Liars have made a career out of jumping back and forth between styles. There were the hyper-rhythmic freakouts of Drums Not Dead, the more straightforward post-rock of Liars, and the creepy-as-fuck dirges of They Were Wrong. With their most recent album, Sisterworld, though, they've managed to put it all together — not by switching styles from song to song as you may expect, but by incorporating elements of many disparate sounds at the same time, within the same song. It's a shift in approach that has yielded what may well be the best album in their already impressive career.