633997]]></link>

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    <author><![CDATA[bstrong]]></author>
    <description>
      
      <![CDATA[My apologies then to Mr. Helgeland. And you're right, "tumescent" has Stoppard written all over it.
        
        <br />
        Posted by 
        
          <a href="http://www.thelmagazine.com/newyork/Profile?oid=1189460">bstrong</a>]]>
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    <pubDate>Wed, 19 May 2010 12:52:53 -0400</pubDate>
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