Total Recall's Deceptive Surfaces and Concealed Memories

November 24, 2010

The Public Art Fund's new exhibition in the MetroTech Commons, curated by Jesse Hamerman, dissolves boundaries between personal and communal histories.

By Benjamin Sutton

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<i>Total Recall</i>'s Deceptive Surfaces and Concealed Memories

James Ewing

Martin Basher, "Minimal Consumption/Reflective Sublime/Aspirational Sunset Art" (2010), courtesy the artist and Starkwhite, by night with Matt Sheridan Smith in the background.

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Total Recall's Deceptive Surfaces and Concealed Memories

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Recalling and Revisioning History in Downtown Brooklyn

Two new exhibitions spread between the MetroTech Commons, Brooklyn Historical Society and BRIC Rotunda Gallery take up local place and past.

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