Marina Abramovic sits in a hardback chair in the MoMA atrium. She is wearing a long navy dress and her glossy black hair, loosely braided, rests on her left shoulder. Her palms are open, hands resting on her lower thigh. An older…
In his solo show at Slag Contemporary, the artist deploys blues, grays and polyptychs in portraits of post-revolutionary uncertainties and political precariousness.