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Jonathan Butt and Mernet Larsen 

Saturdays, Sundays. Continues through April 17 2011
When we visited Jonathan Butt's studio in early March he told us: "I believe in a broader sense that sculpture, or successful sculpture, should embrace this transitional or in-between location between a realized, understood, socially acceptable thing, and something that is not formed in the least bit." Weirdly Mernet Larsen's paintings, with their human figures made of hard-edged rectangular forms, tap into a similar contrast between very calculated shapes and unrefined mass.


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