Another year, another agenda-setting show of new photography by emerging and established photographers to test the limits of what we consider photography (or dwell comfortably, compellingly, within those boundaries). This year's lineup privileges artists who knowingly take up existing images, whether literally in the cases of Roe Ethridge, Elad Lassry and Amanda Ross-Ho, or in the more Cindy Sherman-esque vein of Alex Prager's cinematic stills of nonexistent feminist films.