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02/18/15 8:16am
02/18/2015 8:16 AM |

Quick-Billy-bruce-baillie

Quick Billy (1971)
Directed by Bruce Baillie
The South Dakota-born Baillie’s sweet films unfold like waking dreams. His hour-long opus of associations Quick Billy covers life cycles through overlapping sounds and images of things including ocean waves, moonlight, lovemaking, classical and jazz music, caged and wild animals, childhood photographs, and memories of the American West; these myriad simple gifts are gently offered for us to drift among. “Was thinking, why did I make Quick Billy?” Baillie writes by e-mail when queried about his film, which Anthology Film Archives will screen together with a related six-roll film correspondence between him and fellow filmmaker Stan Brakhage. “Seems to have been necessity, to explain my way through another mystery—as a poet must write the poem, or the farmer plant his pepinos and potatoes. Or as our friends the trees reach for the sky. Somehow we are asked for an explanation.” Aaron Cutler (Feb 20, 7:30pm at Anthology Film Archives’s “Essential Cinema”)

02/04/15 2:16pm
02/04/2015 2:16 PM |

joeversusthevolcano

Joe Versus the Volcano (1990)
Directed by John Patrick Shanley

Before Shanley was the Pulitzer-winning playwright of Doubt (but after he was the Oscar-winning screenwriter of Moonstruck), he wrote and helmed this big-budget comic-fairy-tale curiosity, whose narrative plays out like Woody Allen’s filmmaking evolution in reverse: it starts as smart, existential black comedy and ends in broad, zany caricature. Seemingly so insecure directing the Doubt movie 18 years later, with its attention-seeking camera angles and soaring musical cues, Shanley here is a confident cinematic master; it’s an Allenish film not just in tone but also in its sophisticated, superwidescreen cinematography (by Stephen Goldblatt), as terrible a victim of pan-and-scan as Manhattan. The excellent cast features not just Tom Hanks at his youthful best and classic character actors in bit parts (Dan Hedaya!) but also Meg Ryan, in three roles in three hair colors in three acts as three love interests. Her versatility will impress even a jaded New York cinephile who long ago wrote her off as romcom bullshit. Henry Stewart (Feb 4, 8pm, at IFC Center’s “Celluloid Dreams,” with Shanley in person)