
Horse Money
Directed by Pedro Costa
Opens July 24 at the Film Society of Lincoln Center
following “The Films of Pedro Costa,” July 17–23
The first time Pedro Costa brought his camera to Portugal’s Fontainhas district, a now-defunct impoverished neighborhood on the outskirts of Lisbon, he brought a crew with him; the result was Ossos (1997), in which Clotilde (Vanda Duarte) and her lover struggle to deal with their unwanted baby. For In Vanda’s Room (2000), the breakthrough film in which Fontainhas residents (most notably Vanda Duarte) play fictionalized versions of themselves as documentary footage depicts the demolition of their neighborhood, Costa first immersed himself in the community, shooting over 150 hours of footage as a one-man crew. Colossal Youth (2006) took a similar approach and introduced viewers to Ventura, a Cape Verdean immigrant who carries with him the story of an entire generation.