Likened in press materials to Brokeback Mountain for its not negligible gay cowboy content, Laboratory Theater’s latest is actually more Lynchian, punctuated with minimalist square dances, an incessantly windswept soundtrack, and disjunctures between spoken and recorded dialog, all of which is delivered in desert-dry deadpan. Sudden outbursts of psycho-sexual violence punctuate the barely-there narrative involving two outlaws tracking down a third.