Directed by Asif Kapadia
Opens July 3
Many music documentaries tend to take a wistful perspective on an artist’s life and work—a sort of good-person-despite-it-all tack that privileges creative genius over complex experience. (It only matters what they say about you, not how you got there.) The subjects in these sorts of films tend to come off as Teflon saints, their flaws rationalized, their edges sanded. Much of this has to do, surely, with interviewees and others not wanting to speak ill of the dead. Yet being raised to the level of a god often does the artist a disservice, leeching them of their humanity, hollowing them out by making them easy sells.