Tamara Gonzales' lushly layered, lace-filtered paintings are so visually affecting and chromatically effective that you might well find yourself liking color combinations you'd never liked before, then loving them. Sprawling high and low on the gallery's walls and featuring a site-specific work as well, Gonzales' solo show is spatially transformative, too. In the project room, Kevin Curran's thematically-linked sculptures and drawings linger like mysteries in a realm of white. Bridging the colors of one artist and the spectrality of the other is an exquisite new polyptych sketchbook by Austin Thomas.