The young artist's first major museum show includes photography, video art and two full-length films, all combining a kind of diaristic, voyeuristic chronicling of everyday activity and places where it overlaps with artistic labor. In addition to films in which she performs in anonymous men's homes and goes into young women's bedrooms and films them stripping to their underwear, a new photo series documents Nakadate's year-long performance to photograph herself crying every day of 2011.